{"id":11185,"date":"2009-06-25T17:42:52","date_gmt":"2009-06-25T20:42:52","guid":{"rendered":"http:\/\/beta.idanca.net\/?p=11185"},"modified":"2009-06-26T18:33:36","modified_gmt":"2009-06-26T21:33:36","slug":"a-danca-ambulante-de-qudus-onikeku-the-itinerant-dance-of-qudus-onikeku","status":"publish","type":"post","link":"https:\/\/idanca.net\/a-danca-ambulante-de-qudus-onikeku-the-itinerant-dance-of-qudus-onikeku\/","title":{"rendered":"A dan\u00e7a ambulante de Qudus Onikeku | The itinerant dance of Qudus Onikeku"},"content":{"rendered":"

Pra\u00e7as circulares, gramados em desn\u00edvel, ruelas estreitas e becos sem sa\u00edda. Lan\u00e7ados ao acaso e \u00e0 tens\u00e3o vivificadora das ruas, dois dan\u00e7arinos e um grupo de artistas perform\u00e1ticos d\u00e3o in\u00edcio aos primeiros movimentos de uma cena coreogr\u00e1fica solta, improvisada, atraente e livre de academicismos. Em poucos minutos, pedestres, garis, carroceiros, mendigos e trabalhadores – potenciais espectadores – cessam o seu pr\u00f3prio movimento e aglomeram-se curiosos em torno do mais novo espa\u00e7o criado para a dan\u00e7a. A cena urbana faz parte do document\u00e1rio Precisamos de\u00a0 Cola-Cola para dan\u00e7ar?<\/strong><\/em>Do We Need Cola-Cola to Dance?<\/em>), realizado em julho de 2007 em pa\u00edses africanos pelo YK Projects<\/a>, um coletivo de artistas da nova gera\u00e7\u00e3o nigeriana, residindo ou estudando na Fran\u00e7a. (<\/span><\/p>\n

\u00c0 frente dele est\u00e1 o nigeriano Qudus Onikeku, ganhador do pr\u00eamio de Bailarino do Ano pela Future Awards 2009 (Nig\u00e9ria), que aos 17 anos partiu para a Fran\u00e7a, onde se graduou na Escola Superior Nacional de Artes Circenses, tendo se formado como bailarino e acrobata com bolsa integral do governo franc\u00eas. Simultaneamente \u00e0 sua gradua\u00e7\u00e3o, ele foi artista residente da Gongbeat Artes, em Lagos, onde nasceu. Seis anos mais tarde, no processo de retorno \u00e0 sua pr\u00f3pria cultura africana, deparou-se com dificuldades e quest\u00f5es envolvendo o papel da arte e da dan\u00e7a no contexto atual. O que \u00e9 um artista? Quem \u00e9 e onde est\u00e1 o seu p\u00fablico? Qual \u00e9 a nossa postura diante da discuss\u00e3o global? Por que estudamos no exterior se o nosso p\u00fablico est\u00e1 na \u00c1frica? Como utilizar o conhecimento acumulado na volta \u00e0 nossa terra natal? Quando vamos deixar de depender do ocidente para garantir a sobreviv\u00eancia dos nossos talentos?<\/span><\/p>\n

Dono de uma linguagem corporal formada por elementos da capoeira, do circo e da dan\u00e7a de rua de Lagos, Qudus levou a dan\u00e7a contempor\u00e2nea livre de estere\u00f3tipos para espa\u00e7os n\u00e3o-convencionais, locais onde a crescente rede de arte dificilmente chega, contribuindo para a forma\u00e7\u00e3o de iniciativas locais. Acompanhados de um videoartista, de um fot\u00f3grafo e de um t\u00e9cnico de som, o coletivo, que contou com o apoio da Funda\u00e7\u00e3o Pr\u00edncipe Claus, da Holanda, realizou interven\u00e7\u00f5es em espa\u00e7os p\u00fablicos da Nig\u00e9ria, Egito, \u00c1frica do Sul, Mo\u00e7ambique, Kenya e Camar\u00f5es. As performances foram feitas de forma improvisada e n\u00e3o oficial, com pouca ou sem nenhuma divulga\u00e7\u00e3o, numa esp\u00e9cie de retomada aos antigos teatros ambulantes.<\/span><\/p>\n

\"Qudus<\/a>

Qudus Onikeku \/ Foto: Deborah Rocha e Rodrigo Moraes<\/p><\/div><\/span><\/p>\n

O document\u00e1rio, que j\u00e1 foi projetado em Lagos, Massachusetts, Kinshasa, Chicago e participou do festival online 24hours24Artist, no Texas, \u00a0foi exibido pela primeira vez no Brasil no Espa\u00e7o Matilha<\/a>, em S\u00e3o Paulo, no dia 8 de junho. Ap\u00f3s a exibi\u00e7\u00e3o, Qudus participou de um bate-papo com o p\u00fablico, que incluiu integrantes do CNAC (Centre Nacional des Arts du Cirque), representantes da cultura hip hop e m\u00fasicos como Simone Sou, com quem Qudus fez uma interven\u00e7\u00e3o no centro da cidade no dia 13 de junho. A parceria com a “percuterista”, que j\u00e1 trabalhou com Itamar Assump\u00e7\u00e3o, Chico C\u00e9sar, Zeca Balero, Z\u00e9lia Duncan e mais recentemente com Os Mutantes, resultou em duas performances. Uma em frente \u00e0 Galeria do Rock, pr\u00f3ximo ao Largo Paissandu, e outra no Viaduto do Ch\u00e1, entre as 12h e 16h de s\u00e1bado, hor\u00e1rio de intenso movimento na regi\u00e3o. Os dois artistas se conheceram durante o lan\u00e7amento no document\u00e1rio em S\u00e3o Paulo e fizeram um breve reconhecimento m\u00fatuo em um segundo encontro antes da apresenta\u00e7\u00e3o. O p\u00fablico parou para ver a performance e alguns chegaram a interagir com Qudus no centro da roda que se formou.<\/span><\/p>\n

Ap\u00f3s a experi\u00eancia paulistana, o nigeriano segue para Belo Horizonte, Bogot\u00e1, Buenos Aires. Em julho estar\u00e1 em Nova York, onde far\u00e1 performances com artistas locais e exibir\u00e1 o document\u00e1rio. Seu projeto \u00e9 de continuar viajando com esse tipo de trabalho e explorar o engajamento dos artistas africanos na discuss\u00e3o e desenvolvimento do mercado de arte na \u00c1frica, de uma forma n\u00e3o submissa aos moldes europeus ou norte-americanos, mas engajado com o entendimento dos pr\u00f3prios valores. Seu trabalho deu origem ao Ewa Bamijo, encontro bianual de dan\u00e7a e artes perform\u00e1ticas que acontece esse ano em Lagos, na Nig\u00e9ria, de 27 a 31 de outubro.<\/span><\/p>\n

“Este projeto \u00e9 primeiramente uma solu\u00e7\u00e3o imaginada para uma quest\u00e3o altamente pessoal, que incomodava minha alma enquanto um jovem criador africano e quebra as barreiras entre o artista e seu p\u00fablico e vice-versa”, diz Qudus. “Acredito que existe uma conex\u00e3o poderosa entre artistas e ativistas de direitos humanos. Os dois se levantam contra o status quo para dizer o que deve ser dito em nome da humanidade”, afirma. Vale a pena acompanhar o trajeto deste jovem artista e a continuidade de suas a\u00e7\u00f5es no crescente espa\u00e7o dedicado \u00e0 performance urbana em pa\u00edses como \u00c1frica e Brasil.<\/span><\/p>\n

Abaixo, assista a um v\u00eddeo produzido exclusivamente para o idan\u00e7a<\/strong>. Ele traz uma entrevista com Qudus e trechos das performances feitas por ele e Simone Sou nos espa\u00e7os p\u00fablicos de S\u00e3o Paulo.<\/span><\/p>\n

[youtube]http:\/\/www.youtube.com\/watch?v=eleXoQOx5BY[\/youtube]
\n<\/strong><\/span><\/p>\n

* A reportagem acompanhou os artistas \u00e0 convite da produ\u00e7\u00e3o do Espa\u00e7o Matilha. Cr\u00e9ditos do v\u00eddeo: c\u00e2mera e edi\u00e7\u00e3o de Deborah Rocha e Rodrigo Moraes.<\/span>
\n<\/strong><\/p>\n

Round squares, uneven grass yards, narrow streets and dead-end alleys. Launched randomly at the vivifying tension of streets, two dancers and a group of performing artists give start to the first movements of a loose choreographic scene, improvised, attractive and free of academicism. In a few minutes, pedestrians, garbage men, wagoners, beggars and workers \u2013 potential spectators \u2013 stop their own movements and, out of curiosity, gather around the newest space created for dance. The urban scene is part of the documentary Do We Need Cola-Cola to Dance<\/em><\/strong>, produced in July 2007, in African countries, by the YK Projects<\/a>, a collective of artists of the new Nigerian generation, living or working in France.<\/span><\/p>\n

Ahead of the collective is Qudus Onikeku, winner of the Future Awards 2009 (Nigeria) Dancer of the Year award. At age 17, he left for France, where he graduated at the Ecole Nationale des Arts du Cirque as dancer and acrobat, with a full scholarship from the French government. Parallel to his graduation, he was a resident artist at Gongbeat Artes, in Lagos, where he was born. Six years later, during the process of returning to his own African culture, he was faced with difficulties and issues revolving around the role of art and dance in the current context. What is an artist? Who and where is his audience? What is our stand on the global debate? Why do we study abroad if our audience is in Africa? How do we use the knowledge we acquire in the return to our homeland? When will we stop depending on the West to assure the survival of our talents?<\/span><\/p>\n

With a body language composed by elements of capoeira, circus and Lagos street dance, Qudus took a contemporary dance free of stereotypes to unconventional spaces, places the growing art network hardly reaches, which contributes to the development of local initiatives. The collective, which has the support of Prince Claus Fund, in the Netherlands, carried out interventions in public spaces in Nigeria, Egypt, South Africa, Mozambique, Kenya and Cameroon, along with a video artist, a photographer and a sound technician. The performances were improvised and non-official, with little or no advertisement, in a kind of revival of old itinerant theaters.<\/span><\/p>\n

\"Qudus<\/a>

Qudus Onikeku \/ Foto: Deborah Rocha e Rodrigo Moraes<\/p><\/div><\/span><\/p>\n

The documentary has been screened in Lagos, Massachusetts, Kinshasa, Chigago and participated in the 24hours24Artist online festival, in Texas. It was screened for the first time in Brazil at Espa\u00e7o Matilha, in S\u00e3o Paulo, on June 8. After the screening, Qudus took part in a debate with the audience, which included members of CNAC (Centre Nacional des Arts du Cirque), of the hip hop community and musicians like Simone Sou, with whom Qudus performed an intervention in the center of S\u00e3o Paulo, on June 13. The partnership with the percussionist, who has already worked with Brazilian musicians Itamar Assump\u00e7\u00e3o, Chico C\u00e9sar, Zeca Balero, Z\u00e9lia Duncan and most recently, Os Mutantes, resulted in two performances. One was in front of Galeria do Rock, near Largo Paissandu, and the other one was at Viaduto do Ch\u00e1, between 12 and 16 o\u00b4clock, a time of intense pedestrian movement in the area. Both artists met for the first time during the launching of the documentary in S\u00e3o Paulo and got briefly acquainted in a second encounter before the performance. The public stopped to watch the performance and some people even interacted with Qudus.<\/span><\/p>\n

After the experience in S\u00e3o Paulo, the Nigerian artist will follow to Belo Horizonte, Bogot\u00e1, Buenos Aires. In July, he will be in New York City, where he will screen the documentary and perform with local artists. His project is to keep travelling with this kind of work and explore the involvement of African artists in the debate and development of the art market in African, in a way that is not submissive to European or North-American patterns, but rather committed to the understanding of their own values. Qudus work originated Ewa Bamijo, a dance and performing arts meeting that takes place every two years and is happening this year in Lagos, Nigeria, from October 27 to 31.<\/span><\/p>\n

\u201cThis project is, first of all, an imagined solution for a highly personal issue, that disturbed my soul as a Young African creator and breaks the barriers between the artist and his audience and vice versa\u201d, says Qudus. \u201cI believe there is a powerful connection between artists and human rights activists. Both can rise against status quo to say what must be said in the name of humanity\u201d, he asserts. It\u00b4s worth following the work of this young artist and the continuity of his actions in the increasing space dedicated to urban performance in places like Africa and Brazil.<\/span><\/p>\n

Watch below a video produced exclusevely for idan\u00e7a<\/strong>. It brings an interview with Qudus and some images of his performance with Simone Sou in public spaces in S\u00e3o Paulo.
\n<\/strong><\/span><\/p>\n

[youtube]http:\/\/www.youtube.com\/watch?v=eleXoQOx5BY[\/youtube] <\/span><\/p>\n

The reporter was invited by the organization of Espa\u00e7o Matilha to follow the artists.<\/span>
\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

A colaboradora do idan\u00e7a, Deborah Rocha, acompanhou a passagem do performer nigeriano Qudus Onikeku por S\u00e3o Paulo. Leia a reportagem e assista ao v\u00eddeo da performance que ele fez nas ruas da capital paulista. E comente!<\/span>
\n
\nDeborah Rocha, idan\u00e7a collaborator, followed the visit of Nigerian performer Qudus Onikeku to S\u00e3o Paulo. Read the report and watch a video of his performance in the streets of the city. 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