{"id":4557,"date":"2007-06-15T13:02:22","date_gmt":"2007-06-15T16:02:22","guid":{"rendered":"http:\/\/beta.idanca.net\/2007\/06\/15\/o-brilho-e-a-tecnica-do-ndt-2\/"},"modified":"2008-08-05T19:15:32","modified_gmt":"2008-08-05T22:15:32","slug":"o-brilho-e-a-tecnica-do-ndt-2","status":"publish","type":"post","link":"https:\/\/idanca.net\/o-brilho-e-a-tecnica-do-ndt-2\/","title":{"rendered":"O brilho e a t\u00e9cnica do NDT 2 | The splendour and technique of NDT 2"},"content":{"rendered":"<p><span lang=\"pt-br\"> Qualidade t\u00e9cnica, rigor e um acabamento impec\u00e1vel marcam os espet\u00e1culos de um dos mais importantes projetos de dan\u00e7a da atualidade, o <a href=\"http:\/\/www.nederlandsdanstheater.nl\/?_m=0-0&amp;lang=en\">Nederlands Dans Theater<\/a>. De Haia, na Holanda, para o mundo. Os tr\u00eas n\u00facleos que comp\u00f5em esse sofisticado projeto \u2013 o <a href=\"http:\/\/www.nederlandsdanstheater.nl\/?_m=2-0&amp;lang=en&amp;_p=company&amp;id=6\">NDT 1<\/a> (grupo principal), o <span style=\"underline;\"><a href=\"http:\/\/www.nederlandsdanstheater.nl\/?_m=2-0&amp;lang=en&amp;_p=company&amp;id=7\">NDT 2<\/a><\/span> (com jovens de 17 a 22 anos) e o <a href=\"http:\/\/www.nederlandsdanstheater.nl\/?_m=2-0&amp;lang=en&amp;_p=company&amp;id=8\">NDT 3<\/a> (para bailarinos com mais de 40 anos) re\u00fanem artistas de v\u00e1rios cantos do planeta. A NDT2, que se apresenta neste fim de semana no Rio, conta com a participa\u00e7\u00e3o de uma brasileira no elenco, Nina Botkay. Outro brasileirinho que promete dar ginga ao grupo \u00e9 Henrique Rodovalho, core\u00f3grafo do grupo goiano Quasar. Rodovalho coreografou <strong><em>Sob a Pele<\/em><\/strong> especialmente para o NDT2. No programa, ainda, <strong><em>27&#8217;52&#8221;<\/em><\/strong>, do ex-diretor do Nederlands e um dos mais respeitados core\u00f3grafos da atualidade, Jir\u00ed Kyli\u00e1n; e <strong><em>Spit<\/em><\/strong>, de Ohad Naharin.<\/span><\/p>\n<p>A NDT 2 nasceu como uma esp\u00e9cie de escola, com o intuito de formar bons bailarinos para a companhia principal. Um celeiro de jovens talentos, que n\u00e3o deixa nada a desejar aos mais velhos e tem autonomia para criar e se apresentar. \u201cNossa base \u00e9 o cl\u00e1ssico, nosso ritmo de ensaio \u00e9 forte, com aulas na parte da manh\u00e3 e \u00e0 tarde\u201d, explica o diretor art\u00edstico Gerald Tibbs. \u201cPrezamos pela excel\u00eancia t\u00e9cnica, pelo acabamento perfeito. Acreditamos que a base do cl\u00e1ssico oferece isso aos int\u00e9rpretes.\u201d Nina concorda com o diretor. \u201cNossas atividades aqui s\u00e3o intensas, com aulas das 9h30 \u00e0s 17h30, de segunda a s\u00e1bado. Temos um estilo bem definido, temos o ideal da dan\u00e7a com base cl\u00e1ssica.\u201d<\/p>\n<p>\u201cEsse apuro t\u00e9cnico est\u00e1 bem definido em <strong><em>27&#8217;52&#8221;<\/em><\/strong>, de Kyli\u00e1n, que foi diretor do Nederlands por mais de 25 anos. Sempre que nos apresentamos inclu\u00edmos uma coreografia dele no repert\u00f3rio\u201d, observa Tibbs. A matem\u00e1tica perfeita da dan\u00e7a pode ser vista nesta coreografia que trata do processo e das dificuldades que envolvem toda a cria\u00e7\u00e3o de um espet\u00e1culo. Kyli\u00e1n somou 900 horas de trabalho, 1.687 horas de ensaio, tudo absurdamente preciso como deve ser o seu espet\u00e1culo. A trilha sonora foi composta por Dirk Haubrich, que criou uma base eletr\u00f4nica a partir de obras de Gustav Mahler. No palco, seis bailarinos executam solos e pas-de-deux sob a mira de holofotes. Os efeitos de luz e sombra d\u00e3o o clima \u00e0 coreografia.<\/p>\n<p><strong><em>Spit<\/em><\/strong> \u00e9 uma colagem de momentos da carreira do israelense Ohad Naharin, que atualmente vive em Nova York. Naharin reuniu trechos de Virus, Mabul, Black Milk e Telophaza. Um velho conhecido do Nederlands, Naharin fez uma passagem a jato por Haia, para conseguir conciliar a produ\u00e7\u00e3o de Spit com sua apertada agenda nova iorquina. \u201cSou f\u00e3 do trabalho de Naharin, foi um aprendizado ensaiar com ele, mas quatro dias realmente foi pouco\u201d, diz Nina. \u201cAdmiro sua maneira simples e po\u00e9tica de ver a dan\u00e7a, o p\u00fablico ter\u00e1 uma pequena amostra de suas id\u00e9ias em Spit.\u201d Indagado porque n\u00e3o criar algo novo, Naharin se explica: \u201cPara mim voltar a antigos trabalhos \u00e9 como recri\u00e1-los. Tenho uma verdadeira obsess\u00e3o em voltar, rever, reler e refazer as coreografias, para mim n\u00e3o existe uma obra pronta, fechada.\u201d<\/p>\n<p>Para concluir o programa, <strong><em>Sob a Pele<\/em><\/strong>, de Henrique Rodovalho. O primeiro contato entre o brasileiro e o grupo holand\u00eas aconteceu durante o festival Dance Salad, em Houston, nos Estados Unidos. Ali grupos de v\u00e1rios cantos apresentam trechos de espet\u00e1culos. O Quasar levou <strong><em>Coreografia para Ouvir. <\/em><\/strong>A sonoridade e a movimenta\u00e7\u00e3o descontra\u00edda, somadas \u00e0 energia dos bailarinos encantaram Tibbs. O namoro levou um ano para se concretizar, foram v\u00e1rias as trocas de v\u00eddeos, de programas e muita conversa at\u00e9 a ida de Rodovalho para Haia.<\/p>\n<p>Na primeira visita, o brasileiro realizou workshops, apresentou sua t\u00e9cnica ao grupo. \u201cBusquei algo mais \u00edntimo, mais pessoal. Aproveito a t\u00e9cnica deles, mas uso a minha linguagem, a constru\u00e7\u00e3o e desconstru\u00e7\u00e3o do movimento e a musicalidade\u201d, avalia Rodovalho. Em uma segunda visita Rodovalho instigou os artistas a se soltarem em cena, serem mais naturais poss\u00edvel. \u201cClaro que o resultado n\u00e3o \u00e9 o mesmo que obtenho com a Quasar, porque os bailarinos dominam o meu estilo. O interessante foi a troca e a experi\u00eancia.\u201d<\/p>\n<p>Depois do Rio, o NDT2 segue para S\u00e3o Paulo onde se apresentam nos dias 20 e 21, no Teatro S\u00e9rgio Cardoso. Encerram a turn\u00ea brasileira no dia 23, no Pa\u00e7o das Artes em Belo Horizonte.<span lang=\"en-us\">Technical quality, rigidity and an impeccable presentation marks the shows of one of the most important dance projects in the world, the Nederlands Dans Theater.  From Hague, in Holland, to the world. Three nucleuses compose this sophisticated project \u2013 the NDT 1 (principal group), the NDT 2 (with young dancers from 17 to 22 years) and the NDT 3 (for dancers more than 40 years old) that bring together artists of several corners of the planet. The NDT2, which opens its Brazilian tour this weekend in the Rio, have a Brazilian in the cast, Nina Botkay. Another national that promises to have a continuous collaboration with the group is Henrique Rodovalho, choreographer and director of the Brazilian dance group Quasar, from Goias. Rodovalho created <em><strong>Sob a Pele<\/strong><\/em> (Under the Skin) especially for the NDT2. Also in the program, <em><strong>27&#8217;52 ?<\/strong><\/em>, by the ex-director of the Nederlands and one of the most respected choreographers of today, Jir\u00ed Kyli\u00e1n; and <em><strong>Spit<\/strong><\/em>, by Ohad Naharin.<\/span><\/p>\n<p>The NDT 2 was born as sort of school, with the intention to form good ballet dancers for the principal company. A growing pot of young talents that are nothing short in quality to the oldest group and have autonomy to create and tour. \u201cOur base is the classic, our work pace is hard, with classes mornings and afternoons\u201d, explains the artistic director Gerald Tibbs. \u201c We highly value technical excellence, for the perfect final presentation. We believe that is the base classical offers to the performers.\u201d Nina agrees with the director. \u201cOur activities here are intense, with classes from 9h30 to 17h30, Monday to Saturday. We have a quite defined style, the ideal of dance with classical base.\u201d<\/p>\n<p>\u201cThis technical refinement is quite defining in Kyli\u00e1n&#8217;s <em><strong>27&#8217;52 ?<\/strong><\/em>. He was the director of the Nederlands Dans Teatre for more than 25 years. Whenever we perform we include one of his works in the repertoire\u201d, remarks Tibbs. The perfect mathematics of dance can be seen in this choreography, that talks about the process and difficulties that wrap the whole creation of a show. Kyli\u00e1n had 900 working hours and 1.687 rehearsal hours, all absurdly specific, as this show required. The soundtrack was composed by Dirk Haubrich, who created an electronic base from works of Gustav Mahler. On stage, six ballet dancers execute solos and pas-de-deux under the spotlights. The light and shadow effects provide the atmosphere to the choreography.<\/p>\n<p><em><strong>Spit<\/strong><\/em> is a collage of moments from the career of the Israeli Ohad Naharin, now living in New York. Naharin combined passages of Virus, Mabul, Black Milk and Telophaza. An old pal of NDT, Naharin did a flash time in Hague, in order to fit the production of Spit with his tight New York schedule. \u201cI am a fan of the Naharin, it was a learning experience to rehearse with him, but four days really was too little\u201d, says Nina. \u201cI admire his simple and poetic way of seeing dance, the audience will have a small sample of his ideas in <em><strong>Spit<\/strong><\/em>.\u201d Inquired why not create something new, Naharin explains himself: &#8220;For me to return to old works is to recreate them. I have a true obsession in returning, revising, re-reading and remaking the choreography, for me there is no such a thing as ready, closed work.\u201d<\/p>\n<p>To end the program, <em><strong>Sob a Pele<\/strong><\/em> (Under the Skin), by Henrique Rodovalho. The first contact between the Brazilian artist and the Dutch group happened during the festival Dance Salad, in Houston, in the United States. There were groups from several corners of the world in the festival. The Quasar showed <em><strong>Coreografia para Ouvir<\/strong><\/em> (Choreography to Hear). The sonority and the casual movement, added to the energy of group&#8217;s dancers bewitched Gerald Tibbs. The dating took one year to come to reality, with many exchanges of videos, program ideas and talks until Rodovalho went to Hague.<\/p>\n<p>In the first visit, the Brazilian gave workshops and presented his technique to the group. \u201cI looked for something more intimate, more personal. I use their technique, but in my language, the construction and deconstruction of the movement and the musicality\u201d, says Rodovalho. In a second visit he incited the artists to come loose on the stage, to be as natural as possible. \u201cClearly that the result is not the same I obtain with Quasar, because my dancers dominate my style. The interesting thing was the exchange and the experience. \u201d<\/p>\n<p>After the Rio, the NDT2 goes to Sao Paulo, where they present June 20 and 21, in Theater S\u00e9rgio Cardoso. They close the Brazilian tour June 23, in Palacio das Artes in Belo Horizonte.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><span lang=\"pt-br\">Uma das mais importantes companhias de dan\u00e7a da atualidade, o Nederlands Dans Theater 2 escolheu o Brasil como ponto de partida de sua turn\u00ea sul-americana. A jornalista Karla Dunder nos conta o que os jovens bailarinos v\u00e3o apresentar por aqui<\/span><span lang=\"en-us\">One of the most important dance companies nowadays, Nederlands Dans Theater 2 chose Brazil as starting point of its South American tour. The journalist Karla Dunder tells us what the young dancers will present here<\/span><\/p>\n","protected":false},"author":55,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[49,28],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>O brilho e a t\u00e9cnica do NDT 2 | The splendour and technique of NDT 2 -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/o-brilho-e-a-tecnica-do-ndt-2\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"O brilho e a t\u00e9cnica do NDT 2 | The splendour and technique of NDT 2 -\" \/>\n<meta property=\"og:description\" content=\"Uma das mais importantes companhias de dan\u00e7a da atualidade, o Nederlands Dans Theater 2 escolheu o Brasil como ponto de partida de sua turn\u00ea sul-americana. 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