{"id":13866,"date":"2010-02-04T16:27:23","date_gmt":"2010-02-04T19:27:23","guid":{"rendered":"http:\/\/beta.idanca.net\/?p=13866"},"modified":"2010-02-05T15:41:18","modified_gmt":"2010-02-05T18:41:18","slug":"a-historia-do-frevo-em-mais-dois-capitulos","status":"publish","type":"post","link":"https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/","title":{"rendered":"A hist\u00f3ria do frevo em mais dois cap\u00edtulos | New chapters in the history of frevo"},"content":{"rendered":"

O compositor pernambucano Capiba escreveu, em 1972, a m\u00fasica \u201cDe chap\u00e9u de sol aberto\u201d, em que dizia \u201cse um dia o frevo acabar, juro que vou chorar\u201d. Mais de 30 anos se passaram desde que a can\u00e7\u00e3o foi escrita, o frevo est\u00e1 longe de ter fim, pelo contr\u00e1rio, convive muito bem hoje com outras formas de linguagem, como a dan\u00e7a contempor\u00e2nea. E para que esses cruzamentos continuem acontecendo, uma a\u00e7\u00e3o \u00e9 imprescind\u00edvel: a documenta\u00e7\u00e3o. A partir do que j\u00e1 foi produzido, \u00e9 poss\u00edvel conhecer o passado e reinventar o futuro do frevo.<\/span><\/p>\n

Contribuindo para enriquecer a hist\u00f3ria do frevo – e da dan\u00e7a em geral – Ana Catarina Vieira e \u00c2ngelo Madureira est\u00e3o colocando em pr\u00e1tica uma vontade antiga: disponibilizar imagens do Bal\u00e9 Popular do Recife ao p\u00fablico em geral. Filho de Andr\u00e9 Madureira, fundador do Bal\u00e9, \u00c2ngelo levou v\u00e1rias fitas VHS quando se mudou para S\u00e3o Paulo, em 1997, e fundou a Escola Bras\u00edlica M\u00fasica e Dan\u00e7a \u2013 onde ensinava a t\u00e9cnica criada por seu pai. Quando come\u00e7ou a flertar com a dan\u00e7a contempor\u00e2nea, \u00c2ngelo usou esses v\u00eddeos em sua pesquisa de linguagem. \u201cDurante muito tempo, as imagens serviram apenas como refer\u00eancias para n\u00f3s da companhia. Mas como as pessoas sempre pediam, veio a ideia de publicar de alguma forma e resolvemos digitalizar o material. \u00c9 uma forma de legitimar tudo o que o Bal\u00e9 Popular foi durante todos esses anos\u201d, diz \u00c2ngelo. Esta iniciativa ganha import\u00e2ncia extra depois do inc\u00eandio que destruiu a sede do Bal\u00e9 no in\u00edcio de 2009.<\/span><\/p>\n

Ele pediu autoriza\u00e7\u00e3o ao pai – que adorou a ideia – e atualmente j\u00e1 existem 42 v\u00eddeos cadastrados em um canal no youtube<\/a>. A ideia \u00e9 colocar pelo menos uma entrada nova por dia no acervo digital at\u00e9 completar os mais de 300 registros que est\u00e3o com \u00c2ngelo. S\u00e3o raridades como entrevistas e document\u00e1rios dos anos 70, trechos de apresenta\u00e7\u00f5es do Bal\u00e9 e de processos criativos de Ana Catarina e \u00c2ngelo tendo o frevo como base. Num dos v\u00eddeos, por exemplo, ele mostra como \u00e9 poss\u00edvel identificar alguns tra\u00e7os dos passos na coreografia cl\u00e1ssica de Gene Kelly em \u201cCantando na chuva\u201d.<\/span><\/p>\n

\u201c\u00c9 importante expor o que j\u00e1 foi feito, vira fonte de consulta para quem estuda a dan\u00e7a, acredito que \u00e9 uma posi\u00e7\u00e3o pol\u00edtica mesmo. Estamos trocando informa\u00e7\u00f5es, gerando novas conex\u00f5es, novas redes. Em um dos v\u00eddeos, meu pai explica como conseguiu remontar o galante (uma dan\u00e7a t\u00edpica do cavalo-marinho) a partir do depoimento de um \u2018tiozinho\u2019\u201d, orgulha-se \u00c2ngelo.<\/span><\/p>\n

Paralelamente a esse projeto, no Recife, outro meio de documenta\u00e7\u00e3o do frevo ganhou forma. A bailarina e pesquisadora Val\u00e9ria Vicente acaba de lan\u00e7ar o livro Entre a ponta do p\u00e9 e o calcanhar, <\/em>que aponta as transforma\u00e7\u00f5es do frevo a partir do trabalho de tr\u00eas core\u00f3grafos.<\/span><\/p>\n

\"A<\/a>

A demanda do Graal dan\u00e7ado \/ Foto: Hans von Manteuffel<\/p><\/div><\/div>\n

O livro \u2013 um desdobramento da pesquisa de mestrado de Val\u00e9ria \u2013 visita tr\u00eas importantes momentos da produ\u00e7\u00e3o de dan\u00e7a pernambucana na d\u00e9cada de 90: os espet\u00e1culos Prociss\u00e3o dos farrapos<\/strong><\/em> (Bal\u00e9 Brincante, na foto 1, de 1991), A demanda do Graal dan\u00e7ado<\/strong><\/em> (Grupo Grial, na foto 2, de 1998) e O romance da nau Catarineta<\/strong><\/em> (Bal\u00e9 Popular do Recife). A partir das cria\u00e7\u00f5es e dos questionamentos dos core\u00f3grafos respons\u00e1veis, Val\u00e9ria repassa a hist\u00f3ria do frevo e a influ\u00eancia dele em cada uma das produ\u00e7\u00f5es.<\/span><\/p>\n

\u201cNos anos 90 houve uma transforma\u00e7\u00e3o na forma de lidar com o frevo que, at\u00e9 ent\u00e3o, era apenas encena\u00e7\u00e3o. A partir dessa mudan\u00e7a, ele passa a ser vocabul\u00e1rio e cada core\u00f3grafo se utiliza dele para levantar quest\u00f5es diferentes. \u00c9 um momento celular de cada artista\u201d, explica Val\u00e9ria.<\/span><\/p>\n

Entre a ponta do p\u00e9 e o calcanhar<\/em> se junta a Bal\u00e9 Popular do Recife: a escrita de uma dan\u00e7a<\/em>, de Christianne Galdino, numa importante a\u00e7\u00e3o de documenta\u00e7\u00e3o e reflex\u00e3o sobre a hist\u00f3ria do frevo. \u201cAcervos, organiza\u00e7\u00e3o e disponibiliza\u00e7\u00e3o dos materiais s\u00e3o sempre estrat\u00e9gicos. Gera conscientiza\u00e7\u00e3o e cria reflex\u00f5es sobre os processos culturais. Mas n\u00e3o adianta apenas acumular documentos, \u00e9 preciso levantar discuss\u00f5es\u201d, alerta Val\u00e9ria.<\/span><\/p>\n

\u201cMuita gente tem resist\u00eancia em abrir seu material de pesquisa, mas eu acho que temos que olhar pra frente. Espero que outras companhias se inspirem na nossa iniciativa e fa\u00e7am o mesmo\u201d, completa \u00c2ngelo Madureira.<\/span><\/p>\n

As fotos fazem parte do Acervo Recordan\u00e7a<\/a>.<\/span><\/p>\n

Confira aqui<\/a> a galeria que o idan\u00e7a<\/strong> fez como aperitivo do que est\u00e1 no acervo digital do Bal\u00e9 Popular do Recife.<\/span><\/p>\n

In 1972, Capida, a composer from Pernambuco, wrote the song De chap\u00e9u de sol aberto<\/em>, in which he said \u201cif one day frevo<\/em> ends, I swear I\u00b4m going to cry\u201d. More than 30 years later, frevo<\/em> is far from being over, much to the contrary, it gets along with other artistic languages, such as contemporary dance. And to ensure this crossover keeps on happening, one action is essential: documentation. From what has already been produced, it is possible to learn about the past and reinvent frevo<\/em>. <\/span><\/p>\n

Contributing to enrich the history of frevo<\/em> \u2013 and dance in general \u2013 Ana Catarina Vieira and \u00c2ngelo Madureira are carrying out an old wish: making images of Bal\u00e9 Popular do Recife available to the public in general. \u00c2ngelo is the son of Andr\u00e9 Madureira, founder of Bal\u00e9. When he moved to S\u00e3o Paulo, in 1997, he took several VHS tapes and founded Escola Bras\u00edlica M\u00fasica e Dan\u00e7a \u2013 where he teaches the technique created by his father. When he started flirting with contemporary dance, \u00c2ngelo used these videos in his language research. \u201cFor a long time, the images were just references for us at the company. But since people always asked for them, the idea of publishing it somehow emerged and we decided to digitalize the material. It\u00b4s a way to legitimize everything Bal\u00e9 Popular was during all those years\u201d, says \u00c2ngelo. This initiative gained special importance after the fire that destroyed the Bal\u00e9\u2019s headquarters in the beginning of 2009. <\/span><\/p>\n

\u00c2ngelo asked his father for permission \u2013 and he loved the idea \u2013 and currently there are already 42 videos registered in a youtube channel<\/a>. The idea is to upload one new entry every day until all 300 videos are included. There are some treasures like interviews and documentaries from the 70\u2019s, excerpts of Bal\u00e9 presentations and Ana Catarina and \u00c2ngelo\u2019s creative process with frevo as inspiration. In one of the videos, for instance, he shows how it\u00b4s possible to identify some frevo<\/em> steps in Gene Kelly\u2019s classic choreography in the film \u201cSinging in the Rain\u201d. <\/span><\/p>\n

\u201cIt\u00b4s important to display what has already been done, it becomes a research source for those who study dance, I believe it\u00b4s actually a political statement. We are exchanging information, generating new connections, new networks. In one of the videos, my father explains how he was able to recreate galante<\/em> (a traditional cavalo-marinho<\/em> dance) based on a testimony from an elderly dancer\u201d.<\/span><\/p>\n

Parallel to this project, in Recife, another form of documentation for frevo<\/em> took shape. Dancer and researcher Val\u00e9ria Vicente just released the book Entre a ponta do p\u00e9 e o calcanhar<\/em>, in which she points out the transformations of frevo<\/em> based on the work of three choreographers. <\/span><\/p>\n

\"A<\/a>

A demanda do Graal dan\u00e7ado \/ Foto: Hans von Manteuffel<\/p><\/div><\/div>\n

The book \u2013 a development of Val\u00e9ria\u2019s post-graduate research \u2013 deals with three important moments for Pernambuco\u2019s dance production in the 90\u2019s: the shows Prociss\u00e3o dos farrapos<\/strong><\/em> (Bal\u00e9 Brincante, 1991, in the first photo), A demanda do Graal dan\u00e7ado<\/strong><\/em>O romance da nau Catarineta<\/strong><\/em> (Bal\u00e9 Popular do Recife). From the creations and questions of the choreographers, Val\u00e9ria examines the history of frevo<\/em> and its influence in each production. <\/span> (Grupo Grial, 1998, in the second photo) and<\/p>\n

\u201cIn the 90\u2019s, there was a transformation in the way frevo<\/em> was dealt with, which, up to that point, was merely mise en sc\u00e8ne. After this change, it became vocabulary and each choreographer uses it to raise different questions. It\u00b4s a cellular moment for each artist\u201d, Val\u00e9ria explains. <\/span><\/p>\n

Entre a ponta do p\u00e9 e o calcanhar<\/em> along with Christianne Galdino\u2019s Bal\u00e9 Popular do Recife: a escrita de uma dan\u00e7a<\/em> forms an important initiative for documentation and reflection about the history offrevo<\/em>. \u201cArchives, organization and making the material available are always strategic. It raises awareness and reflection about cultural processes. But it\u2019s not enough to collect documents, it\u00b4s necessary to raise discussions\u201d, Val\u00e9ria warns. <\/span><\/p>\n

\u201cA lot of people resist opening their material for research, but I think we must look to the future. I hope other companies are inspired by our initiative and do the same\u201d, adds \u00c2ngelo Madureira. <\/span><\/p>\n

The photos in this report are part of Recordan\u00e7a<\/a> collection.<\/span><\/p>\n

Confira aqui<\/a> a galeria que o idan\u00e7a<\/strong> fez como aperitivo do que est\u00e1 no acervo digital do Bal\u00e9 Popular do Recife.<\/span><\/p>\n

Check out<\/a> the video gallery idan\u00e7a<\/strong> created with some samples of Bal\u00e9 Popular do Recife digital collection. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

O frevo ganha mais dois cap\u00edtulos em sua hist\u00f3ria: v\u00eddeos do acervo do Bal\u00e9 Popular do Recife est\u00e3o no youtube e livro sobre as transforma\u00e7\u00f5es do ritmo \u00e9 lan\u00e7ado na capital pernambucana. <\/span>
\nTwo more chapters are added to the history of frevo, a traditional dance style from Pernambuco: videos of Bal\u00e9 Popular do Recife are uploaded to youtube and a book about the rhythm is launched.<\/span><\/p>\n","protected":false},"author":136,"featured_media":13867,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[46,28],"tags":[1082,2395,2875,1273,353,1080,5645],"yoast_head":"\nA hist\u00f3ria do frevo em mais dois cap\u00edtulos | New chapters in the history of frevo -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A hist\u00f3ria do frevo em mais dois cap\u00edtulos | New chapters in the history of frevo -\" \/>\n<meta property=\"og:description\" content=\"O frevo ganha mais dois cap\u00edtulos em sua hist\u00f3ria: v\u00eddeos do acervo do Bal\u00e9 Popular do Recife est\u00e3o no youtube e livro sobre as transforma\u00e7\u00f5es do ritmo \u00e9 lan\u00e7ado na capital pernambucana. Two more chapters are added to the history of frevo, a traditional dance style from Pernambuco: videos of Bal\u00e9 Popular do Recife are uploaded to youtube and a book about the rhythm is launched.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/idanca.net\" \/>\n<meta property=\"article:published_time\" content=\"2010-02-04T19:27:23+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2010-02-05T18:41:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/idanca.net\/wp-content\/uploads\/2010\/02\/graal_texto-isabella.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"472\" \/>\n\t<meta property=\"og:image:height\" content=\"302\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Isabella Motta\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Isabella Motta\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/\",\"url\":\"https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/\",\"name\":\"A hist\u00f3ria do frevo em mais dois cap\u00edtulos | New chapters in the history of frevo -\",\"isPartOf\":{\"@id\":\"https:\/\/idanca.net\/#website\"},\"datePublished\":\"2010-02-04T19:27:23+00:00\",\"dateModified\":\"2010-02-05T18:41:18+00:00\",\"author\":{\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/b8231b94704437f3bd98a7f1ae48c201\"},\"breadcrumb\":{\"@id\":\"https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/idanca.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"A hist\u00f3ria do frevo em mais dois cap\u00edtulos | New chapters in the history of frevo\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/idanca.net\/#website\",\"url\":\"https:\/\/idanca.net\/\",\"name\":\"\",\"description\":\"portal de not\u00edcias sobre dan\u00e7a brasileira e internacional\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/idanca.net\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/b8231b94704437f3bd98a7f1ae48c201\",\"name\":\"Isabella Motta\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/5a5ef275ed656db1d57c85688eceea8a?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/5a5ef275ed656db1d57c85688eceea8a?s=96&d=mm&r=g\",\"caption\":\"Isabella Motta\"},\"sameAs\":[\"https:\/\/idanca.net\"],\"url\":\"https:\/\/idanca.net\/author\/isabellamotta\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"A hist\u00f3ria do frevo em mais dois cap\u00edtulos | New chapters in the history of frevo -","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/","og_locale":"pt_BR","og_type":"article","og_title":"A hist\u00f3ria do frevo em mais dois cap\u00edtulos | New chapters in the history of frevo -","og_description":"O frevo ganha mais dois cap\u00edtulos em sua hist\u00f3ria: v\u00eddeos do acervo do Bal\u00e9 Popular do Recife est\u00e3o no youtube e livro sobre as transforma\u00e7\u00f5es do ritmo \u00e9 lan\u00e7ado na capital pernambucana. Two more chapters are added to the history of frevo, a traditional dance style from Pernambuco: videos of Bal\u00e9 Popular do Recife are uploaded to youtube and a book about the rhythm is launched.","og_url":"https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/","article_publisher":"http:\/\/www.facebook.com\/idanca.net","article_published_time":"2010-02-04T19:27:23+00:00","article_modified_time":"2010-02-05T18:41:18+00:00","og_image":[{"width":472,"height":302,"url":"https:\/\/idanca.net\/wp-content\/uploads\/2010\/02\/graal_texto-isabella.jpg","type":"image\/jpeg"}],"author":"Isabella Motta","twitter_misc":{"Escrito por":"Isabella Motta","Est. tempo de leitura":"8 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/","url":"https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/","name":"A hist\u00f3ria do frevo em mais dois cap\u00edtulos | New chapters in the history of frevo -","isPartOf":{"@id":"https:\/\/idanca.net\/#website"},"datePublished":"2010-02-04T19:27:23+00:00","dateModified":"2010-02-05T18:41:18+00:00","author":{"@id":"https:\/\/idanca.net\/#\/schema\/person\/b8231b94704437f3bd98a7f1ae48c201"},"breadcrumb":{"@id":"https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/idanca.net\/a-historia-do-frevo-em-mais-dois-capitulos\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/idanca.net\/"},{"@type":"ListItem","position":2,"name":"A hist\u00f3ria do frevo em mais dois cap\u00edtulos | New chapters in the history of frevo"}]},{"@type":"WebSite","@id":"https:\/\/idanca.net\/#website","url":"https:\/\/idanca.net\/","name":"","description":"portal de not\u00edcias sobre dan\u00e7a brasileira e internacional","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/idanca.net\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"pt-BR"},{"@type":"Person","@id":"https:\/\/idanca.net\/#\/schema\/person\/b8231b94704437f3bd98a7f1ae48c201","name":"Isabella Motta","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/idanca.net\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/5a5ef275ed656db1d57c85688eceea8a?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5a5ef275ed656db1d57c85688eceea8a?s=96&d=mm&r=g","caption":"Isabella Motta"},"sameAs":["https:\/\/idanca.net"],"url":"https:\/\/idanca.net\/author\/isabellamotta\/"}]}},"_links":{"self":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts\/13866"}],"collection":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/users\/136"}],"replies":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/comments?post=13866"}],"version-history":[{"count":0,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts\/13866\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/media\/13867"}],"wp:attachment":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/media?parent=13866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/categories?post=13866"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/tags?post=13866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}