{"id":3382,"date":"2006-09-18T16:10:38","date_gmt":"2006-09-18T19:10:38","guid":{"rendered":"http:\/\/beta.idanca.net\/2006\/09\/18\/quem-sabe-nao-abusa\/"},"modified":"2008-08-06T17:24:17","modified_gmt":"2008-08-06T20:24:17","slug":"quem-sabe-nao-abusa","status":"publish","type":"post","link":"https:\/\/idanca.net\/quem-sabe-nao-abusa\/","title":{"rendered":"Quem sabe n\u00e3o abusa | The one that knows and does not abuse it"},"content":{"rendered":"

A mais recente publica\u00e7\u00e3o de dan\u00e7a no Brasil vem de ventos do sul e numa edi\u00e7\u00e3o cuidadosa. Organizado por Jussara Xavier, Sandra Meyer e Vera Torres, em Florian\u00f3polis, o livro \u201cTubo de Ensaio \u2013 Experi\u00eancias em dan\u00e7a e arte contempor\u00e2nea\u201d (Edi\u00e7\u00e3o do Autor, 2006) traz um DVD encartado e registra a mem\u00f3ria do projeto hom\u00f4nimo ao mesmo tempo que abre a reflex\u00e3o para assuntos como forma\u00e7\u00e3o, pol\u00edtica e processos de cria\u00e7\u00e3o c\u00eanicos. S\u00e3o ensaios, depoimentos, entrevistas, imagens, notas t\u00e9cnicas e homenagens em 120 p\u00e1ginas de numa respeit\u00e1vel diagrama\u00e7\u00e3o de Fernando Rosa.<\/p>\n

Embora tenha aumentado o n\u00famero de publica\u00e7\u00f5es sobre dan\u00e7a, n\u00e3o seria nada arriscado dizer que elas ainda s\u00e3o poucas face ao que se pode produzir num pa\u00eds como o nosso. Por isso, publicar uma obra j\u00e1 tem o m\u00e9rito (e, simultaneamente, a responsabilidade) de colaborar com a divulga\u00e7\u00e3o de conhecimento e informa\u00e7\u00e3o e com a mem\u00f3ria das artes. \u201cTubo de Ensaio \u2013 Experi\u00eancias em dan\u00e7a e arte contempor\u00e2nea\u201d cumpre os crit\u00e9rios acima, ainda que em alguns momentos de forma timida. Como uma proveta de experimenta\u00e7\u00e3o, o livro abre espa\u00e7o para manifesta\u00e7\u00e3o de vozes dissonantes em diferentes modos de falar, reconhecendo o valor dos profissionais que participaram de sua programa\u00e7\u00e3o.<\/p>\n

Ao longo de 22 edi\u00e7\u00f5es, entre 2001 e 2005, o projeto Tubo de Ensaio promoveu apresenta\u00e7\u00f5es, discuss\u00f5es e oficinas no Espa\u00e7o 1, do Centro de Artes da Universidade para o Desenvolvimento de Santa Catarina (UDESC). Uma sala de aula que se transformava de acordo com as inten\u00e7\u00f5es de uso. O formato de associar obra-debate-forma\u00e7\u00e3o do Tubo de Ensaio ressoa o modelo adotado em outras cidades, o que parece revelar uma caracter\u00edstica recorrente dentro da a\u00e7\u00e3o cultural recente. Acolhedor, o guarda-chuva do empreendimento abrigou trabalhos nos mais diversos est\u00e1gios de pesquisa. Abrir espa\u00e7o para possibilitar o exerc\u00edcio de pensar o corpo torna patente uma preocupa\u00e7\u00e3o leg\u00edtima de suas organizadoras.<\/p>\n

Dividido em tr\u00eas grandes partes, a import\u00e2ncia desse volume pode ser medida pela contribui\u00e7\u00e3o que exerce para o aumento de material did\u00e1tico que possa ser \u00fatil nos mais diversos tipos de forma\u00e7\u00e3o (incluindo as informais), em disciplinas de cursos universit\u00e1rios, escolas de dan\u00e7a e teatro, grupos de estudos etc. Para citar alguns r\u00e1pidos exemplos: os escritos do diretor Jefferson Bittencourt, que elaboram um testemunho honesto e sens\u00edvel a respeito de um fazer art\u00edstico que envolva complexas rela\u00e7\u00f5es entre m\u00fasica e representa\u00e7\u00e3o; e o esclarecedor depoimento dado pelo core\u00f3grafo Alejandro Ahmed para o jornalista Gabriel Colla\u00e7o, sobre o espet\u00e1culo SkinnerBox<\/em><\/strong>. Ambos s\u00e3o leituras relevantes para interessados em processo de cria\u00e7\u00e3o.<\/p>\n

J\u00e1 Ivo Godois discorre sobre ilumina\u00e7\u00e3o atrav\u00e9s de notas t\u00e9cnicas sobre projetores e refletores, traz esclarecimentos a respeito da profiss\u00e3o, al\u00e9m de estudos de caso para a cena e para a dan\u00e7a. O artigo de Christine Greiner sobre arte na universidade tamb\u00e9m n\u00e3o pode deixar de ser lido, pelo tra\u00e7ado que a autora faz da rela\u00e7\u00e3o entre esses dois sistemas, ao longo da hist\u00f3ria.<\/p>\n

Na discuss\u00e3o sobre pol\u00edtica cultural, aprofundar a an\u00e1lise das rela\u00e7\u00f5es entre o ambiente catarinense e o Tubo de Ensaio enriqueceria muito o debate a respeito da compatibilidade das leis e a\u00e7\u00f5es governamentais, com as necessidades dos profissionais da \u00e1rea. Caberia perguntar: o projeto utilizou incentivos das leis? Quais as dificuldades envolvidas nesse apoio? Quais os benef\u00edcios? Quais os pontos ineficientes e os eficientes? No que essas formas de conduzir a pol\u00edtica colaboram eficazmente na produ\u00e7\u00e3o cultural brasileira?<\/p>\n

Para o futuro, o “Tubo de Ensaio Ano 6” realizar\u00e1 quatro edi\u00e7\u00f5es em 2007 e apresentar\u00e1 uma novidade: um edital para concess\u00e3o de tr\u00eas bolsas de pesquisa no valor R$ 10.000,00 destinadas a apoiar processos investigativos de artistas e grupos catarinenses. Al\u00e9m disso, haver\u00e1 o acompanhamento de um pesquisador e quatro oficinas de dan\u00e7a abertas \u00e0 comunidade. Aqui a pol\u00edtica se apresenta como uma iniciativa independente que vem a alinhavar um rasgo que o governo deixa descoberto, por n\u00e3o executar uma a\u00e7\u00e3o espec\u00edfica para o Estado e para o Munic\u00edpio. Processos investigativos precisam de subs\u00eddios justamente por se tratarem de processos, e n\u00e3o de produtos, onde o risco definitivamente n\u00e3o \u00e9 perfumaria. A atual vers\u00e3o do projeto foi aprovada pela Lei de Incentivo a Cultura de Santa Catarina e est\u00e1 em fase de capta\u00e7\u00e3o.<\/p>\n

Para uma re-edi\u00e7\u00e3o ou futuras edi\u00e7\u00f5es do livro seria recomend\u00e1vel refletir em como aproveitar a m\u00eddia do DVD na dire\u00e7\u00e3o de tom\u00e1-la como um documento hist\u00f3rico e memorial de grande porte, que suporta uma razo\u00e1vel quantidade de informa\u00e7\u00e3o tornada acess\u00edvel em banco de dados. O pout-pourri de pequenos trechos, fragmentos de v\u00e1rios encontros, nos d\u00e1 uma no\u00e7\u00e3o de conjunto mas sub-aproveita a potencialidade de armazenamento e as solu\u00e7\u00f5es criativas que esse meio permite em termos de visualiza\u00e7\u00e3o de dados.<\/p>\n

Por fim, um \u00faltimo aspecto que valeria a pena destacar esta nos pontos de conex\u00e3o da colet\u00e2nea. Seria o caso de propor uma costura com entrela\u00e7amentos mais sofisticados, imbuindo-a de um pensamento cr\u00edtico e pol\u00edtico acentuados que poderiam tornar uma publica\u00e7\u00e3o como esta ainda mais valiosa. F\u00f4lego! O ensaio n\u00e3o pode parar!<\/p>\n

O livro \u00e9 doado para institui\u00e7\u00f5es, universidades, bibliotecas e centros culturais. Para pessoas f\u00edsicas o pre\u00e7o de venda \u00e9 R$ 15,00 mais as despesas de postagem. Os pedidos podem ser realizados atrav\u00e9s dos emails <\/strong>sandrameyer@globo.com<\/strong><\/a> ou <\/strong>jussarajxavier@hotmail.com<\/strong><\/a>.<\/strong><\/p>\n

<\/span>The most recent dance publication in Brazil comes from south winds and in a careful edition. Organized by Jussara Xavier, Sandra Meyer and Vera Torres, in Florian\u00f3polis, the book “Test tube \u2013 Experiences in dance and contemporary art” (Author’s edition, 2006) brings an inserted DVD and registers the memory of the homonymous project while opens the reflection on subjects such as education, politics and creation process. There are essays, statements, interviews, images, technical notes and homages in 120 pages of a respectable design by Fernando Rosa.<\/p>\n

Although the number of publications about dance has increased, it would not be risky to say that there are still few in regard of what a country like ours can produce. That said, to launch a printed work already has the merit (and, simultaneously, the responsibility) of collaborating with the spread of knowledge and information and the memory of arts. “Test tube \u2013 Experiences in dance and contemporary art” fulfills the criteria above, even if in a timid way in some moments. As a test tube of experimentation, the book opens space for manifestation of dissonant voices in different ways of speak, recognizing the value of the professionals that participated of its programming.<\/p>\n

During 22 editions, between 2001 and 2005, the project Test Tube promoted presentations, discussions and workshops in Space 1, in the Arts Center at University for the Development of Santa Catarina (UDESC). A classroom that was transformed according to the intentions of use. The format of associating work-debate-formation that Test Tube implemented resonates a model adopted in other cities, what seems to reveal a recurring characteristic inside the recent cultural action. Welcoming, this umbrella sheltered works in diverse phases of research. The opening of a space to exercise the thinking about the body makes visible the organizers’ legitimate concerns.<\/p>\n

Divided in three big parts, the importance of this book can be measured by its contribution to the increase of educational stuff that can be helpful in diverse kinds of education (including informal), in disciplines of university courses, dance and theater schools, study groups etc. To point out some quick examples: the writings of the director Jefferson Bittencourt, that elaborate a sensible and honest testimony about a artistic making that involves complex relations between music and representation; and the enlightening statement by choreographer Alejandro Ahmed to journalist Gabriel Colla\u00e7o about the performance SkinnerBox<\/em><\/strong>. Both prominent readings for those interested in creation process.<\/p>\n

Ivo Godois share some light through technical notes about projectors and reflectors, bringing explanations about the profession, apart from case studies about the scene and the dance. Christine Greiner’s article about art in the university also cannot be forgotten because of the guidelines that the author offers on the relation between those two systems, during the history.<\/p>\n

In the argument about cultural politics, to deep the analysis of the relations between the Santa Catarina scene and Test Tube itself would enrich a lot the debate on the laws and governmental actions compatibility with the needs of the area professionals. In that sense, would make sense to ask: did the project use incentive laws? Which were the difficulties involved in that support? Which are the benefits? Which are the inefficient points and the efficient ones? Do those forms of politcy efficiently collaborate to Brazilian cultural production?<\/p>\n

For the future, “Test Tube VI” will have four editions in 2007 and will present a novelty: a call for three research grants of aprox. U$ 4.500,00 each aimed to support investigative process of artists and groups from Santa Catarina. It will also include the follow up of a researcher and four dance workshops to the community. Here the policy presents itself as an independent initiative that comes to fill a gap that the government leaves uncovered for not developing a specific action for the State and for the Town. Investigative processes need subsidies mainly because it is a matter of processes, not products. Here the risk definitely is not perfumery. The present version of the project was approved by the Incentive Cultural Law of Santa Catarina and is in fundraising phase.<\/p>\n

For a re-edition or future editions of the book would be a good recomendation to reflect on how to take advantage of the DVD media in order to aproach it like a historical document and large-scale memorial, that bears a reasonable quantity of information accessible in database. The pout-pourri of small parts and fragments of several meetings can give a notion the whole, but undertake advantage of the storage and creative solutions potential that this environment offers.<\/p>\n

Finally, a last aspect that would be worth to highlight are the connection points of the collection. It would be good to propose a tie up with more sophisticated links, mixing in an accentuated criticand politician thought, that would make it into a publication even more valuable. Breath! The reseahsal cannot stop!<\/p>\n

The book is donated for institutions, universities, libraries and cultural centers. For individuals, the selling price is U$ 6,50 plus taxes of posting. Requests can be done through <\/strong>sandrameyer@globo.com<\/strong><\/a> or <\/strong>jussarajxavier@hotmail.com<\/strong><\/a>.<\/strong><\/p>\n

<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Ma\u00edra Spanghero comenta o livro que celebra os 5 anos do projeto Tubo de Ensaio <\/span>Ma\u00edra Spanghero comments the book that celebrates 5 years of the project Test Tube<\/span><\/p>\n","protected":false},"author":62,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[49,28],"tags":[],"yoast_head":"\nQuem sabe n\u00e3o abusa | The one that knows and does not abuse it -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/quem-sabe-nao-abusa\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Quem sabe n\u00e3o abusa | The one that knows and does not abuse it -\" \/>\n<meta property=\"og:description\" content=\"Ma\u00edra Spanghero comenta o livro que celebra os 5 anos do projeto Tubo de Ensaio Ma\u00edra Spanghero comments the book that celebrates 5 years of the project Test Tube\" \/>\n<meta property=\"og:url\" content=\"https:\/\/idanca.net\/quem-sabe-nao-abusa\/\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/idanca.net\" \/>\n<meta property=\"article:published_time\" content=\"2006-09-18T19:10:38+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2008-08-06T20:24:17+00:00\" \/>\n<meta name=\"author\" content=\"Ma\u00edra Spanghero\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ma\u00edra Spanghero\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/idanca.net\/quem-sabe-nao-abusa\/\",\"url\":\"https:\/\/idanca.net\/quem-sabe-nao-abusa\/\",\"name\":\"Quem sabe n\u00e3o abusa | The one that knows and does not abuse it -\",\"isPartOf\":{\"@id\":\"https:\/\/idanca.net\/#website\"},\"datePublished\":\"2006-09-18T19:10:38+00:00\",\"dateModified\":\"2008-08-06T20:24:17+00:00\",\"author\":{\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/073a9a3b2e6b07ef697d05f661417a72\"},\"breadcrumb\":{\"@id\":\"https:\/\/idanca.net\/quem-sabe-nao-abusa\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/idanca.net\/quem-sabe-nao-abusa\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/idanca.net\/quem-sabe-nao-abusa\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/idanca.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Quem sabe n\u00e3o abusa | The one that knows and does not abuse it\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/idanca.net\/#website\",\"url\":\"https:\/\/idanca.net\/\",\"name\":\"\",\"description\":\"portal de not\u00edcias sobre dan\u00e7a brasileira e internacional\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/idanca.net\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/073a9a3b2e6b07ef697d05f661417a72\",\"name\":\"Ma\u00edra Spanghero\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/b3c4365f1dda7c2f9e21e8788c5e894c?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/b3c4365f1dda7c2f9e21e8788c5e894c?s=96&d=mm&r=g\",\"caption\":\"Ma\u00edra Spanghero\"},\"description\":\"\u00e9 escritora e pesquisadora. 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