{"id":11323,"date":"2009-07-02T18:09:05","date_gmt":"2009-07-02T21:09:05","guid":{"rendered":"http:\/\/beta.idanca.net\/?p=11323"},"modified":"2009-07-23T12:57:38","modified_gmt":"2009-07-23T15:57:38","slug":"diario-de-bordo-micheline-torres-no-mexico","status":"publish","type":"post","link":"https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/","title":{"rendered":"Di\u00e1rio de bordo – Prisma M\u00e9xico | Logbook – Prisma Mexico"},"content":{"rendered":"

M\u00e9xico, Oaxaca, junho de 2009.<\/span><\/p>\n

Come\u00e7o com este cabe\u00e7alho porque este \u00e9 o lugar e \u00e9 importante que seja no M\u00e9xico (como tamb\u00e9m seria importante que fosse na Guatemala, Honduras, El Salvador, Nicar\u00e1gua, Costa Rica, Belize ou Panam\u00e1. Ou, ao sul, na Col\u00f4mbia, Venezuela, Equador, Peru, Bol\u00edvia, Paraguai, Chile, Argentina, Brasil ou Uruguai, s\u00f3 pra continuar nas Am\u00e9ricas)<\/span><\/p>\n

Mas \u00e9 na cidade do M\u00e9xico e em Oaxaca.<\/span><\/p>\n

“Os lugares obrigam os homens a interc\u00e2mbios”, disse o ge\u00f3grafo baiano Milton Santos.<\/span><\/p>\n

Interc\u00e2mbios est\u00e3o acontecendo aqui, agora, e v\u00e3o e v\u00eam de diversas partes do mundo.<\/span><\/p>\n

Bem-vindo a bordo do Prisma Forum Mexico.<\/span><\/p>\n

Prisma Forum M\u00e9xico<\/a> \u00e9 um encontro autogerido e n\u00e3o um festival. Isso significa que, apesar de oferecer semin\u00e1rios, aulas, performances, palestras e encontros de diversas naturezas com artistas de muitas nacionalidades (elementos estes comuns a festivais ao redor do mundo), Prisma foi pensado e constru\u00eddo por cada participante, a partir de suas proprias ideias e projetos.<\/span><\/p>\n

Em 2007, depois de um encontro do coletivo internacional Sweet and Tender Collaborations<\/a> no PAF<\/a>, na Fran\u00e7a, a bailarina mexicana\u00a0 Montserrat Payr\u00f3 come\u00e7ou a pensar em como realizar um encontro no M\u00e9xico e, junto com o \u00a0promotor cultural mexicano Horacio Lecona, iniciaram a rascunhar o que seria este encontro.<\/span><\/p>\n

Prisma iniciou-se em 2008, atrav\u00e9s de seu website, onde as pessoas inscreviam suas ideias de encontros, semin\u00e1rios, workshops, apresenta\u00e7\u00f5es, work in progress, trabalhos com as comunidades locais, debates ou projetos especiais. Esse per\u00edodo de inscri\u00e7\u00f5es durou 3 meses e, dentro dele, tamb\u00e9m se podia conhecer e entrar em contato, via website, com outros propositores e trocar ideias.<\/span><\/p>\n

De mar\u00e7o de 2009 at\u00e9 poucos dias antes de come\u00e7ar o encontro (em 27 de junho), a equipe do Prisma Forum, coordenada por Montserrat Payr\u00f3, avaliou \u00a0a possibilidade de realiza\u00e7\u00e3o de cada projeto e organizou o dia-a-dia e o formato do encontro.<\/span><\/p>\n

Por detr\u00e1s (e por todos os lados) desse projeto, apoiadores nacionais e internacionais de diversas inst\u00e2ncias, centros culturais, associa\u00e7\u00f5es, governos estaduais e federais, embaixadas, universidades, festivais, coletivos de diversas naturezas e, sobretudo, o esfor\u00e7o individual de cada participante para fazer sua vinda ao M\u00e9xico poss\u00edvel; tudo isso junto construiu este encontro.<\/span><\/p>\n

Embarquei nessa viagem, ou melhor, conheci a ideia deste encontro atrav\u00e9s de Montserrat, minha amiga e tamb\u00e9m participante do Sweet & Tender Collaborations, coletivo do qual fa\u00e7o parte. Est\u00e1vamos em Portugal, num grande encontro do Sweet and Tender, e ela apresentou a todos n\u00f3s seus planos e chamou-nos a ajud\u00e1-la a realizar esta grande empreitada.<\/span><\/p>\n

(Fa\u00e7o um salto no tempo e, agora mesmo de uma rua do centro de Oaxaca, preciso interromper minha escrita porque, em frente ao caf\u00e9 onde estou, passa uma banda de metais e grandes bonecos como os de Olinda no carnaval, al\u00e9m de duas centenas de pessoas. Eles participam de uma passeata em favor de ‘um candidato n\u00e3o registrado’, e gritam o lema “UNIDOS, SI – PARTIDOS, NO”.) (Esse tipo de ‘interrup\u00e7\u00e3o’, ou melhor dizendo, este tipo de realidade concret\u00edssima\u00a0 pula por aqui a todo momento e \u00e9 imposs\u00edvel esquecer que estamos no M\u00e9xico, \u00e9 impossivel esquecer que neste pa\u00eds cerca de 60% da popula\u00e7\u00e3o \u00e9 de etnicidade mesti\u00e7a, 15% s\u00e3o amer\u00edndios e 25% de origem europeia, \u00a0e que a pol\u00edtica e a imigra\u00e7\u00e3o s\u00e3o um ponto nevr\u00e1lgico nos discursos e na realidade daqui).<\/span><\/p>\n

Voltando, assim que cheguei na cidade do M\u00e9xico, ainda de malas e num calor imenso, fui direto para um \u00a0projeto chamado The Community Pictures Series<\/em><\/a>. Esse projeto foi inicialmente concebido por Myriam Van Imschoot e atualmente \u00e9 desenvolvido por David Berg\u00e9 (B\u00e9lgica) e Trajal Harrell (EUA). Se voc\u00eas visitarem o site, v\u00e3o ver que a ideia \u00e9 retratar comunidades ao redor do mundo, investigando a no\u00e7\u00e3o de pertencimento a uma comunidade, e que responsabilidades e rela\u00e7\u00f5es esta no\u00e7\u00e3o acarreta.<\/span><\/p>\n

David e Trajal desenvolvem a s\u00e9rie The Dance Community Pictures<\/em>.<\/span><\/p>\n

Eles chegaram \u00e0 cidade do M\u00e9xico antes do come\u00e7o do Prisma Forum e visitaram academias de dan\u00e7a, escolas, companhias, teatros e associa\u00e7\u00f5es, convocando seus participantes para uma foto coletiva e fazendo a pergunta: Voc\u00ea se considera membro da comunidade de dan\u00e7a da cidade do M\u00e9xico?<\/span><\/p>\n

Estive l\u00e1 nas escadarias externas do imenso Auditorio Nacional e vi aquele grupo, com pessoas de dan\u00e7as t\u00e3o diversas, reunidas para uma bela foto. Coloquei em mim o adesivo “Me declaro miembro de la comunidade de danza de Mexico” e fiz eu mesma uma foto daquele grupo. Senti que tinha acabado de pisar de fato nessa terra. Que \u00f3timo come\u00e7o!<\/span><\/p>\n

\n
\"Micheline<\/a>

Micheline no M\u00e9xico \/ Foto divulga\u00e7\u00e3o<\/p><\/div>\n<\/div>\n

Depois pegamos um \u00f4nibus e, 8 horas depois, chegar\u00edamos a Oaxaca, onde tudo come\u00e7a.<\/span><\/p>\n

(J\u00e1 na sa\u00edda da cidade do M\u00e9xico, passamos pela parte mais pobre da cidade, cheia de grandes ruas de intenso com\u00e9rcio e um tr\u00e2nsito deveras ca\u00f3tico).<\/span><\/p>\n

O caminho para Oaxaca foi cheio de montanhas alt\u00edssimas, ‘curvas peligrosas’ e uma certa dificuldade de respirar \u00e0quela altura. E muitas fronteiras. Tehuacan, Miahuatlan, Santiago Nacaltepec…, n\u00e3o conseguia entender tantos nomes diferentes mas par\u00e1vamos a cada cabine de fronteira.<\/span><\/p>\n

Por falar em atravessar fronteiras, no \u00f4nibus fui conversando com Gilad Ben Ari (Israel) que prop\u00f4s o projeto Running into the Political Equator\/ Encuentro con el Ecuador Pol\u00edtico<\/em><\/a>, um projeto que tamb\u00e9m aconteceu ‘antes’ do Prisma Forum. (Explico: tem um bra\u00e7o do Prisma chamado Prisma Extensions<\/em>, com projetos relacionados a lugares espec\u00edficos do M\u00e9xico e que ocorrem antes ou depois da dura\u00e7\u00e3o ‘oficial’) O projeto aconteceu na regi\u00e3o de Mexicali, na fronteira entre M\u00e9xico e EUA e durou 3 dias. L\u00e1, Gilad se encontrou com artistas locais, artistas que vieram especialmente para o Prisma Forum, institui\u00e7\u00f5es educativas e a popula\u00e7\u00e3o local, investigando diferentes maneiras de reagir a esta realidade que \u00e9 a fronteira e trabalhando nos aspectos art\u00edsticos, econ\u00f4micos, sociais e pol\u00edticos dessa realidade. No final dos 3 dias eles apresentaram ‘um resultado’ desse encontro, embora ‘resultado’ n\u00e3o seja mesmo a palavra adequada para essa natureza de proposta. Gilad me contou que far\u00e1 pra n\u00f3s, na cidade do M\u00e9xico, uma apresenta\u00e7\u00e3o com fotos e v\u00eddeos do que foi esse encontro, embora (de novo e ele diz) se trate de algo local, local, local.<\/span><\/p>\n

\n
\"flyer<\/a>

flyer Projeto Running \/ Divulga\u00e7\u00e3o<\/p><\/div>\n<\/div>\n

Volto a pensar: \u00e9 importante esse encontro estar acontecendo aqui e importantes s\u00e3o as redes e rela\u00e7\u00f5es que se ampliam a partir daqui.<\/span><\/p>\n

Lembrei de uma cita\u00e7\u00e3o do Samuel Beckett de que gosto bastante:<\/span><\/p>\n

Primeiro o corpo.
\nN\u00e3o.
\nPrimeiro o lugar.
\nN\u00e3o.
\nPrimeiro ambos<\/em><\/span><\/p>\n

Samuel Beckett
\nWorstward Ho
\n1983<\/span><\/p>\n

E lembrei desta cita\u00e7\u00e3o porque venho pensando muito nisto: os corpos carregando lugares e discursos, ou, discursos e lugares como parte mesma dos corpos. E n\u00e3o penso esta discuss\u00e3o em termos de identidade, ou melhor dizendo, de identifica\u00e7\u00e3o, como se um corpo pudesse ou devesse ser claramente localiz\u00e1vel em rela\u00e7\u00e3o a sua ‘origem’.<\/span><\/p>\n

Penso isso mais em termos de salsichas ou embutidos em geral: como os corpos podem carregar lugares, discursos, rela\u00e7\u00f5es e valores que v\u00eaem \u00a0cozidos, misturados, triturados e embutidos nestes corpos.<\/span><\/p>\n

Mas ok, isso \u00e9 mesmo uma outra e longa conversa!<\/span><\/p>\n

A\u00ed volto a saltar no tempo e estou em Oaxaca, o Prisma j\u00e1 come\u00e7ou com uma bela fala de Jaime de Labastida intitulada Una Visi\u00f3n de Mexico\/Conferencia de Con<\/em>tex<\/em>tualizaci\u00f3n<\/em>. Nesta fala (e vou resumir, \u00e9 claro!) ele relaciona as l\u00ednguas e dialetos falados no M\u00e9xico at\u00e9 hoje e suas tens\u00f5es pol\u00edticas e de poder, com a necessidade e responsabilidade de seguir abrindo espa\u00e7o para que cada um destes dialetos e, consequentemente, todos os povos que elas carregam, possam continuar a existir. Uma fala sobre abrir e manter o espa\u00e7o aberto para as diferen\u00e7as.<\/span><\/p>\n

A noite de abertura teve o artista mexicano de performance e escritor Guillermo G\u00f3mez Pena<\/a>, que apresentou Corpo\/Ilicito: The Post-Human Society # 69<\/em><\/strong>, um trabalho impactante e perturbador sobre a explora\u00e7\u00e3o do corpo como um lugar de espiritualidade, mem\u00f3ria, ativismo, medo e esperan\u00e7as.<\/span><\/p>\n

No dia seguinte come\u00e7amos com as aulas pela manh\u00e3, seguidas de sess\u00f5es de conversas ou workshops e semin\u00e1rios \u00e0 tarde, muitos deles simultan\u00eaos, oferecendo assim op\u00e7\u00f5es para quem quisesse direcionar seus interesses. \u00c0 noite, performances e\/ou conversas.<\/span><\/p>\n

Bem, esse di\u00e1rio de bordo vai seguir ainda por mais 3 semanas, tempo este\u00a0 que permanecerei no M\u00e9xico apresentando meu trabalho e fazendo outras atividades do Prisma Forum. Sinto que tenho ainda muita coisa a dizer e imensas vontades de trocar aqui e acol\u00e1.<\/span><\/p>\n

Nem falei ainda da conversa extremamente estimulante que tive com Guillermo G\u00f3mez Pena e do debate de hoje com Amaranta Gom\u00e9z, uma ativista ‘muxhe’ (que vem a ser uma identidade de g\u00eanero de origem zapoteca), que nos prop\u00f4s valores outros sobre g\u00eanero, sexualidade e identidades pr\u00e9-estabelecidas, e nos disse como toda essa discuss\u00e3o \u00e9 presente no dia-a-dia de Jochit\u00e1n, cidade do sul-mexicano, onde ela vive.<\/span><\/p>\n

Hoje \u00e0 tarde teremos uma conversa com Jan Ritsema (Pa\u00edses Baixos), Marten Spanberg (Su\u00e9cia), Xavier Le Roy (Fran\u00e7a) e Eszter Salamon (Hungria\/Fran\u00e7a) sobre \u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00adUn cuerpo: multiples aproximaciones<\/em> e, \u00e0 noite, Alain Buffard (Fran\u00e7a) no Teatro Macedonio Alcal\u00e1.<\/span><\/p>\n

Amanh\u00e3 apresento Carne<\/em><\/strong> no Teatro Juarez, dividindo a noite com Christoph Leuenberger (Sui\u00e7a), que apresentar\u00e1 Masculinity Project<\/em><\/strong> e, ap\u00f3s a apresenta\u00e7\u00e3o, coordenarei uma mesa de debates sobre g\u00eanero, cultura e performatividade.<\/span><\/p>\n

Espero carregar pessoas do Brasil para o M\u00e9xico a partir desta\u00a0 escrita, e me carregar tamb\u00e9m, de um lado para o outro, nesses f\u00e9rteis movimentos migrat\u00f3rios que acompanho do lado de c\u00e1.<\/span><\/p>\n

Agora preciso ensaiar.<\/span><\/p>\n

At\u00e9 semana que vem, hasta pronto!<\/span><\/p>\n

Leia tamb\u00e9m: Di\u00e1rio de bordo.2 – Prisma Mexico<\/a>
\n<\/span><\/p>\n

Di\u00e1rio de bordo.3 – Prisma Mexico<\/span><\/a><\/p>\n

Di\u00e1rio de bordo.4 – Prisma Mexico<\/a><\/p>\n


\n<\/span><\/p>\n

Oaxaca, Mexico, June 2009.<\/span><\/p>\n

I begin with this header because this is the place and it is important that it is Mexico (just like it would be important if it were Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, Belize or Panama. Or the south of Colombia, Venezuela, Ecuador, Peru, Bolivia, Paraguay, Chile, Argentina, Brazil or Uruguay, just to keep it in the Americas.)<\/span><\/p>\n

But it is in Mexico City and in Oaxaca.<\/span><\/p>\n

\u201cPlaces force men to exchange\u201d, said Brazilian geographer Milton Santos.
\nExchanges are taking place here and now and come and go from different parts of the world.
\nWelcome aboard Prisma Forum Mexico. <\/span><\/p>\n

Prisma Forum M\u00e9xico<\/a>is a self-managed encounter and not a festival. This means that although it offers different kinds of seminars, classes, performances, lectures and meetings with artists of many nationalities (elements common to festivals around the world), Prisma was conceived and built by each participant, from their own ideas and projects. <\/span><\/p>\n

In 2007, after a meeting of the international collective Sweet and Tender Collaborations<\/a> at PAF<\/a> in France, Mexican dancer Monteserrat Payr\u00f3 started to think about producing a meeting in Mexico and along with Mexican cultural promoter Horacio Lecona, she started to outline what this meeting would turn out to be.<\/span><\/p>\n

Prisma started in 2008 through its website, where people would submit their ideas for meetings, seminars, workshops, presentations, work in progress, work with local communities, debates or special projects. During the three months submission period it was also possible to meet, get in touch and exchange ideas with other participants via website. <\/span><\/p>\n

From March 2009 until a few days before the beginning of the meeting (June 27) the Prisma Forum team, coordinated by Montserrat Payr\u00f3, evaluated each project\u2019s production possibility and organized the day-to-day schedule and the format of the meeting. <\/span><\/p>\n

Behind (and all around) this project, national and international supporters from different levels like cultural centers, associations, state and federal government, embassies, universities, festivals, different types of collectives and above all the individual effort of each participant to make their visit to Mexico possible; all that combined built this meeting. <\/span><\/p>\n

I embarked on this trip, I mean, I got to know its idea from my friend Montserrat, also a member of Sweet and Tender Collaborations, a collective I take part in. We were in Portugal, in a big Sweet and Tender meeting and she introduced all us to her plans and asked us to help her carry out this great enterprise. <\/span><\/p>\n

(I take a jump in time and right now in a street in Oaxaca\u2019s center I must interrupt my writing because in front of the cafe I\u00b4m in a big brass band is passing by with giant puppets like ones found in Olinda during Carvanal, besides two hundred people. They are participating in a manifestation for \u201ca non-registered candidate\u201d and they yell UNIDOS, SI \u2013 PARTIDOS, NO.) (This kind of \u201cinterruption\u201d, I mean this kind of concrete reality erupts all the time here and it is impossible to forget we are in Mexico, it is impossible to forget that in this country about 60% of the population is of mixed ethnicity, 15% are Amerindians and 25% is of European background, and that politics and immigration are a critical point in discourses and reality here). <\/span><\/p>\n

Coming back, a soon as I reached Mexico City, still carrying my luggage under intense heat, I went straight to see a project called The Community Pictures Series<\/em><\/a>. This project was initially conceived by Myriam Van Imschoot and is currently being developed by David Berg\u00e9 (Belgium) and Trajal Harrell (EUA). If you follow the link to the website, you\u00b4ll see that the idea is to portray communities around the world, investigating an idea of belonging to a community and the responsibilities and relationships this kind of idea implicates. David and Trajal develop the series The Dance Community Pictures<\/em>. They arrived at Mexico City before the beginning of Prisma Forum and they visited dance academies, schools, companies, theaters and associations, summoning their participants for a collective picture and asking the question: Do you consider yourself a member of the Mexico City dance community?<\/span><\/p>\n

I was there in the external staircase of the huge Auditorio Nacional and I saw that group with people from such different dances, united in a beautiful picture. I put a sticker on myself saying \u201c Me declaro miembro de la comunidade de danza de Mexico\u201d (I declare myself a member of the Mexican dance community) and I took this picture of the group myself. I felt I had just actually set foot in this land. What a great start!<\/span><\/p>\n

\n
\"Micheline<\/a>

Micheline no M\u00e9xico \/ Foto divulga\u00e7\u00e3o<\/p><\/div>\n<\/div>\n

After that we took a bus and 8 hours later we reached Oaxaca, where it all begins. <\/span><\/p>\n

(Already on the way out of Mexico City, we passed by the most poor part of town, filled with large street with intense trading and really chaotic traffic)<\/span><\/p>\n

The way to Oaxaca was filled with very high mountains, dangerous curves and some difficulty breathing at that height. And a lot of borders. . Tehuacan, Miahuatlan, Santiago Nacaltepec…, I couldn\u00b4t understand so many different names but we stopped at every border. <\/span><\/p>\n

Speaking of crossing borders, in the bus I talked to Gilad Ben Ari (Israel) who proposed the project Running into the Political Equator\/ Encuentro con el Ecuador Pol\u00edtico<\/em><\/a>, which also took place \u201cbefore\u201d Prisma Forum. (I\u2019ll explain: there is a branch of Prima called \u201cPrisma Extensions\u201d, with projects related to specific places in Mexico and that happened here before or after the \u201cofficial\u201d period of the forum.) The project took place in the Mexicali region, in the border between Mexico and the USA and it lasted 3 days. There, Gilad met with local artists, artists who came specially for Prisma forum, educational institutions and the local population, investigating different ways to react to the reality of the border and working with artistic, economic, social and political aspects of that reality. After 3 days, they presented \u201ca result\u201d of this meeting, even though \u201cresult\u201d is not the most adequate word for this kind of proposal. Gilad told me that he\u00b4ll do one for us in Mexico City, a presentation with photos and videos of that meeting, although (again and he says so) it is something local, local, local. <\/span><\/p>\n

\n
\"flyer<\/a>

flyer Projeto Running \/ Divulga\u00e7\u00e3o<\/p><\/div>\n<\/div>\n

I go back to thinking: it is important that this meeting is happening here and the networks and relationships that are increasing from this place are important.<\/span><\/p>\n

I remembered a Samuel Beckett quote I really like:<\/span><\/p>\n

\u201cFirst the body..
\nNo.
\nFisrt the place.
\nNo.
\nFirst both.<\/em><\/span><\/p>\n

Samuel Beckett
\nWorstward Ho
\n1983<\/span><\/p>\n

And I remembered this quote because I\u00b4ve been thinking a lot about this: the bodies carrying places and discourses or discourses and places themselves as parts of the bodies. And I don\u00b4t think about this debate in terms identity, I mean, identification, as if a body could or should be clearly localizable regarding its \u201corigins\u201d.<\/span><\/p>\n

I think about it more in terms of all kinds of sausages: since bodies can carry places, discourses, relationships and values that come cooked, mixed, grounded and embedded into those bodies.
\nBut ok, this is another long conversation!<\/span><\/p>\n

Then I jump in time again and I am in Oaxaca, Prisma already started with a beautiful speech by Jaime de Labastida entitled Una Visi\u00f3n de Mexico\/Conferencia de Contextualizaci\u00f3n<\/em> (\u201cA vision of Mexico\/Contextualization Conference\u201d). In this speech (and I\u00b4ll sum it up, of course!) he links the languages and dialects spoken in Mexico to this day and their political and power tensions with the necessity and responsibility to keep opening space for each one of these dialects and, consequently, each of the people who speak them, so they keep existing. A speech about opening space and keeping space open for differences. <\/span><\/p>\n

The opening night had Mexican performance artist and writer Guillermo G\u00f3mez Pena<\/a>, who presented Corpo\/Ilicito: The Post-Human Society # 69<\/em><\/strong>, an impressive and disturbing piece about the exploration of the body as a place of spirituality, memory, activism, fear and hopes.
\nIn the next day, we began with classes in the morning, followed by talk sessions or workshops and seminar in the afternoon, many of them were simultaneous, thus offering options for those who wished to focus their interests. At night, there were performances and\/or talks. <\/span><\/p>\n

Well, this \u201clogbook\u201d will be kept during the next three weeks, the time I\u00b4ll be in Mexico presenting my work and doing many other activities at Prisma Forum. I feel I still have a lot to say and great wishes to exchange here and there.
\nI didn\u00b4t even speak about the extremely stimulating conversation I had with Guillermo G\u00f3mez Pena and today\u2019s debate with Amaranta Gom\u00e9z, a \u201cmuxhe\u201d activist (a gender identity of Zapotec origin), who proposed other values about gender, sexuality and pre-established identities and told us how all these discussions are present in the everyday life of Jochit\u00e1n, a city in the south of Mexico, where she lives. <\/span><\/p>\n

This afternoon we\u00b4ll have a talk with Jan Ritsema (The Netherlands), Marten Spanberg (Sweden), Xavier Le Roy (France) and Eszter Salamon (Hungary\/France) about Un Cuerpo: multiples aproximaciones<\/em>(\u201cA Body: multiuple approximations\u201d) and at night, Alain Buffard (France) at Teatro Macedonio Alcal\u00e1. <\/span><\/p>\n

Tomorrow I\u00b4ll present CARNE<\/strong><\/em> at Teatro Juarez, sharing the evening with Christoph Leuenberger (Switzerland), who will present the Masculinity Project <\/strong><\/em> and after the presentation, I\u00b4ll coordinate a debate about gender, culture and performativity. <\/span><\/p>\n

I hope I can take people from Brazil to M\u00e9xico, inspired by this writing and carry myself too, from one place to the other, in these fruitful migration movements I follow from this side.<\/span><\/p>\n

Now I must rehearse.<\/span><\/p>\n

See you next week, hasta pronto!<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

No M\u00e9xico para participar do f\u00f3rum internacional Prisma, Micheline Torres far\u00e1 um di\u00e1rio de bordo em cap\u00edtulos para os leitores do idan\u00e7a. Eis o primeiro texto. N\u00e3o deixe de acompanhar!<\/p>\n","protected":false},"author":1606,"featured_media":11325,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[46,28],"tags":[682,978,3300],"yoast_head":"\nDi\u00e1rio de bordo - Prisma M\u00e9xico | Logbook - Prisma Mexico -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Di\u00e1rio de bordo - Prisma M\u00e9xico | Logbook - Prisma Mexico -\" \/>\n<meta property=\"og:description\" content=\"No M\u00e9xico para participar do f\u00f3rum internacional Prisma, Micheline Torres far\u00e1 um di\u00e1rio de bordo em cap\u00edtulos para os leitores do idan\u00e7a. Eis o primeiro texto. N\u00e3o deixe de acompanhar!\" \/>\n<meta property=\"og:url\" content=\"https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/idanca.net\" \/>\n<meta property=\"article:published_time\" content=\"2009-07-02T21:09:05+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2009-07-23T15:57:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/idanca.net\/wp-content\/uploads\/2009\/07\/micheline1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"358\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Micheline Torres\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Micheline Torres\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"17 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/\",\"url\":\"https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/\",\"name\":\"Di\u00e1rio de bordo - Prisma M\u00e9xico | Logbook - Prisma Mexico -\",\"isPartOf\":{\"@id\":\"https:\/\/idanca.net\/#website\"},\"datePublished\":\"2009-07-02T21:09:05+00:00\",\"dateModified\":\"2009-07-23T15:57:38+00:00\",\"author\":{\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/0fca02f693f2d9308d56f4af9816e878\"},\"breadcrumb\":{\"@id\":\"https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/idanca.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Di\u00e1rio de bordo – Prisma M\u00e9xico | Logbook – Prisma Mexico\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/idanca.net\/#website\",\"url\":\"https:\/\/idanca.net\/\",\"name\":\"\",\"description\":\"portal de not\u00edcias sobre dan\u00e7a brasileira e internacional\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/idanca.net\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/0fca02f693f2d9308d56f4af9816e878\",\"name\":\"Micheline Torres\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/3f2c14fdf5b5903b6ca84e21ead7cccb?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/3f2c14fdf5b5903b6ca84e21ead7cccb?s=96&d=mm&r=g\",\"caption\":\"Micheline Torres\"},\"url\":\"https:\/\/idanca.net\/author\/micheline-torres\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Di\u00e1rio de bordo - Prisma M\u00e9xico | Logbook - Prisma Mexico -","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/","og_locale":"pt_BR","og_type":"article","og_title":"Di\u00e1rio de bordo - Prisma M\u00e9xico | Logbook - Prisma Mexico -","og_description":"No M\u00e9xico para participar do f\u00f3rum internacional Prisma, Micheline Torres far\u00e1 um di\u00e1rio de bordo em cap\u00edtulos para os leitores do idan\u00e7a. Eis o primeiro texto. N\u00e3o deixe de acompanhar!","og_url":"https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/","article_publisher":"http:\/\/www.facebook.com\/idanca.net","article_published_time":"2009-07-02T21:09:05+00:00","article_modified_time":"2009-07-23T15:57:38+00:00","og_image":[{"width":500,"height":358,"url":"https:\/\/idanca.net\/wp-content\/uploads\/2009\/07\/micheline1.jpg","type":"image\/jpeg"}],"author":"Micheline Torres","twitter_misc":{"Escrito por":"Micheline Torres","Est. tempo de leitura":"17 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/","url":"https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/","name":"Di\u00e1rio de bordo - Prisma M\u00e9xico | Logbook - Prisma Mexico -","isPartOf":{"@id":"https:\/\/idanca.net\/#website"},"datePublished":"2009-07-02T21:09:05+00:00","dateModified":"2009-07-23T15:57:38+00:00","author":{"@id":"https:\/\/idanca.net\/#\/schema\/person\/0fca02f693f2d9308d56f4af9816e878"},"breadcrumb":{"@id":"https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/idanca.net\/diario-de-bordo-micheline-torres-no-mexico\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/idanca.net\/"},{"@type":"ListItem","position":2,"name":"Di\u00e1rio de bordo – Prisma M\u00e9xico | Logbook – Prisma Mexico"}]},{"@type":"WebSite","@id":"https:\/\/idanca.net\/#website","url":"https:\/\/idanca.net\/","name":"","description":"portal de not\u00edcias sobre dan\u00e7a brasileira e internacional","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/idanca.net\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"pt-BR"},{"@type":"Person","@id":"https:\/\/idanca.net\/#\/schema\/person\/0fca02f693f2d9308d56f4af9816e878","name":"Micheline Torres","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/idanca.net\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/3f2c14fdf5b5903b6ca84e21ead7cccb?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3f2c14fdf5b5903b6ca84e21ead7cccb?s=96&d=mm&r=g","caption":"Micheline Torres"},"url":"https:\/\/idanca.net\/author\/micheline-torres\/"}]}},"_links":{"self":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts\/11323"}],"collection":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/users\/1606"}],"replies":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/comments?post=11323"}],"version-history":[{"count":0,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts\/11323\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/media\/11325"}],"wp:attachment":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/media?parent=11323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/categories?post=11323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/tags?post=11323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}