{"id":14353,"date":"2010-03-19T14:36:16","date_gmt":"2010-03-19T17:36:16","guid":{"rendered":"http:\/\/beta.idanca.net\/?p=14353"},"modified":"2010-03-25T14:09:29","modified_gmt":"2010-03-25T17:09:29","slug":"mostra-rumos-afinal-o-que-e-processo","status":"publish","type":"post","link":"https:\/\/idanca.net\/mostra-rumos-afinal-o-que-e-processo\/","title":{"rendered":"Mostra Rumos: afinal, o que \u00e9 processo? | Rumos showcase: what is process, after all?"},"content":{"rendered":"

A Mostra de Processos Rumos Ita\u00fa<\/strong><\/a> terminou no domingo (14\/03). Mais do que um espa\u00e7o de encontro de artistas \u2013 cerca de 100 passaram por l\u00e1 durante todo o evento \u2013 e pesquisadores, ela acendeu uma importante discuss\u00e3o em torno do formato proposto pelo edital 2009-2010, que focou na mostra dos processos de cria\u00e7\u00e3o e n\u00e3o no produto final, como normalmente acontece. Resultado: por onde se andava, antes e depois das apresenta\u00e7\u00f5es, pipocavam perguntas sobre o que \u00e9 exatamente o processo de cria\u00e7\u00e3o? Como mostr\u00e1-lo? Ser\u00e1 que o p\u00fablico est\u00e1 interessado nisso?<\/span><\/p>\n

\u201cProcesso \u00e9 um termo usado n\u00e3o apenas nas artes, mas tamb\u00e9m nos campos econ\u00f4mico e cient\u00edfico. Quer dizer um conjunto organizado de trocas que influencia na mudan\u00e7a de algo e pode ter v\u00e1rias fases\u201d, definiu o pesquisador e cr\u00edtico franc\u00eas Christophe Wavelet, na palestra Experimenta\u00e7\u00e3o e Pesquisa nos Espet\u00e1culos Processuais, <\/em>dentro da programa\u00e7\u00e3o da mostra. \u201cNa arte, quando falamos de processos mais complexos, \u00e9 muito arbitr\u00e1ria a distin\u00e7\u00e3o entre processo e produto\u201d, completa.<\/span><\/p>\n

Ele lembrou, que nos anos 80 na Fran\u00e7a, muito se discutiu sobre o que seria de fato uma obra coreogr\u00e1fica em processo, mas que hoje esse assunto j\u00e1 estaria esgotado. \u201cQuando soube que viria ao Brasil, pensei se isso seria uma quest\u00e3o na dan\u00e7a contempor\u00e2nea brasileira. Conversei com artistas e te\u00f3ricos e descobri que havia muito em comum entre os dois pa\u00edses. Me perguntei v\u00e1rias vezes sobre o entendimento de processo, mas n\u00e3o tenho uma resposta…\u201d, relatou Christophe.<\/span><\/p>\n

Uma outra vis\u00e3o sobre o tema, que se aproxima mais da forma de expor essa etapa de cria\u00e7\u00e3o, foi dada pela professora da PUC-SP, Cecilia Almeida Salles. Ela analisou os blogs criados pelos artistas durante os meses de trabalho \u2013 uma exig\u00eancia in\u00e9dita do edital \u2013 ressaltando aspectos interessantes da utiliza\u00e7\u00e3o da ferramenta (clique aqui<\/a> para ver os blogs criados). \u201cBusquei especificidades e diferen\u00e7as nas rela\u00e7\u00f5es entre obra e processo. Observei que existe uma banaliza\u00e7\u00e3o dessa palavra, o que acaba valorando algo. Toda cria\u00e7\u00e3o tem um processo vinculado, mas n\u00e3o podemos quantific\u00e1-lo, dizer que um \u00e9 mais que o outro\u201d, explicou.<\/span><\/p>\n

\n
\"\u00d3rg\u00e3o<\/a>

\u00d3rg\u00e3o \/ Foto: Ivson<\/p><\/div>\n<\/div>\n

De acordo com a an\u00e1lise de Cecilia, os blogs serviram como um espa\u00e7o de registro das reflex\u00f5es dos artistas e ocupou um lugar dentro do pr\u00f3prio processo criativo. \u201cEles funcionaram em paralelo \u00e0 pesquisa\u201d. Ela tamb\u00e9m observou que uma das principais d\u00favidas estava relacionada \u00e0 forma de apresentar o trabalho. \u201cMuitos artistas deixaram claro que o problema era tornar p\u00fablico o processo e que isso gerava um certo medo\u201d, ressaltou.<\/span><\/p>\n

Para Michel Groisman<\/a>, que mostrou a performance-instala\u00e7\u00e3o \u00d3rg\u00e3o<\/em><\/strong> (foto) durante a mostra, a dificuldade maior \u00e9 limitar um fim para o processo. \u201cO que \u00e9 obra final? Existe esse momento final? A todo momento parece que pode mudar…\u201d, reflete ele, que divide a autoria e \u2018manejo\u2019 do objeto com Gabriela Duvivier. \u201cNo caso do Rumos, acho que \u00e9 mais f\u00e1cil para lidar com press\u00e3o interna de ter que ter algo pronto para mostrar. Me senti \u00e0 vontade de n\u00e3o estar no lugar ideal. O processo \u00e9 cont\u00ednuo\u201d, argumenta.<\/span><\/p>\n

Quatro \u2018processos\u2019 continuam suas pesquisas<\/strong><\/span><\/p>\n

Assim como previsto no edital, dos 21 trabalhos apresentados, quatro receber\u00e3o um novo aporte para dar prosseguimento \u00e0 pesquisa nos pr\u00f3ximos meses. S\u00e3o eles: Piranha: Dramaturgia da Migra\u00e7\u00e3o<\/em><\/strong>, de\u00a0Wagner Schwartz\u00a0 (MG); Espa\u00e7o como Fluxos de Possibilidades<\/em><\/strong>, de Clube Ur=H0r\u00a0(MG); Coleta de Vest\u00edgios<\/em><\/strong>, de\u00a0Marta Soares (SP); e Transformers<\/em><\/strong>, de Thelma Bonavita (SP). A comiss\u00e3o de sele\u00e7\u00e3o foi formada por Alejandro Ahmed, Christine Greiner, Marcelo Evelin e Vera Sala (Lia Rodrigues fez parte apenas da primeira etapa de sele\u00e7\u00e3o pois n\u00e3o pode assistir a todos os trabalhos). Eles levaram em conta os seguintes crit\u00e9rios: maturidade da pesquisa; clareza das quest\u00f5es investigadas; import\u00e2ncia e pertin\u00eancia da continuidade da pesquisa. Agora, cada um deles receber\u00e1 R$ 40 mil para aprofundamento da pesquisa, cuja nova etapa ser\u00e1 apresentada na primeira semana de dezembro.<\/span><\/p>\n

Para a gerente da \u00e1rea de Artes C\u00eanicas do Ita\u00fa Cultural, S\u00f4nia Sobral, essa foi uma das melhores edi\u00e7\u00f5es do programa. \u201cAinda n\u00e3o sei bem o porqu\u00ea, mas tem a ver com maturidade e disponibilidade, tanto do programa quanto de todos que aqui estiveram. A sequ\u00eancia agora \u00e9 pensar na publica\u00e7\u00e3o dos resultados que ser\u00e3o distribu\u00eddos para institui\u00e7\u00f5es culturais e de ensino de todo pa\u00eds, al\u00e9m da fase de difus\u00e3o\u201d, analisa.<\/span><\/p>\n

Leia tamb\u00e9m: Mostra Rumos segue at\u00e9 domingo<\/a><\/span><\/p>\n

Mostra de Processo Rumos Dan\u00e7a come\u00e7a no s\u00e1bado<\/a><\/span><\/p>\n

Inquieta\u00e7\u00f5es no Rumos Dan\u00e7a<\/a><\/p>\n

Novos e instigantes processos de pesquisa<\/a> (cr\u00edtica escrita por Helena Katz no jornal O Estado de S\u00e3o Paulo do dia 23\/03\/10)<\/p>\n

Rumos Ita\u00fa\u2019s Mostra de Processos <\/span><\/strong><\/a> (\u201cProcess showcase\u201d) ended on Sunday (14\/03). More than a meeting space for artists and researchers, it sparked an important discussion about the format proposed by the program, which focused on the creative process instead of the final product, as it usually happens. The result was that everybody started wondering: what is the creative process exactly? How can it be shown? Is the audience interested?<\/span><\/p>\n

\u201cProcess is a term used not only in the arts, but also in the economic and scientific fields. It means an organized set of exchanges that influences changes in something and may have many stages\u201d, defined French researcher and critic Christophe Wavelet, in the lecture Experimenta\u00e7\u00e3o e Pesquisa nos Espet\u00e1culos Processuais (\u201cExperimentation and Research in Processual Shows\u201d), as part of the showcase\u2019s program. \u201cWhen we speak of more complex processes in art, the distinction between process and product is very arbitrary\u201d, he says. <\/span><\/p>\n

He remembered there had been much debate in France in the 80\u2019s about what would be a choreographic piece in process. But today this subject already burned out. \u201cWhen I learned I would come to Brazil, I wondered if this would be an issue for Brazilian contemporary dance. I talked to many artists and theorists and found out there is much in both countries. I asked myself about the understanding of process many times, but I don\u00b4t have an answer\u2026\u201d, said Christophe. <\/span><\/p>\n

Cec\u00edlia Almeida Salles, a professor at PUC-SP, offered another view about the subject, which comes closer to the way of showing this step of creation. She analyzed the blogs created by the artists during the work \u2013 a new requirement of this edition of the program \u2013 highlighting interesting aspects of the tool\u2019s use. \u201cI searched for specificities and differences in the relationship between piece and process. I noticed the word has been trivialized, which ends up attributing value to something. Every creation has a process attached to it, but we can\u00b4t quantify it, say that one is more than the other\u201d, she explained. <\/span><\/p>\n

According to Cecilia\u2019s analysis, the blogs served as a space to document the artists\u2019 reflections and had a place within the creative process itself. \u201cThey worked in parallel with the research\u201d. She also observed that one of the main doubts was related to the way of showing the work. \u201cMany artists made clear that the problem was making the process public and that created some fear\u201d. <\/span><\/p>\n

Michel Groisman<\/a> presented the performance-installation \u00d3rg\u00e3o<\/em><\/strong> during the showcase, a partnership with Gabriela Duvivier. For him the biggest difficulty is establishing an end for the process. \u201cWhat is the final art piece? Is there a final moment? At each moment it seems like it can change…\u201d, he reflects. \u201cIn the case of Rumos, I think it\u00b4s easier to deal with internal pressure to have something ready to present. I felt at ease not being in the ideal place. The process is ongoing\u201d, he argues. <\/span><\/p>\n

Four \u2018processes\u2019 will continue<\/strong><\/span><\/p>\n

According to the program\u2019s regulation, four out of the 21 works will receive more funds to keep working on the research in the following months. The projects are Piranha: Dramaturgia da Migra\u00e7\u00e3o <\/em><\/strong>, by Wagner Schwartz (MG); Espa\u00e7o como Fluxos de Possibilidades <\/em><\/strong>, by Clube Ur=H0r (MG); Coleta de Vest\u00edgios <\/em><\/strong>, by Marta Soares (SP); and Transformers <\/em><\/strong>, by Thelma Bonavita (SP). The selection process was composed by Alejandro Ahmed, Christine Greiner, Marcelo Evelin and Vera Sala. They considered the following aspects: maturity of the research; importance and relevance for the research\u2019s continuity; clarity of the issues investigated. Each one will receive R$ 40.000 to deepen the research, whose new phase will be presented in the first week of December. <\/span><\/p>\n

S\u00f4nia Sobral, manager of performing arts at Ita\u00fa Cultural, considers this edition is one of the best. \u201cI still don\u00b4t know exactly why, but it has something to do with maturity and availability, both the program and everyone that came here. The next step is to think about the publication of the results, which will be distributed to cultural and learning institutions around the country\u201d.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

A Mostra de Processos Rumos Ita\u00fa chegou ao fim acendendo uma discuss\u00e3o sobre o que \u00e9 processo criativo? Quais seus limites? Como apresent\u00e1-lo ao p\u00fablico? Leia a reportagem e comente. <\/p>\n","protected":false},"author":136,"featured_media":14354,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[46,28],"tags":[1859,3603,795,3604,1447,69,465,3605,1282],"yoast_head":"\nMostra Rumos: afinal, o que \u00e9 processo? | Rumos showcase: what is process, after all? -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/mostra-rumos-afinal-o-que-e-processo\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mostra Rumos: afinal, o que \u00e9 processo? | Rumos showcase: what is process, after all? -\" \/>\n<meta property=\"og:description\" content=\"A Mostra de Processos Rumos Ita\u00fa chegou ao fim acendendo uma discuss\u00e3o sobre o que \u00e9 processo criativo? 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