{"id":4,"date":"2003-01-01T00:00:00","date_gmt":"2003-01-01T00:00:00","guid":{"rendered":"http:\/\/beta.idanca.net\/2003\/01\/01\/baile-de-debutante\/"},"modified":"2008-08-08T18:52:08","modified_gmt":"2008-08-08T21:52:08","slug":"baile-de-debutante","status":"publish","type":"post","link":"https:\/\/idanca.net\/baile-de-debutante\/","title":{"rendered":"Baile de debutante | Fifteen and counting"},"content":{"rendered":"<p><span lang=\"pt-br\">Quando come\u00e7ou sua companhia de dan\u00e7a em Goi\u00e2nia, a capital do estado central de Goi\u00e1s, a \u00fanica refer\u00eancia cultural de alcance ancional vinda da regi\u00e3o eram as duplas sertanejas que vendiam _ e vendem _ milh\u00f5es de discos. Logo no primeiro trabalho, Versus, usando can\u00e7\u00f5es de Arnaldo Antunes e uma movimenta\u00e7\u00e3o de sofisticada constru\u00e7\u00e3o e vitalidade, a Quasar chamou a aten\u00e7\u00e3o e come\u00e7ou a sequ\u00eancia de entrevistas e reportagens onde Henrique Rodovalho passou a \u00faltima d\u00e9cada explicando como era poss\u00edvel, no afastado cultural que era Goi\u00e2nia, fazer uma dan\u00e7a cujo resultado para muitos tinha ares &#8220;europeus&#8221;. &#8220;Era muito engra\u00e7ado, porque as pessoas me perguntavam se eu gostava do Rosas, do Wim Vandekeybus, e eu n\u00e3o tinha visto nada deles. Mas ningu\u00e9m acreditava&#8221;, lembra Henrique.<\/span><\/p>\n<p>Com o tempo, a pesquisa de Rodovalho foi tomando os contornos que hoje s\u00e3o a marca da companhia, uma qualidade de movimento impec\u00e1vel, encena\u00e7\u00e3o inventiva e um olhar carinhoso sobre o cotidiano brasileiro.<\/p>\n<p>&#8220;Quando a gente come\u00e7ou, claro que ningu\u00e9m imaginava que a companhia ia ser nacionalmente depois internacionamente conhecida. Ter uma agenda internacional de apresenta\u00e7\u00f5es? Era inimagin\u00e1vel. O plano era criar condi\u00e7\u00f5es de trabalho para que a gente pudesse ficar em Goi\u00e2nia, viver de dan\u00e7a aqui&#8221;, conta Henrique. &#8220;O fluxo de informa\u00e7\u00e3o era muito menor, claro, sem internet e sem as viagens. Mas a gente j\u00e1 viajava para fazer aula, conhecia o que estava acontecendo&#8221;, conta.<\/p>\n<p>No Rio, uma das primeiras a ver que os movimentos de Henrique eram uma assinatura foi Carlota Portella, que encomendou um trabalho para a sua Vacilou Dan\u00e7ou. &#8220;Acho bom que desde sempre eu tenha sido reconhecido como core\u00f3grafo, mas n\u00e3o acho justo quando se coloca a companhia como sendo eu criando e eles executando. Somos um grupo desde o come\u00e7o e apesar da minha responsabilidade ser a final, \u00e9 um processo muito mais complexo de pesquisa e experimenta\u00e7\u00e3o que envolve todo mundo do grupo&#8221;, divide Rodovalho.<\/p>\n<p>Hoje com coreografias no repert\u00f3rio de v\u00e1rias companhias no Brasil e em Portugal, o core\u00f3grafo sabe que fazer 15 anos tem mais a ver com crise que com festa. &#8220;\u00c9 muito angustiante recome\u00e7ar sempre do zero, ter que criar algo novo e que ao mesmo tempo d\u00ea continuidade \u00e0 trajet\u00f3ria do grupo. \u00c9 um relacionamento de muitos anos, \u00e9 preciso reencontrar a paix\u00e3o&#8221;, diz. Perguntado se ainda acha que pode se reapaixonar pela dan\u00e7a que faz, Henrique pensa um pouco. &#8220;\u00c9 dif\u00edcil, mas ainda \u00e9 o que mais me interessa&#8221;, avalia.<\/p>\n<p>Estas quest\u00f5es todas atravessam as duas \u00faltimas iniciativas do grupo, a forma\u00e7\u00e3o de um segundo n\u00facelo de trabalho, mais experimental e n\u00e3o assinado por Rodovalho, o Desvio, e a amplia\u00e7\u00e3o do Centro Quasar, sede da companhia e agora local de investiga\u00e7\u00e3o que oferece bolsas de forma\u00e7\u00e3o e pesquisa para jovens artistas. &#8220;No Desvio os int\u00e9rpretes criam juntos, n\u00e3o tenho qualquer decis\u00e3o final. Mas eles me chamaram para criar um trabalho com eles e acho que vou topar. \u00c9 muito bom poder desenvolver algo fora da Quasar e das demandas que a companhia hoje, dentro e fora do Brasil, quer atender&#8221;, diz o core\u00f3grafo.<\/p>\n<p>Henrique, como muitos diretores de companhias no Brasil, se ressente de ter que estar sempre pensando na situa\u00e7\u00e3o financeira da companhia _ tem desde o ano passado os paroc\u00ednios da Brasil Telecom e da Petrobr\u00e1s, para produ\u00e7\u00e3o e circula\u00e7\u00e3o, mas nenhum para a manuten\u00e7\u00e3o. &#8220;O que sustenta nosso dia-a-dia s\u00e3o s\u00e3o cach\u00eas internacionais. A turn\u00ea americana este ano, por exemplo, est\u00e1 sendo fundamental&#8221;, contabiliza. O grupo volta em outubro para uma s\u00e9rie de shows nos Estados Unidos, e Henrique sabe que \u00e9 a mistura de vitalidade, precis\u00e3o e ritmos brasileiros que em muito abriu as portas internacionais. Mas vai mostrar agora &#8220;Empresta-me teus olhos&#8221;, criado a partir de uma resid\u00eancia num asilo de idosos em Goi\u00e2nia (veja um trechinho da coreografia na nossa galeria de videos).<\/p>\n<p>Para a turn\u00ea brasileira que comemora os 15 anos do grupo _ e que viaja com uma video-instala\u00e7\u00e3o com depoimentos sobre a trajet\u00f3ria do grupo _ a Quasar escolheu mostrar no Rio &#8220;Div\u00edduo&#8221; (FOTO), uma pe\u00e7a sobre a falta de comunicabilidade do mundo contempor\u00e2neo. Ainda que n\u00e3o tenha a for\u00e7a c\u00eanica de &#8220;Coreografia para Ouvir&#8221;, feita a partir da trilha de \u00e1udio do document\u00e1rio sobre m\u00fasicos de rua &#8220;Som da Rua&#8221;, de Roberto Berliner, Div\u00edduo mostra a linha de a\u00e7\u00e3o da Quasar em movimentos perfeitos, mas sem virtuosismo, e \u00f3timos int\u00e9rpretes se comunicando com a plat\u00e9ia sem cair na teatraliza\u00e7\u00e3o dos sentimentos.<\/p>\n<p>A Henrique Rodovalho, que agora se oxigena com novas cabe\u00e7as no Desvio e nos encontros internacionais, cabe levar a pesquisa de movimentos da Quasar para lugares mais densos, e a cada espet\u00e1culo criar, n\u00e3o um novo ambiente onde sua coreografia acontece das mesmas formas que j\u00e1 o consagraram, mas uma investiga\u00e7\u00e3o sobre porque e como ela se d\u00e1. Redescobrir e se apaixonar de novo e de novo, como num longo e bom casamento, pela possibilidade de criar dan\u00e7a.<span lang=\"en-us\">When the dance company started of in Goi\u00e2nia, the capital of the central state of Goi\u00e1s, the only cultural reference of national reach coming of the region was the country music groups that sold _ and still sell _ millions. In the first work, Versus, using songs of Arnaldo Antunes and a movement of sophisticated construction and vitality, the Quasar called attention and started the roll of interviews and news articles where Henrique Rodovalho passed the last decade explaining how was it possible, in the far away place that was Goi\u00e2nia (brazilian national media is in Rio or S\u00e3o Paulo), to make a dance work that, for many, had even an &#8220;european&#8221; feeling.  I believe people ment it was good. &#8220;It was very funny, because everybody would ask me if I like Rosas, Wim Vandekeybus, and I, at that time, had never seen any of them. But nobody believed&#8221;, remembers Henrique. <\/span><\/p>\n<p>With time, Rodovalho&#8217;s research took the lines that today are the trademark of the company: spotless movement, an inventive stage and an affectionate look on the daily Brazilian. &#8220;When we started, clearly nobody imagined that the company would be national and later internacionaly to be known. To have an international performancenschedule? It was unimaginable. The plan was to create work conditions so that people could be in Goi\u00e2nia, dance here&#8221;, recalls the coreographer. &#8220;Information flow was smaller, clearly, before Internet and the trips. But people already travelled to study, we knew what was happening&#8221;.<\/p>\n<p>In Rio de Janeiro, one of the first ones to see that Henrique had a signature was Carlota Portella, that comissioned a work for her Vacilou Dan\u00e7ou Company. &#8220;I think it is nice that I always have been recognized as a coreographer, but I don\u2019t think it is fair when the company is described as being something I create and they execute. We are a group since the start and despite my final responsibility, it is a much more complex process of research and experimentation that involves everybody in the group&#8221;, shares Rodovalho.<\/p>\n<p>Today with his works in the repertoire of companies in Brazil and Portugal, the artists knows that to make 15 years has more to do with crisis then with party. &#8220;Is very overwhelming to always recommence from zero, have to create something new that at the same time gives continuity to the group\u2019s development. It is a relationship of many years, is necessary to find passion again&#8221;, he says. Asked if he still finds it possible to be in love again with the dance he makes, Henrique thinks a little. &#8220;It is hard, but still is what interests me more&#8221;.<\/p>\n<p>These questions all cross the two last initiatives of the group, the set of a second work group, more experimental and not signed by Rodovalho, called Desvio, and the broader view of the Quasar Center, headquarters of the company and now place for research that offers grants for young artists. &#8220;Desvio allows the interpreters to create together, I do not have any final decision. But they had called me to create a work with them and I am tempted. It is very good to be able to develop something out of Quasar and the demands that the company today, inside and out of Brazil, wants to fullfill&#8221;, he evaluates.<\/p>\n<p>Henrique, as many company directors in Brazil, regrets having to be always thinking about the financial situation _ he has since the last year the support of Brazil Telecom and Petrobras, for production and circulation, but none for the maintenance. &#8220;What keep our day-by-day are the international fees. The american tour this year, for example, has been fundamental&#8221;. The group goes back in October for a series of shows in the United States, and Henrique knows that it is the Brazilian mixture of vitality, precision and rhythms that opened the international doors. But he will now show there &#8220;Empresta me teus olhos&#8221;, created after a residence in an old people asylum in Goi\u00e2nia (watch a excerpt of the shopw in our video gallery).<\/p>\n<p>For the Brazilian tour that celebrates the 15 years of the group _ and travels with an video-installation on the trajectory _ Quasar chose to show in Rio &#8220;Div\u00edduo&#8221; (PHOTO), an observation on the lack of communicability of the contemporary world. Even without the scenic force of &#8220;Coreografia para ouvir&#8221;, made from the audio track of the documentary film on street musicians &#8220;Som da Rua&#8221;, by Roberto Berliner, &#8220;Div\u00edduo&#8221; shows the line of action of Quasar in perfect movements, but without virtuosity, and excellent interpreters that communicate with the audience without falling into drama.<\/p>\n<p>Henrique Rodovalho, now oxigenated with new minds in Desvio and the international meetings, has to take Quasar\u2019s  movements research to much denser places, and create each new work, not a new environment where his choreography happens on the same forms that already had consecrated him, but an inquiry on why and how it happens. Rediscover and get passionate again and again, as in a long and good marriage, with the possibility of creating dance.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><span lang=\"pt-br\">Em 15 anos o Quasar p\u00f4s Goi\u00e2nia no mapa. Mas novos projetos mostram que a vida adulta est\u00e1 s\u00f3 come\u00e7ando.<\/span><span lang=\"en-us\">In 15 years Quasar has put Goi\u00e2nia in the dance map. But as the new projects now show, adult life is just starting.<\/span><\/p>\n","protected":false},"author":72,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[46,28],"tags":[164,165,163],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Baile de debutante | Fifteen and counting -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/baile-de-debutante\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Baile de debutante | Fifteen and counting -\" \/>\n<meta property=\"og:description\" content=\"Em 15 anos o Quasar p\u00f4s Goi\u00e2nia no mapa. 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