{"id":10778,"date":"2009-05-29T12:17:06","date_gmt":"2009-05-29T15:17:06","guid":{"rendered":"http:\/\/beta.idanca.net\/?p=10778"},"modified":"2009-06-04T12:35:57","modified_gmt":"2009-06-04T15:35:57","slug":"as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii","status":"publish","type":"post","link":"https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/","title":{"rendered":"As v\u00e1rias faces do humor na mostra Intera\u00e7\u00e3o e Conectividade | The many faces of humor at Intera\u00e7\u00e3o e Conectividade showcase"},"content":{"rendered":"

Tema ainda pouco discutido na dan\u00e7a, o humor \u00e9 o fio condutor da 3\u00aa edi\u00e7\u00e3o de Intera\u00e7\u00e3o e Conectividade<\/strong>, mostra promovida pelo Dimenti<\/a>, que come\u00e7a na segunda-feira (1\/06), em Salvador, com uma programa\u00e7\u00e3o de espet\u00e1culos, performances, mostra de videodan\u00e7a, mesas-redondas e oficinas.<\/span><\/p>\n

Todos os trabalhos t\u00eam em comum a explora\u00e7\u00e3o do humor. Mas que ningu\u00e9m pense que a mostra se trata de um show de com\u00e9dias, daquelas de se gargalhar sem parar. As obras participantes foram escolhidas com o intuito de desconstruir a ideia de que humor est\u00e1 sempre associado \u00e0 gargalhada. “Nas duas edi\u00e7\u00f5es anteriores n\u00e3o criamos nenhum recorte espec\u00edfico. Nesta, por conta de interesses art\u00edsticos nossos e por achar que h\u00e1 pouca discuss\u00e3o sobre o assunto, resolvemos nos posicionar pelo humor. Temos que investir nesse tema, as discuss\u00f5es s\u00e3o concentradas no teatro, filosofia, mas n\u00e3o em dan\u00e7a”, explica o diretor do festival, Jorge Alencar.<\/span><\/p>\n

Tendo em sua programa\u00e7\u00e3o pe\u00e7as t\u00e3o distintas quanto O samba do crioulo doido<\/strong><\/em> (Luiz de Abreu), E eu disse<\/strong><\/em>: (Let\u00edcia Sekito), e Mono<\/strong><\/em> (Marcelo Evelin), a mostra pretende provar que o humor tem v\u00e1rias caras, nem sempre com um riso solto estampado. “O humor pode assumir diversos pap\u00e9is. Ele n\u00e3o surge apenas da surpresa, \u00e9 o inusitado, o estranhamento, o posicionamento cr\u00edtico. \u00c9 muitas vezes ir\u00f4nico, sarc\u00e1stico. O humor cria uma fissura em alguns referenciais”, continua Alencar. Ele lembra que alguns artistas se questionaram se eles realmente se encaixavam dentro do tema proposto pela mostra. Mono<\/strong><\/em>, por exemplo, n\u00e3o \u00e9 exatamente uma obra que desperta no p\u00fablico a vontade de rir. “\u00c9 uma provoca\u00e7\u00e3o. Para mostrar que o humor pode ter outro tom. Vamos ver como ser\u00e1 a rea\u00e7\u00e3o das pessoas.”<\/span><\/p>\n

Com 11 anos de estrada, o Dimenti sabe bem do que est\u00e1 tratando no Intera\u00e7\u00e3o e Conectividade III. Misturando diferentes m\u00eddias e linguagens, o humor sempre foi um dos focos da pesquisa do grupo. E eles j\u00e1 o exploraram nas mais diversas roupagens. “O foco se multiplica. J\u00e1 trabalhamos o humor em v\u00e1rias entona\u00e7\u00f5es. Agora estamos trabalhando pelo foco do absurdo junto com sheila ribeiro\/dona orpheline em Um dente chamado bico<\/strong><\/em>. O riso ainda tem muito pano pra manga”, diz Alencar.<\/span><\/p>\n

Confira abaixo a programa\u00e7\u00e3o completa dos espet\u00e1culos da mostra. A lista de oficinas oferecidas pode ser acessada aqui<\/a>.<\/span><\/p>\n

1\/06<\/span><\/p>\n

O samba do crioulo doido<\/strong><\/em> (Luiz de Abreu)<\/span><\/p>\n

Palco principal do Teatro Vila Velha<\/span><\/p>\n

20h<\/span><\/p>\n

banda Miss Su\u00e9ter<\/span><\/p>\n

Cabar\u00e9 dos novos do Teatro Vila Velha<\/span><\/p>\n

20h30<\/span><\/p>\n

de 2\/06 a 5\/06<\/span><\/p>\n

Voc\u00ea, um im\u00f3vel corpo acelerado<\/strong><\/em> (Vanilton Lakka)<\/span><\/p>\n

outdoor Salvador<\/span><\/p>\n

16h<\/span><\/p>\n

2\/06<\/span><\/p>\n

E eu disse:<\/strong><\/em> (Let\u00edcia Sekito)<\/span><\/p>\n

Palco principal do Teatro Vila Velha<\/span><\/p>\n

20h<\/span><\/p>\n

\"Mono<\/a><\/strong><\/em><\/strong><\/em><\/span>

Mono \/ Foto: Klayton Amorim<\/p><\/div>\n

Jogo dos 7 erros<\/strong><\/em> (Carolina Falc\u00e3o)<\/span><\/p>\n

cabar\u00e9 dos novos do Teatro Vila Velha<\/span><\/p>\n

21h<\/span><\/p>\n

3\/06<\/span><\/p>\n

Brucutu – aburussu<\/span><\/p>\n

Pra\u00e7a Campo Grange<\/span><\/p>\n

18h<\/span><\/p>\n

Sambarrox\u00e9, um experimento bruto<\/strong><\/em> (Joubert Arrais)<\/span><\/p>\n

Cabar\u00e9 dos novos do Teatro Vila Velha<\/span><\/p>\n

20h<\/span><\/p>\n

Intervalo<\/strong><\/em> (Frederico Paredes)<\/span><\/p>\n

palco principal do Teatro Vila Velha<\/span><\/p>\n

20h20<\/span><\/p>\n

Cookie<\/strong><\/em> (N\u00facleo Vagapara)<\/span><\/p>\n

palco principal do Teatro Vila Velha<\/span><\/p>\n

20h40<\/span><\/p>\n

4\/06<\/span><\/p>\n

A bruxa louca dos mil e um gnomos e dos sete saquinhos de pedrinhas coloridas<\/strong><\/em> (Thiago Enoque)<\/span><\/p>\n

pra\u00e7a do Campo Grande<\/span><\/p>\n

18h<\/span><\/p>\n

Organizador de carne<\/strong><\/em> (sheila ribeiro\/dona orpherline)<\/span><\/p>\n

palco principal do Teatro Vila Velha<\/span><\/p>\n

20h<\/span><\/p>\n

5\/06<\/span><\/p>\n

Outdoor corpo machine<\/strong><\/em> (Andr\u00e9 Masseno)<\/span><\/p>\n

palco principal do Teatro Vila Velha<\/span><\/p>\n

20h<\/span><\/p>\n

Ressuscitando Joane<\/strong><\/em> (Grupo Go)<\/span><\/p>\n

Passeio P\u00fablico<\/span><\/p>\n

21h<\/span><\/p>\n

6\/06<\/span><\/p>\n

02 heterog\u00eaneo<\/strong><\/em> (N\u00facleo do Dirceu)<\/span><\/p>\n

palco principal do Teatro Vila Velha<\/span><\/p>\n

20h<\/span><\/p>\n

De…va…gar: \u00faltimos cap\u00edtulos da cultura nacional<\/strong><\/em> (Vanilton Lakka)<\/span><\/p>\n

palco principal do Teatro Vila Velha<\/span><\/p>\n

20h30<\/span><\/p>\n

7\/06<\/span><\/p>\n

A mulher-gorila <\/strong><\/em>(Dimenti, na foto 1)<\/span><\/p>\n

palco principal do Teatro Castro Alves (projeto Domingo a 1 real)<\/span><\/p>\n

11h<\/span><\/p>\n

Mono<\/strong><\/em> (Marcelo Evelin\/demolition inc. + N\u00facleo do Dirceu, na foto 2)<\/span><\/p>\n

palco principal do Teatro Vila Velha<\/span><\/p>\n

20h<\/span><\/p>\n

A theme that is seldom discussed in dance, humor is the conducting wire of the 3rd edition of Intera\u00e7\u00e3o e Conectividade<\/strong>, a showcase produced by Dimenti<\/a>. Starting on Friday (1\/06), in Salvador, the showcase brings a program of shows, performances, videodance screenings, debates and workshops. <\/span><\/p>\n

All the participating works have one thing in common: humor. But do not be mistaken, the showcase is not a comedy show, in which the audience laugh out loud. The pieces were chosen aiming to disarm the idea that humor is always associated with laughter. \u201cIn the two previous editions we didn\u00b4t create a specific cut. In this one, because of our artistic interests and because we think there\u00b4s little debate about the subject, we decided to go with humor. We must invest in this theme, the debates are concentrated in theater, philosophy, but not in the dance area\u201d, Jorge Alencar, director of the festival explains. <\/span><\/p>\n

With a program with such different shows as O samba do crioulo doido<\/strong><\/em> (Luiz de Abreu), E eu disse<\/strong><\/em>: (Let\u00edcia Sekito), andMono<\/strong><\/em> (Marcelo Evelin), the showcase intends to prove that humor has many faces, not always with loud laughter. \u201cHumor can assume different roles. It doesn\u00b4t come only from surprise, it\u00b4s the unexpected, defamiliarization, critical standing. Many times it\u00b4s ironic, sarcastic. Humor creates a crack in some references\u201d, Alencar continues. He recalls that some artists ask themselves if they really fit into the showcase proposes. Mono<\/strong><\/em>, for instance, is not exactly a piece that makes the audience want to ask. \u201cIt\u00b4s a provocation. To show that humor can have a different tone. Let\u00b4s see what people\u2019s reaction will be.\u201d<\/span><\/p>\n

Having 11 years of experience, Dimenti knows well what they dealing with in Intera\u00e7\u00e3o e Conectividade III. Mixing different media and languages, humor has always been one of the research focus of the group. And they have explored it in many different styles. \u201cThe focus multiplies itself. We have worked with humor in many different tones. Now we are working focusing on the absurd, along with sheila ribeiro\/dona Orpheline in Um dente chamado bico<\/strong><\/em>. Laughter still has a lot to give\u201d.<\/span><\/p>\n

Check out the showcase\u2019s complete show program. The list of workshops being offered can be accessed here<\/a>.<\/span><\/p>\n

1\/06<\/span><\/p>\n

O samba do crioulo doido<\/strong><\/em> (Luiz de Abreu)<\/span><\/p>\n

Teatro Vila Velha, main stage<\/span><\/p>\n

20h<\/span><\/p>\n

Miss Su\u00e9ter band<\/span><\/p>\n

Teatro Vila Velha, Cabar\u00e9 dos novos <\/span><\/p>\n

20h30<\/span><\/p>\n

de 2\/06 a 5\/06<\/span><\/p>\n

Voc\u00ea, um im\u00f3vel corpo acelerado<\/strong><\/em> (Vanilton Lakka)<\/span><\/p>\n

outdoor Salvador<\/span><\/p>\n

16h<\/span><\/p>\n

2\/06<\/span><\/p>\n

E eu disse:<\/strong><\/em> (Let\u00edcia Sekito)<\/span><\/p>\n

Teatro Vila Velha, main stage<\/span><\/p>\n

20h<\/span><\/p>\n

\"Mono<\/a><\/strong><\/em><\/strong><\/em><\/span>

Mono \/ Foto: Klayton Amorim<\/p><\/div>\n

Jogo dos 7 erros<\/strong><\/em> (Carolina Falc\u00e3o)<\/span><\/p>\n

Teatro Vila Velha, Cabar\u00e9 dos novos <\/span><\/p>\n

21h<\/span><\/p>\n

3\/06<\/span><\/p>\n

Brucutu – aburussu<\/span><\/p>\n

Campo Grande square<\/span><\/p>\n

18h<\/span><\/p>\n

Sambarrox\u00e9, um experimento bruto<\/strong><\/em> (Joubert Arrais)<\/span><\/p>\n

Teatro Vila Velha, Cabar\u00e9 dos novos <\/span><\/p>\n

20h<\/span><\/p>\n

Intervalo<\/strong><\/em> (Frederico Paredes)<\/span><\/p>\n

Teatro Vila Velha, main stage<\/span><\/p>\n

20h20<\/span><\/p>\n

Cookie<\/strong><\/em> (N\u00facleo Vagapara)<\/span><\/p>\n

Teatro Vila Velha, main stage<\/span><\/p>\n

20h40<\/span><\/p>\n

4\/06<\/span><\/p>\n

A bruxa louca dos mil e um gnomos e dos sete saquinhos de pedrinhas coloridas<\/strong><\/em>(Thiago Enoque)<\/span><\/p>\n

Campo Grande, square<\/span><\/p>\n

18h<\/span><\/p>\n

Organizador de carne<\/strong><\/em> (sheila ribeiro\/dona orpherline)<\/span><\/p>\n

Teatro Vila Velha, mais stage<\/span><\/p>\n

20h<\/span><\/p>\n

5\/06<\/span><\/p>\n

Outdoor corpo machine<\/strong><\/em> (Andr\u00e9 Masseno)<\/span><\/p>\n

Teatro Vila Velha, main stage<\/span><\/p>\n

20h<\/span><\/p>\n

Ressuscitando Joane<\/strong><\/em> (Grupo Go)<\/span><\/p>\n

Passeio P\u00fablico<\/span><\/p>\n

21h<\/span><\/p>\n

6\/06<\/span><\/p>\n

02 heterog\u00eaneo<\/strong><\/em> (N\u00facleo do Dirceu)<\/span><\/p>\n

Teatro Vila Velha, main stage<\/span><\/p>\n

20h<\/span><\/p>\n

De…va…gar: \u00faltimos cap\u00edtulos da cultura nacional<\/strong><\/em> (Vanilton Lakka)<\/span><\/p>\n

Teatro Vila Velha, main stage<\/span><\/p>\n

20h30<\/span><\/p>\n

7\/06<\/span><\/p>\n

A mulher-gorila <\/strong><\/em>(Dimenti, na foto 1)<\/span><\/p>\n

Teatro Castro Alves (Domingo a 1 real project)<\/span><\/p>\n

11h<\/span><\/p>\n

Mono<\/strong><\/em> (Marcelo Evelin\/demolition inc. + N\u00facleo do Dirceu, na foto 2)<\/span><\/p>\n

Teatro Vila Velha, main stage<\/span><\/p>\n

20h<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

A mostra Intera\u00e7\u00e3o e Conectividade III aposta nos diferentes tipos de humor para montar a programa\u00e7\u00e3o. Leia a entrevista com Jorge Alencar, do Dimenti. Divirta-se! <\/span>
\nThe Intera\u00e7\u00e3o e Conectividade III showcase betted on different kinds of humor to create the program. Read the interview with Dimenti\u2019s Jorge Alencar. Have fun!<\/span><\/p>\n","protected":false},"author":136,"featured_media":10786,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[18,17],"tags":[505,3252,3263,203],"yoast_head":"\nAs v\u00e1rias faces do humor na mostra Intera\u00e7\u00e3o e Conectividade | The many faces of humor at Intera\u00e7\u00e3o e Conectividade showcase -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"As v\u00e1rias faces do humor na mostra Intera\u00e7\u00e3o e Conectividade | The many faces of humor at Intera\u00e7\u00e3o e Conectividade showcase -\" \/>\n<meta property=\"og:description\" content=\"A mostra Intera\u00e7\u00e3o e Conectividade III aposta nos diferentes tipos de humor para montar a programa\u00e7\u00e3o. Leia a entrevista com Jorge Alencar, do Dimenti. Divirta-se! The Intera\u00e7\u00e3o e Conectividade III showcase betted on different kinds of humor to create the program. Read the interview with Dimenti\u2019s Jorge Alencar. Have fun!\" \/>\n<meta property=\"og:url\" content=\"https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/idanca.net\" \/>\n<meta property=\"article:published_time\" content=\"2009-05-29T15:17:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2009-06-04T15:35:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/idanca.net\/wp-content\/uploads\/2009\/05\/mono-creditos-klayton-amorim_peg.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"200\" \/>\n\t<meta property=\"og:image:height\" content=\"128\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Isabella Motta\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Isabella Motta\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/\",\"url\":\"https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/\",\"name\":\"As v\u00e1rias faces do humor na mostra Intera\u00e7\u00e3o e Conectividade | The many faces of humor at Intera\u00e7\u00e3o e Conectividade showcase -\",\"isPartOf\":{\"@id\":\"https:\/\/idanca.net\/#website\"},\"datePublished\":\"2009-05-29T15:17:06+00:00\",\"dateModified\":\"2009-06-04T15:35:57+00:00\",\"author\":{\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/b8231b94704437f3bd98a7f1ae48c201\"},\"breadcrumb\":{\"@id\":\"https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/idanca.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"As v\u00e1rias faces do humor na mostra Intera\u00e7\u00e3o e Conectividade | The many faces of humor at Intera\u00e7\u00e3o e Conectividade showcase\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/idanca.net\/#website\",\"url\":\"https:\/\/idanca.net\/\",\"name\":\"\",\"description\":\"portal de not\u00edcias sobre dan\u00e7a brasileira e internacional\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/idanca.net\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/b8231b94704437f3bd98a7f1ae48c201\",\"name\":\"Isabella Motta\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/5a5ef275ed656db1d57c85688eceea8a?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/5a5ef275ed656db1d57c85688eceea8a?s=96&d=mm&r=g\",\"caption\":\"Isabella Motta\"},\"sameAs\":[\"https:\/\/idanca.net\"],\"url\":\"https:\/\/idanca.net\/author\/isabellamotta\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"As v\u00e1rias faces do humor na mostra Intera\u00e7\u00e3o e Conectividade | The many faces of humor at Intera\u00e7\u00e3o e Conectividade showcase -","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/","og_locale":"pt_BR","og_type":"article","og_title":"As v\u00e1rias faces do humor na mostra Intera\u00e7\u00e3o e Conectividade | The many faces of humor at Intera\u00e7\u00e3o e Conectividade showcase -","og_description":"A mostra Intera\u00e7\u00e3o e Conectividade III aposta nos diferentes tipos de humor para montar a programa\u00e7\u00e3o. Leia a entrevista com Jorge Alencar, do Dimenti. Divirta-se! The Intera\u00e7\u00e3o e Conectividade III showcase betted on different kinds of humor to create the program. Read the interview with Dimenti\u2019s Jorge Alencar. Have fun!","og_url":"https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/","article_publisher":"http:\/\/www.facebook.com\/idanca.net","article_published_time":"2009-05-29T15:17:06+00:00","article_modified_time":"2009-06-04T15:35:57+00:00","og_image":[{"width":200,"height":128,"url":"https:\/\/idanca.net\/wp-content\/uploads\/2009\/05\/mono-creditos-klayton-amorim_peg.jpg","type":"image\/jpeg"}],"author":"Isabella Motta","twitter_misc":{"Escrito por":"Isabella Motta","Est. tempo de leitura":"6 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/","url":"https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/","name":"As v\u00e1rias faces do humor na mostra Intera\u00e7\u00e3o e Conectividade | The many faces of humor at Intera\u00e7\u00e3o e Conectividade showcase -","isPartOf":{"@id":"https:\/\/idanca.net\/#website"},"datePublished":"2009-05-29T15:17:06+00:00","dateModified":"2009-06-04T15:35:57+00:00","author":{"@id":"https:\/\/idanca.net\/#\/schema\/person\/b8231b94704437f3bd98a7f1ae48c201"},"breadcrumb":{"@id":"https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/idanca.net\/as-varias-faces-do-humor-na-mostra-interacao-e-conectividade-iii\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/idanca.net\/"},{"@type":"ListItem","position":2,"name":"As v\u00e1rias faces do humor na mostra Intera\u00e7\u00e3o e Conectividade | The many faces of humor at Intera\u00e7\u00e3o e Conectividade showcase"}]},{"@type":"WebSite","@id":"https:\/\/idanca.net\/#website","url":"https:\/\/idanca.net\/","name":"","description":"portal de not\u00edcias sobre dan\u00e7a brasileira e internacional","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/idanca.net\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"pt-BR"},{"@type":"Person","@id":"https:\/\/idanca.net\/#\/schema\/person\/b8231b94704437f3bd98a7f1ae48c201","name":"Isabella Motta","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/idanca.net\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/5a5ef275ed656db1d57c85688eceea8a?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5a5ef275ed656db1d57c85688eceea8a?s=96&d=mm&r=g","caption":"Isabella Motta"},"sameAs":["https:\/\/idanca.net"],"url":"https:\/\/idanca.net\/author\/isabellamotta\/"}]}},"_links":{"self":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts\/10778"}],"collection":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/users\/136"}],"replies":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/comments?post=10778"}],"version-history":[{"count":0,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts\/10778\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/media\/10786"}],"wp:attachment":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/media?parent=10778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/categories?post=10778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/tags?post=10778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}