{"id":216,"date":"2004-06-09T00:00:00","date_gmt":"2004-06-09T00:00:00","guid":{"rendered":"http:\/\/beta.idanca.net\/2004\/06\/09\/a-tal-danca-contemporanea\/"},"modified":"2008-08-06T17:55:08","modified_gmt":"2008-08-06T20:55:08","slug":"a-tal-danca-contemporanea","status":"publish","type":"post","link":"https:\/\/idanca.net\/a-tal-danca-contemporanea\/","title":{"rendered":"A “tal” dan\u00e7a contempor\u00e2nea | This “so called” contemporary dance"},"content":{"rendered":"

Em Bras\u00edlia, a dan\u00e7a contempor\u00e2nea ainda incomoda e causa certa estranheza: numa cidade em que esta est\u00e9tica tem conseguido se construir por meio da persist\u00eancia de poucos profissionais, \u00e9 dif\u00edcil compreender e analisar a qualidade dos produtos coreogr\u00e1ficos, com a reduzida informa\u00e7\u00e3o dispon\u00edvel. A s\u00e9rie Dan\u00e7a Brasil<\/em>, promovida pelo CCBB, chega \u00e0 cidade como uma possibilidade de suprir parte dessa lacuna, apresentando coreografias de companhias locais e de outros estados, al\u00e9m de promover palestras, lan\u00e7amento de livros, mostras de v\u00eddeos e encontros entre os core\u00f3grafos e o p\u00fablico, mediados por core\u00f3grafos e pesquisadores de dan\u00e7a.<\/span>Translation by Sarah Hyde, Ccaps Translation and Localization.<\/strong><\/span><\/p>\n

Tentando compreender de que maneira os core\u00f3grafos brasileiros lidam com o espa\u00e7o, esta edi\u00e7\u00e3o (a 3a na cidade) abordou o tema O espa\u00e7o que (nos) inspira<\/em>, envolvendo profissionais que est\u00e3o buscando novas linguagens de movimento, por meio de pesquisas em dan\u00e7a contempor\u00e2nea. Participaram da mostra coreogr\u00e1fica: o Basirah N\u00facleo de Dan\u00e7a Contempor\u00e2nea<\/strong>, de Bras\u00edlia, que apresentou a coreografia Eu s\u00f3 existo quando ningu\u00e9m me olha<\/em>; o Kaiowas Grupo de Dan\u00e7a<\/strong>, de Santa Catarina, com Pausa<\/em>; Luciana Gontijo & Marg\u00f4 Assis<\/strong>, de Minas Gerais, que apresentaram a coreografia In Situ<\/em> e Thembi Rosa<\/strong>, com Ajuntamento<\/em>. Tamb\u00e9m se apresentaram a Cia Carlota Portella \u2013 Vacilou Dan\u00e7ou<\/strong>, com a composi\u00e7\u00e3o coreogr\u00e1fica Espa\u00e7o de Luz<\/em> e Celina Portella & Flavia Costa<\/strong> com Volume<\/em>, ambas do Rio de Janeiro. Encerrando o evento, a Zikzira Physical Theatre<\/strong>, cia fundada em Londres com filial no Brasil, apresentou Verissimilitude<\/em>.<\/p>\n

De modo geral, os trabalhos apresentaram propostas que evidenciavam a busca por novas utiliza\u00e7\u00f5es do corpo, no entanto, com rela\u00e7\u00e3o ao tema do evento que propunha inspira\u00e7\u00e3o no espa\u00e7o, na grande maioria dos trabalhos era dif\u00edcil localizar questionamentos ou investiga\u00e7\u00f5es diretamente vinculadas a ele. Neste sentido, merece destaque a coreografia Espa\u00e7o de Luz<\/em>, da Cia Carlota Portella \u2013 Vacilou Dan\u00e7ou<\/strong>, que propunha a cria\u00e7\u00e3o de espa\u00e7os din\u00e2micos por meio da din\u00e2mica da ilumina\u00e7\u00e3o.<\/p>\n

Nas outras atividades como Palco Aberto, Mostra de V\u00eddeo e Palestra os artistas e p\u00fablico, em geral, puderam assistir, ouvir, discutir e perguntar, construindo, deste modo, possibilidades de falar sobre essa “tal” dan\u00e7a contempor\u00e2nea. Nestes encontros, os movimentos foram substitu\u00eddos por reflex\u00f5es e id\u00e9ias, configurando um processo de dissemina\u00e7\u00e3o da informa\u00e7\u00e3o. Pena que os hor\u00e1rios, nem sempre permitiram o acesso a um n\u00famero maior de pessoas…<\/p>\n

Se cumpre seus objetivos, \u00e9 fato dif\u00edcil de ser analisado, uma vez que este evento explicita uma preocupa\u00e7\u00e3o em promover a circula\u00e7\u00e3o da dan\u00e7a contempor\u00e2nea, bem como contribuir com a forma\u00e7\u00e3o, quest\u00f5es que envolveriam a\u00e7\u00f5es sist\u00eamicas e com outras caracter\u00edsticas. Al\u00e9m disso, o Palco Aberto, que consiste no encontro entre os core\u00f3grafos e o p\u00fablico, realizado imediatamente ap\u00f3s os espet\u00e1culos das sextas-feiras, apesar das amplas possibilidades de troca e reflex\u00e3o, em alguns casos, tornaram-se explica\u00e7\u00f5es sobre aquilo que o produto coreogr\u00e1fico n\u00e3o conseguiu, por si, comunicar. Assim, perderam seu sentido…<\/p>\n

Apesar disto, o resultado \u00e9 que, para a cidade, esta s\u00e9rie se afirma como uma produ\u00e7\u00e3o que proporciona um maior interc\u00e2mbio entre os criadores, e contribui para inserir Bras\u00edlia na din\u00e2mica cultural brasileira e, quem sabe, criar um p\u00f3lo de expans\u00e3o da dan\u00e7a contempor\u00e2nea na regi\u00e3o centro-oeste. E, se lembrarmos que a arte possibilita a visualiza\u00e7\u00e3o de novas perspectivas do mundo, a especificidade deste evento talvez esteja exatamente no fato de, antes de mais nada, contribuir para que a dan\u00e7a n\u00e3o seja apenas vista enquanto produto, mas tamb\u00e9m como processos de reflex\u00e3o sobre as diversas realidades poss\u00edveis.<\/p>\n

*Susi Martinelli<\/strong> \u00e9 Bacharel e licenciada em dan\u00e7a pela Unicamp. Mestre e doutoranda em psicologia pela UnB.<\/em><\/p>\n

In Brasilia, contemporary dance still bothers people and evokes some awkward feelings: in a city where this aesthetic has been able to construct its space through the persistence of a few professionals, it is hard to understand and analyze the quality of the choreography due to a lack of available information. The Dan\u00e7a Brasil<\/em> series, promoted by CCBB, comes to the city and seems to be able to fill in this blank. It presents choreographies of local companies and of those from other states and promotes lectures, the release of books, video shows and meetings between the choreographer and the public. The series is organized by choreographers and dance researchers.<\/p>\n

To try to understand how the Brazilian choreographers deal with space, this edition (the third in the city) has created the following topic: The space that inspires us<\/em>. The program involves professionals who are looking for new languages of movement through contemporary dance research. The groups that took part in the choreography performance were: Basirah \u2013 N\u00facleo de Dan\u00e7a Contempor\u00e2nea<\/strong> (Basirah \u2013 Contemporary Dance Center) from Bras\u00edlia, which presented the choreography I only exist when nobody is watching<\/em>; Kaiowas Grupo de Dan\u00e7a<\/strong> (Kaiowas Dance Group) from Santa Catarina, with Pause<\/em>; Luciana Gontijo & Marg\u00f4 Assis<\/strong> from Minas Gerais, who presented the choreography In Situ<\/em>, and Thembi Rosa<\/strong>, with Getting it together<\/em>. We also saw presentations of the Carlota Portella Dance Company \u2013 Vacilou Dan\u00e7ou<\/strong>, with the choreography Space of light<\/em> and Celina Portella & Flavia Costa<\/strong> with Volume<\/em>, both from Rio de Janeiro. At the end of the event, Zikzira Physical Theatre<\/strong>, which was founded in London and has a center in Brazil, presented Verissimilitude<\/em>.<\/p>\n

Overall, the projects presented proposals that emphasized the search for a new use of the body. However, concerning the topic of the event, which inspired by space, it was hard to find questionings or investigations in most of the projects. Taking that into account, the choreography Light space<\/em> by The Carlota Portella Company \u2013 Vacilou Dan\u00e7ou should be mentioned. Its proposal was the creation of a dynamic space through the dynamic of light.<\/p>\n

In other activities, such as Open Stage, Video and Lecture Presentation, the artists and the public in general, could watch, listen, discuss and question, therefore making it possible to talk about this “so called” contemporary dance. During these events, movements were replaced by thoughts and ideas, spreading information. Unfortunately, the schedules did not always make it possible to have a big group of people\u2026<\/p>\n

It is difficult to figure out if this event has attained its goals, since it emphasizes the need to promote the spread of contemporary dance. It also focuses on contributing with formation to matters that would involve systemic actions and with other characteristics. In spite of the fact that it offered an excellent space to exchange ideas, Open Stage, a meeting between the choreographers and the public and that takes place immediately after the performance on Fridays, was sometimes transformed into an explanation about what the choreographies could not express. Therefore, it lost its meaning…<\/p>\n

Despite all of this, the result for the city is that this series has become a production that sets up a better exchange among artists while also contributing to Brasilia\u2019s entrance into the Brazilian cultural dynamic scene. Perhaps it even establishes the enhanced exposure of contemporary dance in the region. If we keep in mind that through art we are able to visualize a new world perspective, then this event makes it possible for dance to be seen not only as a product, but also as thinking processes about the many possible realities.<\/p>\n

*Susi Martinelli<\/strong> is graduated in dance at Unicamp. Completed her master and is currently researching for her doctorate in psychology at UnB.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Susi Martinelli avalia as conseq\u00fc\u00eancias do Dan\u00e7a Brasil em Bras\u00edlia.<\/span>Susi Martinelli evaluates the consequences of Dan\u00e7a Brasil in Brasilia.<\/span><\/p>\n","protected":false},"author":93,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[2,28],"tags":[664,790,67,1401,1098,290],"yoast_head":"\nA "tal" dan\u00e7a contempor\u00e2nea | This "so called" contemporary dance -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/a-tal-danca-contemporanea\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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