{"id":3267,"date":"2006-07-24T17:45:38","date_gmt":"2006-07-24T20:45:38","guid":{"rendered":"http:\/\/beta.idanca.net\/2006\/07\/24\/somente-para-homens\/"},"modified":"2008-08-06T17:27:44","modified_gmt":"2008-08-06T20:27:44","slug":"somente-para-homens","status":"publish","type":"post","link":"https:\/\/idanca.net\/somente-para-homens\/","title":{"rendered":"Somente para homens | For men only"},"content":{"rendered":"

Com um elenco formado exclusivamente por homens, o espet\u00e1culo Territ\u00f3rios<\/em><\/strong>, com coreografia de Esther Weitzman<\/strong> e dramaturgia de Beatriz Cerbino<\/strong>, estr\u00e9ia dia 27 de julho no Caixa Cultural \u2013 Teatro Nelson Rodrigues, no Rio de Janeiro. Numa conversa com Esther, o Idan\u00e7a.net quis saber um pouco mais.<\/span>
\nComo se moldou Territ\u00f3rios<\/em>?
\n<\/strong>
\nO ponto de partida foi o meu desejo de trabalhar com um grupo formado somente por homens, de me aprofundar na fisicalidade dos corpos masculinos. Eu parti de quest\u00f5es como: o peso do corpo masculino, como ele atua no espa\u00e7o, o contato com o solo. Na verdade, se moldou atrav\u00e9s do di\u00e1logo entre a minha cria\u00e7\u00e3o de movimentos com esses bailarinos (Alexandre Franco, Edney D\u2019Conti, Felipe Padilha, Gerah Diaz, Marcellus Ferreira, Marcelo Lopes, Rodrigo Maia e Samuel Frare). Territ\u00f3rios<\/strong> \u00e9 minha segunda experi\u00eancia com um elenco de homens. Acredito que existe um elemento de equil\u00edbrio na cria\u00e7\u00e3o, trocamos nossas energias. A delicadeza foi nosso carro chefe.<\/em>
\nH\u00e1 um \u201csentimento de pertencimento\u201d em todo o trabalho…Como isso se explica?<\/strong><\/p>\n

\u00c9 o pertencer a um grupo, e como diferentes mem\u00f3rias e biografias constroem o coletivo. \u00c9 uma id\u00e9ia de constru\u00e7\u00e3o do todo a partir da particularidade de cada um .<\/em><\/p>\n

A escolha do nome do espet\u00e1culo tem algo a ver com isso?<\/strong><\/p>\n

Com certeza. A id\u00e9ia do t\u00edtulo surgiu da nossa experi\u00eancia de conviver com diferentes universos e como essas diferen\u00e7as podem ser trabalhadas em grupo.<\/em><\/p>\n

For\u00e7a e leveza \/ delicadeza soam como paradoxos. Como \u00e9 constru\u00edda essa rela\u00e7\u00e3o?<\/strong><\/p>\n

N\u00e3o vejo como paradoxo, mas como elementos complementares. Sempre busquei em meus trabalhos a rela\u00e7\u00e3o com o espa\u00e7o e o peso, e \u00e9 claro que essa pesquisa se transforma ao longo do tempo. Com esse elenco de homens, uma de nossas pesquisas foi encontrar a rela\u00e7\u00e3o entre for\u00e7a e leveza no corpo, no movimento masculino.<\/em><\/p>\n

O que o diferencia de um trabalho concebido para mulheres ou um grupo misto? (complementando a pergunta acima)<\/strong><\/p>\n

\u00c9 a energia que une o grupo e que resulta desse encontro.<\/em><\/p>\n

Como foi trabalhada a dramaturgia do espet\u00e1culo?<\/strong><\/p>\n

Como n\u00e3o se trata de contar uma hist\u00f3ria ou trabalhar uma narrativa linear, a dramaturgia em dan\u00e7a contempor\u00e2nea trabalha pr\u00f3xima da core\u00f3grafa e diretora no sentindo de organizar as id\u00e9ias colocadas em movimento.<\/em><\/p>\n

Terras <\/em>(espet\u00e1culo da Esther Weitzman de 2002) e Territ\u00f3rios<\/em> se aproximam n\u00e3o apenas na for\u00e7a do conjunto n\u00e3o \u00e9 ?!<\/strong><\/p>\n

\u00c9 tamb\u00e9m. Mas Terras<\/strong> foi criado a partir unicamente da pesquisa de movimentos no meu corpo. Em territ\u00f3rios cada bailarino criou uma c\u00e9lula coreogr\u00e1fica que foi incorporada ao trabalho. Houve uma cria\u00e7\u00e3o conjunta. Continuo interessada na for\u00e7a de um grupo.<\/em>
\nExiste uma homogeneidade em seu processo de cria\u00e7\u00e3o art\u00edstica. Como isso se revela em Territ\u00f3rios<\/em>?<\/strong><\/p>\n

Minha pesquisa vem se transformando ao longo do tempo, prefiro pensar em assinatura coreogr\u00e1fica, ou melhor, na constru\u00e7\u00e3o de uma identidade coreogr\u00e1fica, e n\u00e3o homogeneidade. Cada trabalho \u00e9 um processo distinto, ganhando identidade pr\u00f3pria. Mas \u00e9 claro que sempre se reconhece neles a minha assinatura.<\/em><\/p>\n

Estamos muito felizes em apresentar esse trabalho principalmente pela oportunidade de reunir um elenco t\u00e3o especial. A nossa troca foi riqu\u00edssima!!! Aprender a conviver com a diferen\u00e7a foi um dos nossos grandes ganhos.
\n<\/em>With a cast formed exclusively by men, the performance Territories<\/em><\/strong>, with choreography by Esther Weitzman<\/strong> and dramaturgy by Beatriz Cerbino<\/strong>, premieres on 27th July at Caixa Cultural – Nelson Rodrigues Theater, in Rio de Janeiro. In a chat with Esther, Idan\u00e7a.net wanted to know a little bit more about the show.<\/span><\/p>\n

How was Territories<\/em> molded?<\/strong><\/p>\n

The starting point was my desire of work with a group formed only by men, to deep myself on the physicality of the masculine bodies. I started from questions like the weight of the masculine body, how it acts in the space, the contact with the ground. Actually, it molded itself through the dialogue among my creation of movements with these dancers (Alexandre Franco, Edney D\u2019Conti, Felipe Padilha, Gerah Diaz, Marcellus Ferreira, Marcelo Lopes, Rodrigo Maia and Samuel Frare). Territories<\/strong> is my second experience with a cast of men. I believe that exists an element of balance in the creation, we change our energies. The delicacy was our carro-chefe.<\/em><\/p>\n

There is a \u201cfeeling of belonging\u201d in whole work… How do you explain that?<\/strong><\/p>\n

It is about belonging to a group, and how different memories and biographies construct the collective. It is an idea of construction of a whole from the particularity of each one. <\/em><\/p>\n

The name\u2019s choice of the performance had something about it?<\/strong><\/p>\n

Sure. The idea of the title appeared from our experience at coexist with different universes and how these differences can be worked in-group.<\/em><\/p>\n

Strength and slightness\/ delicacy sound like paradoxes. How is this relation constructed?<\/strong><\/p>\n

I do not see like paradox, but as complementary elements. I always searched the relation with space and weight in my works, and of course this research transforms itself along the time. With this cast of men, one of our researches was to find the relation between strength and slightness in the body, in the masculine movement.<\/em><\/p>\n

What differentiates this piece from a work conceived for women or a mix group? (Complementing the question above)<\/strong><\/p>\n

It is the energy that unites the group and results from this meeting.<\/em><\/p>\n

How was the dramaturgy of the performance worked?<\/strong><\/p>\n

As it is not about telling a story or to work a linear narrative, the dramaturgy in contemporary dance works closer with choreographer and director in a sense of organizes the ideas in movement.<\/em><\/p>\n

Terras<\/em> (piece by Esther Weitzman of 2002) and Territories<\/em> approach themselves not only in the force of the set. Isn\u2019t it? <\/strong><\/p>\n

It is too. But Terras was created solely from the research of movements in my body. In Territories, each dancer created a choreographic cell that was incorporated to the work. There was a joint creation. I continue interested in the force of a group.<\/em><\/p>\n

Homogeneity exists in the process of Esther\u2019s artistic creation\u2026 How is this revealed in Territories<\/em>?<\/strong><\/p>\n

My research comes transforming itself along the time; I prefer to think about choreographical signature, or better, in the construction of a choreographical identity, and not about homogeneity. Each work is a distinct process, gaining its own identity. But it is clear that my signature is always recognized in all of my creations.
\nWe are very happy to present this work, especially for the chance to congregate a so special cast. Our exchange was very very rich! One of our great profits was to learn to coexist with the difference.<\/em><\/p>\n

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<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Esther Weitzman conta o processo de cria\u00e7\u00e3o de Territ\u00f3rios, seu mais recente espet\u00e1culo<\/span>Esther Weitzman tell about the creation process of Territories, her new piece that premieres on July<\/span><\/p>\n","protected":false},"author":47,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[47,28],"tags":[],"yoast_head":"\nSomente para homens | For men only -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/somente-para-homens\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Somente para homens | 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