{"id":435,"date":"2005-04-01T00:00:00","date_gmt":"2005-04-01T00:00:00","guid":{"rendered":"http:\/\/beta.idanca.net\/2005\/04\/01\/qual-a-questao-afinal\/"},"modified":"2008-08-06T19:12:48","modified_gmt":"2008-08-06T22:12:48","slug":"qual-a-questao-afinal","status":"publish","type":"post","link":"https:\/\/idanca.net\/qual-a-questao-afinal\/","title":{"rendered":"Qual a quest\u00e3o, afinal? | What’s the matter, after all?"},"content":{"rendered":"

Um dos aspectos que tem sido continuamente marcado como atributo da dan\u00e7a contempor\u00e2nea refere-se \u00e0 transforma\u00e7\u00e3o do assunto da obra em uma quest\u00e3o. Neste sentido, o caldeir\u00e3o dan\u00e7a contempor\u00e2nea<\/em> abriga propostas de coreografias, performances e, at\u00e9 mesmo de confer\u00eancias, com indaga\u00e7\u00f5es m\u00faltiplas e variadas: algumas inteligentes e claras, outras que n\u00e3o s\u00e3o facilmente compreendidas e, at\u00e9 mesmo, aquelas que s\u00e3o incompreens\u00edveis. <\/span><\/p>\n

Contribuindo com a reflex\u00e3o acerca das muitas dan\u00e7as contempor\u00e2neas que v\u00eam sendo feitas no Brasil e pelo mundo, aconteceu em Bras\u00edlia, a 9\u00aa edi\u00e7\u00e3o do Festival Internacional da Novadan\u00e7a.
\nO evento engloba apresenta\u00e7\u00f5es, workshops, mostras de filmes e v\u00eddeos, encontro de criadores e core\u00f3grafos, e prop\u00f5e, desde sua cria\u00e7\u00e3o em 1996, promover o interc\u00e2mbio de informa\u00e7\u00e3o e o aperfei\u00e7oamento de dan\u00e7arinos e core\u00f3grafos, criando um p\u00f3lo de desenvolvimento da dan\u00e7a contempor\u00e2nea na regi\u00e3o centro-oeste.<\/p>\n

Este festival, que tem crescido e se transformado a cada ano, vem aprendendo com a pr\u00f3pria experi\u00eancia abandonando, gradativamente, as reflex\u00f5es sobre a New Dance<\/em> e assumindo a complexidade e diversidade das tem\u00e1ticas da dan\u00e7a contempor\u00e2nea atual. Neste ano, a programa\u00e7\u00e3o incluiu a mostra de filmes Dan\u00e7ando para a C\u00e2mera<\/em>, premiando e exibindo V\u00eddeos-Dan\u00e7a brasileiros e o semin\u00e1rio Toda Crian\u00e7a Dan\u00e7a<\/em>, com a participa\u00e7\u00e3o de artistas, professores e arte-educadores, que abordaram quest\u00f5es sobre o ensino da dan\u00e7a e a dan\u00e7a na educa\u00e7\u00e3o.<\/p>\n

Se uma das preocupa\u00e7\u00f5es do festival \u00e9 a forma\u00e7\u00e3o de opini\u00e3o, o caminho a ser trilhado parece estar se solidificando, uma vez que as reflex\u00f5es est\u00e3o saindo das salas dos encontros de criadores e core\u00f3grafos e das conversas com os artistas, adotando outros formatos, entre eles o de semin\u00e1rio. Ao que parece, tem-se assumido que na dan\u00e7a o pensar caminha com o fazer. Assim, quem ganha \u00e9 a comunidade que pode come\u00e7ar a formar, de fato, opini\u00f5es diversas sobre as m\u00faltiplas dan\u00e7as contempor\u00e2neas que foram selecionadas para o festival.<\/p>\n

Se foi intencional ou n\u00e3o a op\u00e7\u00e3o por colocar obras t\u00e3o d\u00edspares num mesmo evento, ningu\u00e9m sabe, o fato \u00e9 que se apresentaram, nesta edi\u00e7\u00e3o, profissionais e cias de diversas localidades, com questionamentos e n\u00edveis de maturidade muito diferentes e, se a inten\u00e7\u00e3o era mesmo essa, faltou explicar esse acomodamento. Se apresentaram, neste ano: a Balangandan\u00e7a Cia (SP), Eliana Carneiro (Bras\u00edlia), o baSiraH \u2013 N\u00facleo de Dan\u00e7a Contempor\u00e2nea (Bras\u00edlia), J\u00e9rome Bel (Fran\u00e7a), Gustavo Cir\u00edaco (Rio de Janeiro), Wesley D\u2019Alessandro (SP), Andr\u00e9ia Nhur (Sorocaba), Malgorzata Haduch (Holanda), Dami\u00e1n Mu\u00f1oz (Espanha), Peter Lavratti (SP), Marise Dinis (Belo Horizonte), Patr\u00edcia Werneck (SP), Hisako Horikawa (Jap\u00e3o) e Cia M\u00e1rcia Duarte (Bras\u00edlia).<\/p>\n

Como m\u00e9rito do evento \u00e9 que, de fato, este tem atingido seus objetivos, promovendo a comunica\u00e7\u00e3o, o interc\u00e2mbio, o aperfei\u00e7oamento de profissionais da dan\u00e7a, al\u00e9m da forma\u00e7\u00e3o de opini\u00e3o.
\nNo entanto, lembramos que distinguir ajuda a qualificar e o perigo de n\u00e3o ficarem expl\u00edcitos os objetivos das escolhas, \u00e9 o p\u00fablico come\u00e7ar a formar a opini\u00e3o de que isso e aquilo pertencem ao mesmo campo de conhecimento ou de que n\u00e3o gosta de dan\u00e7a contempor\u00e2nea e, n\u00e3o perceber que n\u00e3o gostou daquela dan\u00e7a contempor\u00e2nea. Fato que, ao nosso ver, merece ser pensado. Lembramos que, quando pensamos juntos, Bras\u00edlia ganha e a dan\u00e7a ganha.<\/p>\n

Susi Martinelli*<\/strong> \u2013 Pesquisadora, professora do Instituto de Educa\u00e7\u00e3o Superior de Bras\u00edlia. Doutoranda em Psicologia na \u00e1rea de criatividade. Bacharel e Licenciada em Dan\u00e7a pela UNICAMP.<\/em>
\nTranslation by Sarah Hyde, Ccaps Translation and Localization.<\/strong><\/span><\/p>\n

One of the aspects that has been continuously marked as an attribute of contemporary dance refers to the transformation of the work subject into an issue.<\/p>\n

In this sense, the contemporary dance<\/em> kettle holds proposals of choreographies and performances and even conferences with multiple and varied speculations: some intelligent and clear, others that are not so easily understood, and even those that are incomprehensible.<\/p>\n

Contributing with the reflection on many contemporary dances that are taking place in Brazil and the rest of the world, the 9th International Novadan\u00e7a<\/em> Festival took place in Bras\u00edlia, involving presentations, workshops, film and video exhibits and meetings between creators and choreographers. Since its first edition in 1996, the event has aimed to promote the exchange of information and professional training of dancers and chorographers, creating a center for contemporary dance development in the Central Western region of the country.<\/p>\n

This festival, which has grown and transformed each year, has learned through its own experience, gradually abandoning the reflections on New Dance and assuming the complexity and diversity of current contemporary dance themes. This year, the programming included the film series Dancing for the Camera<\/em>, the awarding and exhibition of Brazilian Dance Videos, and the seminar Every Child Dances<\/em>, with the participation of artists, professors and art educators, who dealt with issues surrounding the teaching of dance and dance in education.<\/p>\n

If one of the concerns of the festival is the forming of opinion, it appears that the path is beginning to take shape, since the reflections are leaving the meeting rooms of creators and choreographers and the conversations with artists, adopting other formats, among them the seminar. And by what it appears, it has been assumed that in dance, thinking accompanies doing.<\/p>\n

In this way, the winner is the community that can begin to form different opinions about the different contemporary dances that were selected for the festival. Whether the choice to place such different works in the same event was intentional or not, nobody knows.
\nThe fact is that in this edition professionals and companies from different places presented together, with very different ideas and levels of maturity and, if the intention was really this, there was no explanation for this accommodation.<\/p>\n

This year, the following professionals performed at the event: Balangandan\u00e7a Dance Company (SP), Eliana Carneiro (Bras\u00edlia), baSiraH \u2013 Contemporary Dance Center (Bras\u00edlia), J\u00e9rome Bel (France), Gustavo Cir\u00edaco (Rio de Janeiro), Wesley D\u2019Alessandro (S\u00e3o Paulo), Andr\u00e9ia Nhur (Sorocaba), Malgorzata Haduch (Holland), Dami\u00e1n Mu\u00f1oz (Spain), Peter Lavratti (S\u00e3o Paulo), Marise Dinis (Belo Horizonte), Patr\u00edcia Werneck (S\u00e3o Paulo), Hisako Horikawa (Japan) and the M\u00e1rcia Duarte Dance Company (Bras\u00edlia). To the merit of the event, it has in fact achieved its objectives, promoting communication, exchange and the improvement of dance professionals, in addition to helping form opinions.
\nNevertheless, it is important to remember that distinguishing help to qualify and the danger of not leaving the objectives of the choices sufficiently explicit, it is the public that begins to form the opinion that this and that belong to the same field of knowledge or that they do not like contemporary dance in general instead of perceiving that they simply did not like that particular contemporary dance. A fact which, in our opinion, deserves attention. Remember that, when we thing together, Bras\u00edlia and dance both end up winning.<\/p>\n

Susi Martinelli* : Researcher and professor at the Brasilia Institute of Higher Education, Martinelli is currently working toward her doctorate in Psychology in the area of creativity. She has a bachelor\u2019s degree in Dance and is licensed by the University if Campinas (UNICAMP). <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

A pesquisadora Susi Martinelli discute a 9\u00aa edi\u00e7\u00e3o do FestivalInternacional da Novadan\u00e7a, em Bras\u00edlia<\/span>Susi Martinelli, talks about the 9th International Novadan\u00e7a<\/i> Festival in Bras\u00edlia<\/span><\/p>\n","protected":false},"author":93,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[49,28],"tags":[],"yoast_head":"\nQual a quest\u00e3o, afinal? | What's the matter, after all? -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/qual-a-questao-afinal\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Qual a quest\u00e3o, afinal? 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