{"id":10035,"date":"2009-03-26T13:14:30","date_gmt":"2009-03-26T16:14:30","guid":{"rendered":"http:\/\/beta.idanca.net\/?p=10035"},"modified":"2009-03-27T16:12:33","modified_gmt":"2009-03-27T19:12:33","slug":"estreias-que-desafiam-novos-olhares","status":"publish","type":"post","link":"https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/","title":{"rendered":"Espet\u00e1culos que desafiam novos olhares | Shows that defy new perspectives"},"content":{"rendered":"

Os core\u00f3grafos e bailarinos Ana Catarina Vieira e \u00c2ngelo Madureira<\/a> sempre trabalham em dupla. De pouco tempo para c\u00e1 \u00e9 que eles sentiram a necessidade de outros corpos para aprofundar sua pesquisa. J\u00e1 o carioca Jo\u00e3o Saldanha est\u00e1 acostumado com o trabalho em grupo – h\u00e1 21 anos ele dirige o Atelier de Coreografia. Pois este fim de semana, o p\u00fablico de S\u00e3o Paulo poder\u00e1 conferir as estreias de espet\u00e1culos que t\u00eam em comum o fato de mudar a ordem descrita a\u00ed em cima: em O animal mais forte do mundo<\/strong><\/em>, Ana Catarina e \u00c2ngelo dividem o palco com mais tr\u00eas bailarinos, e Jo\u00e3o Saldanha mostra os solos Eles assistem e eu dan\u00e7o<\/strong><\/em> e Bambi<\/strong><\/em>, criados especialmente para M\u00f4nica Burity e Jamil Cardoso.<\/span><\/p>\n

“Come\u00e7amos a perceber que chegamos a um ponto da pesquisa em que precisar\u00edamos de mais gente, sozinhos n\u00e3o dava para continuar. Estamos falando de volumes e para isso precisamos de outras pessoas”, avalia Ana Catarina. Em O animal mais forte do mundo<\/strong><\/em>, a dupla trata da quest\u00e3o da sobreviv\u00eancia, da forma\u00e7\u00e3o de grupos para sobreviver. Nada mais justo que precisem dividir o espa\u00e7o c\u00eanico com outros tr\u00eas bailarinos.<\/span><\/p>\n

O trabalho faz parte de uma trilogia que come\u00e7ou com O nome cient\u00edfico da formiga<\/em><\/strong>, em 2008. As duas obras seguem o mesmo processo de cria\u00e7\u00e3o: a utiliza\u00e7\u00e3o de cerca de 1.800 fotos de trabalhos antigos para ajudar na pesquisa de movimento. A diferen\u00e7a \u00e9 que agora as fotos n\u00e3o est\u00e3o mais vis\u00edveis e d\u00e3o lugar apenas aos corpos dos int\u00e9rpretes. “Neste trabalho, todas as quest\u00f5es s\u00e3o resolvidas no corpo”, resume Ana Catarina (clique aqui<\/a> para ler mais sobre O nome cient\u00edfico da formiga<\/strong><\/em>).<\/span><\/p>\n

\"Bambi

Bambi \/ Foto: Bruno Veiga<\/p><\/div><\/span><\/p>\n

No caminho contr\u00e1rio ao de \u00c2ngelo e Ana Catarina, o core\u00f3grafo Jo\u00e3o Saldanha considera os encontros com M\u00f4nica Burity e Jamil Cardoso – que resultaram nos solos Eles assistem e eu dan\u00e7o<\/strong><\/em> e Bambi<\/strong><\/em> – um desvio na sua trajet\u00f3ria profissional. No bom sentido, claro. “Esses encontros perturbam a ordena\u00e7\u00e3o coreogr\u00e1fica habitual, alimentam novos caminhos na escrita coreogr\u00e1fica”, constata Jo\u00e3o<\/span><\/p>\n

Criado em 2005 para o projeto Solos de Dan\u00e7a no SESC, Eles assistem e eu dan\u00e7o<\/strong><\/em> \u00e9 regido por um forte pulso musical, que permeia gestos minimalistas para tratar da ideia de tempo proposta pelo espet\u00e1culo. “Eu nunca tinha visto a M\u00f4nica dan\u00e7ando at\u00e9 ent\u00e3o, a primeira vez que nos encontramos foi no ensaio. E percebemos muitas afinidades art\u00edsticas, ela \u00e9 uma int\u00e9rprete madura. Percebo hoje que ela trata o solo como trabalho e n\u00e3o como estudo”, analisa o core\u00f3grafo.<\/span><\/p>\n

Assista a um trecho do espet\u00e1culo Eles assistem e eu dan\u00e7o<\/strong><\/em>:<\/span><\/p>\n

[youtube]http:\/\/www.youtube.com\/watch?v=gyeZkRyc8_k[\/youtube]<\/div>\n

Bambi <\/strong><\/em>tamb\u00e9m nasceu de um convite do Solos de Dan\u00e7a no SESC (leia aqui<\/a> sobre a edi\u00e7\u00e3o deste ano do projeto<\/em>). Mas no caso de Jamil, a parceria n\u00e3o era in\u00e9dita – o int\u00e9rprete j\u00e1 havia trabalhado com Jo\u00e3o em Monocromos<\/strong><\/em>. “\u00c9 interessante perceber que o contato com artistas que possuem refer\u00eancias diferentes das suas pode produzir um bom encontro”, admite Jo\u00e3o, que teve assist\u00eancia de Marcelo Braga nesse trabalho.<\/span><\/p>\n

O solo parte da figura de um personagem infantil cujos signos dialogam com a figura masculina no universo da dan\u00e7a. Bambi<\/strong><\/em> explora uma cad\u00eancia de a\u00e7\u00f5es provocativas para estimular o p\u00fablico a perceber uma sexualidade impl\u00edcita.<\/span><\/p>\n

“Essas parcerias d\u00e3o g\u00e1s para todos n\u00f3s. O trabalho em companhia \u00e9 um casamento, que \u00e0s vezes se desgasta”, completa Jo\u00e3o.<\/span><\/p>\n

O animal mais forte do mundo<\/strong><\/em> estreia sexta-feira (27\/03), no SESC Vila Mariana (rua Pelotas 141. Telefone: 11 5080-3000). Sexta-feira e s\u00e1bado, \u00e0s 21h; domingo, \u00e0s 18h. O espet\u00e1culo fica em cartaz at\u00e9 domingo (29\/03) e depois segue para a Galeria Olido, tamb\u00e9m em S\u00e3o Paulo, no dia 9 de abril. Eles assistem e eu dan\u00e7o<\/strong><\/em> e Bambi<\/strong><\/em><\/span> dividem as noites do Ita\u00fa Cultural (Avenida Paulista 149. Telefone: 11 2168-1776) de hoje a domingo (26 a 29\/03), sempre \u00e0s 20h.<\/p>\n

Dancers and choreographers Ana Catarina Vieira and \u00c2ngelo Madureira<\/a> always work in duo. For a while they have felt the need of other bodies to deepen their research. On the other hand, choreographer Jo\u00e3o Saldanha, from Rio, is used to group work \u2013 for 21 years he has directed the company Atelier de Coreografia. Well, this weekend the audiences in S\u00e3o Paulo will have the chance to check out two premieres that have in common the inversion of the order described above: in O animal mais forte do mundo<\/strong><\/em>, Ana Catarina and \u00c2ngelo share the stage with three other dancers and Jo\u00e3o Saldanha presents two solos Eles assistem e eu dan\u00e7o<\/strong><\/em> and Bambi<\/strong><\/em>, specially created for M\u00f4nica Burity and Jamil Cardoso.<\/span><\/p>\n

\u201cWe started to realize that we had reached a point in the research in which we needed more people, we couldn\u2019t go on alone. We are talking about volumes and to do so we need other people\u201d, Ana Catarina evaluates. In O animal mais forte do mundo<\/strong><\/em>, the duo deals with the issue of survival, of creating groups to survive. It is fair enough they need to share the stage with three other dancers. <\/span><\/p>\n

The piece is part of a trilogy that started with O nome cient\u00edfico da formiga<\/em><\/strong>, in 2008. Both pieces follow the same creative process: using about 1.800 photos of previous works to help in the movement research. The difference is that now the photos are no longer visible and give place to the bodies of the performers. \u201cIn this piece, all issues are worked out on the body\u201d, Ana Catarina sums up. <\/span><\/p>\n

\"Bambi

Bambi \/ Foto: Bruno Veiga<\/p><\/div><\/span><\/p>\n

Going in the opposite direction from \u00c2ngelo and Ana Catarina, the encounters with M\u00f4nica Burity and Jamil Cardoso \u2013 which resulted in the solos Eles assistem e eu dan\u00e7o<\/strong><\/em> and Bambi<\/strong><\/em> – are considered by choreographer Jo\u00e3o Saldanha to be a detour from his professional path. In a good way, of course. \u201cThese encounters disturb the usual choreographic order, they feed news paths for the choreographic writing\u201d, says Jo\u00e3o.<\/span><\/p>\n

Created in 2005 for the SESC Solos de Dan\u00e7a project, Eles assistem e eu dan\u00e7o<\/strong><\/em> is guided by a strong musical hand, which permeates minimalist gestures to deal with the idea of time proposed by the show. \u201cI had never seen M\u00f4nica dancing until then, the first time we met was in the rehearsal. And we perceive many artistic affinities, she is a mature performer. I realize today that she treats the solo as work, not as study\u201d, analyzes the choreographer.<\/span><\/p>\n

Watch below na excerpt of the show Eles assistem e eu dan\u00e7o<\/strong><\/em>:<\/span><\/p>\n

[youtube]http:\/\/www.youtube.com\/watch?v=gyeZkRyc8_k[\/youtube]<\/div>\n

Bambi <\/strong><\/em> was also born out of an invitation from SESC Solos de Dan\u00e7a (read <\/a> about this years edition of the project<\/em>). But in the case of Jamil, the partnership was not new \u2013 the performer had already worked with Jo\u00e3o in Monocromos<\/strong><\/em>. \u201cIt\u2019s interesting to realize that the contact with artists who have references that are different from yours can produce such a good meeting\u201d, admits Jo\u00e3o, who was assisted by Marcelo Braga in this piece. <\/span><\/p>\n

The solo uses a character from a children story, whose signs dialogue with the masculine figure in the dance universe. Bambi<\/strong><\/em> explores a cadence of provocative actions to encourage the audience to perceive an implicit sexuality. <\/span><\/p>\n

O animal mais forte do mundo<\/strong><\/em> premieres on Friday (27\/03), in SESC Vila Mariana (rua Pelotas 141. Phone: 11 5080-3000). Fridays and Saturdays, at 21h; Sunday, at 18h. The show runs until Sunday (29\/03) and then moves to Galeria Olido, also in S\u00e3o Paulo, on April 9. Eles assistem e eu dan\u00e7o<\/strong><\/em> and Bambi<\/strong><\/em> share the evenings at Ita\u00fa Cultural (Avenida Paulista 149. Phone: 11 2168-1776) from today until Sunday (26 a 29\/03), always at 20h.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Estreias do fim de semana em S\u00e3o Paulo, ‘O animal mais forte do mundo’, ‘Eles assistem e eu dan\u00e7o’ e ‘Bambi’ s\u00e3o resultados de formas de trabalho menos exploradas por seus core\u00f3grafos. Leia as entrevistas.<\/span>
\nPremiering this weekend in S\u00e3o Paulo ‘O animal mais forte do mundo’, ‘Eles assistem e eu dan\u00e7o’ and ‘Bambi’ are the result of work method different from what the choreographers. Read the interviews.<\/span><\/p>\n","protected":false},"author":136,"featured_media":10039,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[45,17],"tags":[2245,2244,358,600],"yoast_head":"\nEspet\u00e1culos que desafiam novos olhares | Shows that defy new perspectives -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Espet\u00e1culos que desafiam novos olhares | Shows that defy new perspectives -\" \/>\n<meta property=\"og:description\" content=\"Estreias do fim de semana em S\u00e3o Paulo, 'O animal mais forte do mundo', 'Eles assistem e eu dan\u00e7o' e 'Bambi' s\u00e3o resultados de formas de trabalho menos exploradas por seus core\u00f3grafos. Leia as entrevistas. Premiering this weekend in S\u00e3o Paulo 'O animal mais forte do mundo', 'Eles assistem e eu dan\u00e7o' and 'Bambi' are the result of work method different from what the choreographers. Read the interviews.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/idanca.net\" \/>\n<meta property=\"article:published_time\" content=\"2009-03-26T16:14:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2009-03-27T19:12:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/idanca.net\/wp-content\/uploads\/2009\/03\/bambi_bruno-veiga.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"212\" \/>\n\t<meta property=\"og:image:height\" content=\"141\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Isabella Motta\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Isabella Motta\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/\",\"url\":\"https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/\",\"name\":\"Espet\u00e1culos que desafiam novos olhares | Shows that defy new perspectives -\",\"isPartOf\":{\"@id\":\"https:\/\/idanca.net\/#website\"},\"datePublished\":\"2009-03-26T16:14:30+00:00\",\"dateModified\":\"2009-03-27T19:12:33+00:00\",\"author\":{\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/b8231b94704437f3bd98a7f1ae48c201\"},\"breadcrumb\":{\"@id\":\"https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/idanca.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Espet\u00e1culos que desafiam novos olhares | Shows that defy new perspectives\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/idanca.net\/#website\",\"url\":\"https:\/\/idanca.net\/\",\"name\":\"\",\"description\":\"portal de not\u00edcias sobre dan\u00e7a brasileira e internacional\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/idanca.net\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/b8231b94704437f3bd98a7f1ae48c201\",\"name\":\"Isabella Motta\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/5a5ef275ed656db1d57c85688eceea8a?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/5a5ef275ed656db1d57c85688eceea8a?s=96&d=mm&r=g\",\"caption\":\"Isabella Motta\"},\"sameAs\":[\"https:\/\/idanca.net\"],\"url\":\"https:\/\/idanca.net\/author\/isabellamotta\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Espet\u00e1culos que desafiam novos olhares | Shows that defy new perspectives -","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/","og_locale":"pt_BR","og_type":"article","og_title":"Espet\u00e1culos que desafiam novos olhares | Shows that defy new perspectives -","og_description":"Estreias do fim de semana em S\u00e3o Paulo, 'O animal mais forte do mundo', 'Eles assistem e eu dan\u00e7o' e 'Bambi' s\u00e3o resultados de formas de trabalho menos exploradas por seus core\u00f3grafos. Leia as entrevistas. Premiering this weekend in S\u00e3o Paulo 'O animal mais forte do mundo', 'Eles assistem e eu dan\u00e7o' and 'Bambi' are the result of work method different from what the choreographers. Read the interviews.","og_url":"https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/","article_publisher":"http:\/\/www.facebook.com\/idanca.net","article_published_time":"2009-03-26T16:14:30+00:00","article_modified_time":"2009-03-27T19:12:33+00:00","og_image":[{"width":212,"height":141,"url":"https:\/\/idanca.net\/wp-content\/uploads\/2009\/03\/bambi_bruno-veiga.jpg","type":"image\/jpeg"}],"author":"Isabella Motta","twitter_misc":{"Escrito por":"Isabella Motta","Est. tempo de leitura":"7 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/","url":"https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/","name":"Espet\u00e1culos que desafiam novos olhares | Shows that defy new perspectives -","isPartOf":{"@id":"https:\/\/idanca.net\/#website"},"datePublished":"2009-03-26T16:14:30+00:00","dateModified":"2009-03-27T19:12:33+00:00","author":{"@id":"https:\/\/idanca.net\/#\/schema\/person\/b8231b94704437f3bd98a7f1ae48c201"},"breadcrumb":{"@id":"https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/idanca.net\/estreias-que-desafiam-novos-olhares\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/idanca.net\/"},{"@type":"ListItem","position":2,"name":"Espet\u00e1culos que desafiam novos olhares | Shows that defy new perspectives"}]},{"@type":"WebSite","@id":"https:\/\/idanca.net\/#website","url":"https:\/\/idanca.net\/","name":"","description":"portal de not\u00edcias sobre dan\u00e7a brasileira e internacional","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/idanca.net\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"pt-BR"},{"@type":"Person","@id":"https:\/\/idanca.net\/#\/schema\/person\/b8231b94704437f3bd98a7f1ae48c201","name":"Isabella Motta","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/idanca.net\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/5a5ef275ed656db1d57c85688eceea8a?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5a5ef275ed656db1d57c85688eceea8a?s=96&d=mm&r=g","caption":"Isabella Motta"},"sameAs":["https:\/\/idanca.net"],"url":"https:\/\/idanca.net\/author\/isabellamotta\/"}]}},"_links":{"self":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts\/10035"}],"collection":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/users\/136"}],"replies":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/comments?post=10035"}],"version-history":[{"count":0,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts\/10035\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/media\/10039"}],"wp:attachment":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/media?parent=10035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/categories?post=10035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/tags?post=10035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}