{"id":10247,"date":"2009-04-09T13:55:43","date_gmt":"2009-04-09T16:55:43","guid":{"rendered":"http:\/\/beta.idanca.net\/?p=10247"},"modified":"2023-05-02T12:28:14","modified_gmt":"2023-05-02T15:28:14","slug":"cidades-e-corpos-de-um-japao-imaginado","status":"publish","type":"post","link":"https:\/\/idanca.net\/cidades-e-corpos-de-um-japao-imaginado\/","title":{"rendered":"Cidades e Corpos de um Jap\u00e3o Imaginado | Cities and Bodies from an imagined Japan"},"content":{"rendered":"<p align=\"center\"><strong> <\/strong><\/p>\n<p><span lang=\"pt-br\"><em>Abaixo segue o quarto texto da s\u00e9rie de resenhas que o<\/em><strong> idan\u00e7a<\/strong><em> come\u00e7ou a publicar no fim de 2008. Nele, a colaboradora \u00cdtala Clay analisa o livro &#8216;Tokyogaqui &#8211; um Jap\u00e3o Imaginado&#8217;, organizado por Christine Greiner e Ricardo Muniz Fernandes. As outras publica\u00e7\u00f5es j\u00e1 resenhadas foram: \u2018Dan\u00e7a C\u00eanica &#8211; pesquisas em dan\u00e7a volume 1\u00ba, \u2018Zdenek Hampl &#8211; Constante Movimento\u2019 e &#8216;Temporalidade em Dan\u00e7a: par\u00e2metros para uma hist\u00f3ria contempor\u00e2nea. <a href=\"https:\/\/idanca.net\/lang\/pt-br\/2009\/03\/26\/a-temporalidade-na-danca\/10045\/\" target=\"_blank\" rel=\"noopener\">Clique aqui<\/a> para ler os textos anteriores.<\/em><\/span><\/p>\n<p><span lang=\"pt-br\">Em 2008 cont\u00ednuas pr\u00e1ticas comemorativas do centen\u00e1rio da imigra\u00e7\u00e3o japonesa no Brasil instigaram nossos pensamentos sobre encontros, travessias e travessuras culturais. Diversos canais de televis\u00e3o, jornais impressos e revistas eletr\u00f4nicas nutriram suas agendas com o tema. Institui\u00e7\u00f5es p\u00fablicas e privadas ofereceram suas homenagens nos mais diferentes espa\u00e7os. No SESC Avenida Paulista a exposi\u00e7\u00e3o cenogr\u00e1fica <strong>Tokyogaqui <\/strong>&#8211; um trocadilho que significa imagem do Jap\u00e3o aqui -, e suas m\u00faltiplas atividades culturais, \u00a0propiciou intensa circula\u00e7\u00e3o de informa\u00e7\u00f5es no per\u00edodo de 15 de mar\u00e7o a 4 de maio, com direito a estrat\u00e9gias de propaga\u00e7\u00e3o no final do ano. E dentre estas, o lan\u00e7amento do livro <em>Tokyogaqui: um Jap\u00e3o Imaginado<\/em>, publica\u00e7\u00e3o bil\u00edngue (portugu\u00eas e ingl\u00eas), pelas Edi\u00e7\u00f5es SESC SP, sob a organiza\u00e7\u00e3o de Christine Greiner, professora doutora do Departamento de Linguagens do Corpo (PUC-SP), e do produtor cultural Ricardo Muniz Fernandes.<\/span><\/p>\n<p><span lang=\"pt-br\">Os ensaios, divididos em cinco partes, se organizam a partir de uma vis\u00e3o integrada de cultura e apostam em leitores com o saud\u00e1vel h\u00e1bito de experimentar novas conex\u00f5es. Um conjunto de textos que nos oferecem passeios por espa\u00e7os urbanos, operadores po\u00e9ticos, resson\u00e2ncias hist\u00f3ricas, e representa\u00e7\u00f5es midi\u00e1ticas. Um conjunto de imagens que nos prop\u00f5em a aventura de um olhar Benjaminiano, desprevenido e receptivo, configurado nas s\u00e9ries fotogr\u00e1ficas de Hideki Matsuka e Pedro Imenes.\u00a0 No artigo de abertura, Ricardo Muniz declara serem a exposi\u00e7\u00e3o-origem e o livro-resultado mais do que registros documentais, pois auxiliam a criar muitos &#8220;Jap\u00f5es&#8221; e constroem um lugar-pensamento entre encontros e desvios, ideias e coisas sabidas, viv\u00eancias e interpreta\u00e7\u00f5es da hist\u00f3ria, da ci\u00eancia e da arte.<\/span><\/p>\n<p><span lang=\"pt-br\">Em <em>Estrat\u00e9gias Antropof\u00e1gicas: Do Tupi-Japon\u00eas \u00e0 Metaformoses das Cidades e dos Corpos<\/em>, Shuhei \u00a0Hosokawa, do Centro Nichibunken de Kioto, apresenta quest\u00f5es de lingu\u00edstica e suas constru\u00e7\u00f5es identit\u00e1rias. Yoshikuni Igarashi, professor da Universidade Vanderbilt, chama a aten\u00e7\u00e3o para a hist\u00f3ria do Jap\u00e3o ao abordar o passado dos anos de 1960 e suas problem\u00e1ticas geopol\u00edticas representadas em seus monstros cinematogr\u00e1ficos e televisivos, destacando-se a Mothra (um bicho-da-seda gigante), o Kanegon (um monstro comedor de dinheiro) e, \u00e9 claro, Godzilla. Tom Looser, professor da Universidade de Nova York, interessa-se pelas poss\u00edveis liga\u00e7\u00f5es entre o mundo avan\u00e7ado de Roppongi Hills (complexo de pr\u00e9dios em T\u00f3quio) e as reivindica\u00e7\u00f5es declaradas por novas categorias sociais. Ainda com o foco em T\u00f3quio, o arquiteto, cr\u00edtico e historiador, Guilherme Wisnik, escreve suas reflex\u00f5es sobre as novas formas de moradia em uma megal\u00f3pole com uma desorganiza\u00e7\u00e3o eficiente, assim como o pr\u00f3prio fluxo da informa\u00e7\u00e3o eletr\u00f4nica.<\/span><\/p>\n<p><span lang=\"pt-br\">Para os interessados em quest\u00f5es mais espec\u00edficas sobre os corpos e as dan\u00e7as que se organizaram no tr\u00e2nsito entre as informa\u00e7\u00f5es \u00a0Jap\u00e3o-Brasil, o leitor encontrar\u00e1 um terreno f\u00e9rtil para a leitura cr\u00edtica \u00a0em <em>Tr\u00eas momentos das artes do corpo no Jap\u00e3o<\/em>. Takashi Morishita, da Universidade Kei\u00f4, direciona o olhar para a performance \u00a0<strong><em>Rose-colored Dance<\/em><\/strong>, de Tatsumi Hijikata (1965) e a import\u00e2ncia de se revisar a arte do p\u00f3s-guerra no Jap\u00e3o. Estudos que se tornam suporte ao trabalho dos Arquivos do Memorial Tatsumi Hijikata. Tadaschi Uchino, da Escola de Artes e Ci\u00eancias da Universidade de T\u00f3quio, desenvolve em seu artigo sobre a cultura da dan\u00e7a japonesa, quest\u00f5es nacionalistas emergentes nas d\u00e9cadas de 1960 e 1990, referentes ao but\u00f4 e \u00e0 dan\u00e7a contempor\u00e2nea, declarando que o Jap\u00e3o possui uma no\u00e7\u00e3o de belas-artes em constante desmoronamento, onde a cultura da dan\u00e7a torna-se um espa\u00e7o para articula\u00e7\u00e3o\/desarticula\u00e7\u00e3o da experi\u00eancia vivida.<\/span><\/p>\n<p><span lang=\"pt-br\">Na expans\u00e3o dos textos citados anteriormente, o universo pop e seus corpos da sociedade de consumo s\u00e3o apresentados por Christine Greiner. A autora alerta para o fato de que a aceita\u00e7\u00e3o oficial do pop japon\u00eas constitui-se em algo recente e se deve, al\u00e9m da press\u00e3o exercida pelo mercado internacional, ao entrela\u00e7amento dos procedimentos est\u00e9ticos e pol\u00edticos de artistas japoneses e \u00e0s trilhas culturais criadas pelos jovens, em suas propostas visuais e comportamentais, os quais exprimem um desejo profundo de modifica\u00e7\u00e3o da sociedade p\u00f3s anos 1990. Transforma\u00e7\u00f5es que auxiliaram na constru\u00e7\u00e3o de novas imagens do Jap\u00e3o como uma refer\u00eancia para o futuro e n\u00e3o mais apenas um lugar distante. Greiner abordar\u00e1 ainda, em outro artigo, o impacto da dan\u00e7a e do teatro japon\u00eas em artistas brasileiros, ressaltando marcos hist\u00f3ricos e momentos de transi\u00e7\u00e3o e tradu\u00e7\u00e3o a partir da d\u00e9cada de 1980.<\/span><\/p>\n<p><span lang=\"pt-br\">Continuo o percurso da leitura e a visualiza\u00e7\u00e3o de situa\u00e7\u00f5es de relacionamentos culturais espraia-se, agora entre parangol\u00e9s e telas de cinema, em <em>As Artes Japonesas no Brasil<\/em>. Michiko Okano, assessora cultural s\u00eanior da funda\u00e7\u00e3o Jap\u00e3o, apresenta alguns poss\u00edveis di\u00e1logos entre o conceito Ma e as obras de H\u00e9lio Oiticica, apontando para um tipo de espacialidade no qual o corpo desenvolve uma estreita rela\u00e7\u00e3o com o ambiente por meio da sua viv\u00eancia. Marcela Canizo, mestre em Comunica\u00e7\u00e3o e Semi\u00f3tica, desenvolve reflex\u00f5es acerca da cinematografia representativa dos relacionamentos entre Oriente e Ocidente, apontando para formas particulares de mesti\u00e7agem nos filmes <strong><em>The Pillow Book<\/em><\/strong>, de Peter Greenaway, <strong><em>Tokyo-Ga<\/em><\/strong>, de Wim Wenders, e <strong><em>Kill Bill 1 e 2<\/em><\/strong>, de Quentin Tarantino. J\u00e1 o texto do videasta Almir Almas pretende tratar como a maneira peculiar japonesa de fazer cinema influencia gera\u00e7\u00f5es mundo afora. Ou melhor, como a cinematografia japonesa chegou e foi assimilada pelos diretores de cinema brasileiros orientando-se para as filmografias de Walter Hugo Khouri e Carlos Reichenbach, evidenciando um Jap\u00e3o pensado de modo est\u00e9tico e filos\u00f3fico.<\/span><\/p>\n<p><span lang=\"pt-br\">Ufa! Certamente um roteiro de f\u00f4lego! Curioso? &#8230; O livro tem muito mais a oferecer&#8230;<\/span><\/p>\n<p><span lang=\"pt-br\"><strong> \u00cdtala Clay \u00e9 jornalista, mestre em Comunica\u00e7\u00e3o e Semi\u00f3tica: Artes pela PUC-SP, onde atualmente \u00e9 doutoranda. Foi coordenadora pedag\u00f3gica do Curso de Dan\u00e7a da Escola Superior de Artes e Turismo da Universidade do Estado do Amazonas (UEA) no per\u00edodo de 2001-2007 e coordenadora do Programa Arte na Escola &#8211; p\u00f3lo Manaus (2005-2006). <\/strong><\/span><\/p>\n<p><strong><\/strong><span lang=\"en-us\"><em>This is the fourth text of the series of book reviews <strong>idan\u00e7a<\/strong> started to publish in the end of 2008. Collaborator \u00cdtala Clay analyses &#8216;Tokyogaqui &#8211; um Jap\u00e3o Imaginado&#8217;, a book organized by Christine Greiner and Ricardo Muniz Fernandes. The following publications were also reviewed: \u2018Dan\u00e7a C\u00eanica &#8211; pesquisas em dan\u00e7a volume 1\u00ba, \u2018Zdenek Hampl &#8211; Constante Movimento\u2019 and &#8216;Temporalidade em Dan\u00e7a: par\u00e2metros para uma hist\u00f3ria contempor\u00e2nea. <a href=\"https:\/\/idanca.net\/lang\/pt-br\/2009\/03\/26\/a-temporalidade-na-danca\/10045\/\">Click here<\/a> to read the previous reviews. <\/em><\/span><\/p>\n<p><span lang=\"en-us\">Throughout 2008, many events celebrating the 100th anniversary of the Japanese immigration in Brazil stirred up our ideas about encounters, crossings and cultural games. Many TV stations, printed newspapers and electronic magazines offered their tributes in many different spaces. In SESC Avenida Paulista the scenographic exhibition <strong>Tokyocaqui<\/strong> \u2013 a pun meaning image of Japan here \u2013, and its multiple cultural activities offered an intense flow of information between March 15 and May 4, counting on more strategies for developments at the end of the year. Among them, the release of the book called <em>Tokyogaqui: um Jap\u00e3o Imaginado<\/em>, a bilingual book (Portuguese and English) published by Edi\u00e7\u00f5es SESC SP and organized by Christine Greiner, professor at Departamento de Linguagens do Corpo (PUC-SP) and cultural producer Ricardo Muniz Fernandes.<br \/>\nThe essays were divided in five parts and organized with an integrated perspective of culture, betting on readers who have the healthy habit of trying new connections. A group of texts that offer a stroll through urban spaces, poetic operators, historical resonances and media representations. A group of images propose the adventure of a Benjaminian look, off-guard and receptive, configured in the photographic series by Hideki Matsuka and Pedro Imenes. In the opening article, Ricardo Muniz declares that the exhibition-origin and the book-result are more than documental records, for they help create many \u201cJapans\u201d and build a place for reflections amidst encounters and detours, ideas and known things, experiences and interpretations of history, science and art.<br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\">In <em>Estrat\u00e9gias Antropof\u00e1gicas: Do Tupi-Japon\u00eas \u00e0 Metaformoses das Cidades <\/em>e dos Corpos (Anthropophagy Strategies: From Tupi-Japanese to the Metamorphosis of Cities and Bodies), Shuhei Hosokawa, from the Nichibunken Center, in Kyoto, presents linguistic issues and their identity constructions. Vanderbilt University professor Yoshikuni Igarashi draws attention to the history of Japan, approaching the 1960\u2019s and the geopolitical issues represented in movies and television monsters, highlighting Mothra (a giant silkworm), Kanegon (a money eating monster) and Godzilla, of course. Tom Looser, professor at New York University, is interested in possible connections between the advanced world of Roppongi Hills (a building complex in Japan) and the demand for new social categories. Still focusing on Tokyo, Guilherme Wisnik, architect, critic and historian, writes his reflections about the new housing system in an efficiently disorganized megalopolis, which works in a way similar to the flow of electronic information.<br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\">For those interested in more specific issues of bodies and dances that organized themselves in the information transit between Japan-Brazil, the reader will find fertile ground for critical reading in <em>Tr\u00eas momentos das artes do corpo no Jap\u00e3o <\/em>(&#8220;Three moments of body art in Japan&#8221;). Takashi Morishita, from Kei\u00f4 University, tackles Tatsumi Hijikata\u2019s performance <em><strong>Rose-colored Dance<\/strong><\/em> (1965) and the importance of a revision of art in post-World War II Japan. Studies that became the basis for Archive work of the Tatsumi Hijikata Memorial. Tadaschi Uchino, from the University of Tokyo College of Arts and Science, writes about the Japanese dance culture and develops nationalist issues that emerged in the 1960\u2019s and the 1990\u2019s, referring to butoh and contemporary dance, stating that Japan has a constantly crumbling notion of fine arts, where dance culture becomes a space for articulation\/disarticulation of the lived experience.<br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\">Expanding from the above mentioned texts, the pop universe and the consumer society bodies are presented by Christine Greiner. The author warns that the official acceptance of Japanese pop is recent and besides the international market pressure, it also results from the intertwining of aesthetic and political procedures of Japanese artists and the cultural paths created by youth, in their visual and behavior proposals, which express a profound wish for chances in society after the 1990\u2019s. Such transformations contributed to the creation of new images of Japan as a reference for the future and not just a distant place. In another article Greiner also approaches the impact of Japanese dance and theater in Brazilian artists, highlighting historical marks and moments of transition and translation after the 1980\u2019s.<br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\">I keep on my reading path and the visualization of cultural relationship situations overflows between parangol\u00e9s and movie screens, in <strong><em>As Artes Japonesas no Brasil <\/em><\/strong>(&#8220;Japanese Arts in Brazil&#8221;). Michiko Okano, senior cultural advisor at Japan Foundation, offers some possible dialogues between the Ma concept and H\u00e9lio Oiticica\u2019s work, pointing out a kind of spatiality in which the body develops a close relationship with the environment through its experiences. Marcela Canizo, master in Communication and Semiotics, develops reflections about filmography representing relationships between East and West, pointing to particular forms of cultural mixing in films like Peter Greenaway\u2019s <em><strong>The Pillow Book<\/strong><\/em>, Wim Wender\u2019s <em><strong>Tokyo-Ga<\/strong><\/em> and Quentin Tarantino\u2019s<em><strong> Kill Bill<\/strong><\/em>. The article of videomaker Almir Almas intends to tackle how the peculiar Japanese way of filming has influenced generations all over the world. Better yet, how Japanese filmography reached and was assimilated by Brazilian film directors, based on the work of Walter Hugo Khouri and Carlos Reichenbach, he unveils an aesthetic and philosophical notion of Japan .<\/span><\/p>\n<p><span lang=\"en-us\">Whew! It certainly takes a lot of breath. Curious? &#8230; The book has a lot more to offer&#8230;<\/span><\/p>\n<p><span lang=\"en-us\"><strong>\u00cdtala Clay is a journalist, has a master degree in Communication and Semiotics: Art from PUC-SP, where she is currently a doctor candidate. She coordinated the Curso de Dan\u00e7a da Escola Superior de Artes e Turismo da Universidade do Estado do Amazonas (UEA) from 2001 to 2007 and coordinates Programa Arte na Escola &#8211; p\u00f3lo Manaus (2005-2006).<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p><span lang=\"pt-br\">Dando sequ\u00eancia \u00e0 s\u00e9rie de resenhas iniciada em 2008, o idan\u00e7a publica texto da colaboradora \u00cdtala Clay sobre o livro &#8216;Tokyogaqui &#8211; um Jap\u00e3o Imaginado&#8217;. Leia esta e as resenhas anteriores.<\/span><br \/>\n<span lang=\"en-us\">Continuing the series of book reviews started on 2008, idan\u00e7a publishes a text by our collaborator \u00cdtala Clay about &#8216;Tokyogaqui &#8211; um Jap\u00e3o Imaginado&#8217;. Read this and the previous ones. <\/span><\/p>\n","protected":false},"author":516,"featured_media":10250,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[49,2963,28],"tags":[2122,1417,2724],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cidades e Corpos de um Jap\u00e3o Imaginado | Cities and Bodies from an imagined Japan -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/cidades-e-corpos-de-um-japao-imaginado\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cidades e Corpos de um Jap\u00e3o Imaginado | Cities and Bodies from an imagined Japan -\" \/>\n<meta property=\"og:description\" content=\"Dando sequ\u00eancia \u00e0 s\u00e9rie de resenhas iniciada em 2008, o idan\u00e7a publica texto da colaboradora \u00cdtala Clay sobre o livro &#039;Tokyogaqui - um Jap\u00e3o Imaginado&#039;. Leia esta e as resenhas anteriores. Continuing the series of book reviews started on 2008, idan\u00e7a publishes a text by our collaborator \u00cdtala Clay about &#039;Tokyogaqui - um Jap\u00e3o Imaginado&#039;. 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