{"id":4748,"date":"2007-08-09T13:46:07","date_gmt":"2007-08-09T16:46:07","guid":{"rendered":"http:\/\/beta.idanca.net\/2007\/08\/09\/a-maturidade-do-novadanca\/"},"modified":"2008-08-05T19:00:38","modified_gmt":"2008-08-05T22:00:38","slug":"a-maturidade-do-novadanca","status":"publish","type":"post","link":"https:\/\/idanca.net\/a-maturidade-do-novadanca\/","title":{"rendered":"A maturidade do Novadan\u00e7a | The maturity of Novadan\u00e7a"},"content":{"rendered":"<p><span lang=\"pt-br\">O Festival Internacional da Novadan\u00e7a promoveu em julho a sua 11\u00ba edi\u00e7\u00e3o expandindo o territ\u00f3rio de sua atua\u00e7\u00e3o para al\u00e9m de Bras\u00edlia, desenvolvendo parte de sua programa\u00e7\u00e3o no Rio de Janeiro e em S\u00e3o Paulo. O evento, idealizado pelo bailarino e produtor Giovane Aguiar, teve in\u00edcio em 1996, com o nome de Zona Aberta para o Movimento. Ap\u00f3s dez anos de exist\u00eancia, o Festival parte em busca de novos caminhos para disseminar o New Dance (Nova Dan\u00e7a) no Brasil, dinamizando e ampliando suas a\u00e7\u00f5es.<\/span><\/p>\n<p>Ao longo de sua trajet\u00f3ria se firmou como um ponto de interc\u00e2mbio muito importante para os artistas brasilienses, trazendo para a cidade core\u00f3grafos e professores que s\u00e3o refer\u00eancia no mundo da dan\u00e7a. Dentre os convidados podemos citar Lisa Nelson, parceira de Steve Paxton, que esteve no festival ainda em seus prim\u00f3rdios, em 1998. Em 2005, a core\u00f3grafa e solista, Hisako Horikawa ministrou um curso no Festival. A artista teve contato na d\u00e9cada de 80 com Tatsumi Hijikata (fundador do Butoh) e trabalhou com Min Tanaka e sua companhia, Mijuku, durante 20 anos. Howard Sonenklar, Daniel Lepkoff, Mark Tompkins, Katie Duck, Ray Chung, Cathie Caraker, Jer\u00f4me Bel, Alito Alessi, Emery Blackweell, Bill Young, Al\u00e9xis Eupierre, Sylvain Prunenec s\u00e3o outros exemplos de artistas que passaram pelo festival.<\/p>\n<p>O Festival Novadan\u00e7a atinge sua maturidade visando novos espa\u00e7os, novos p\u00fablicos, intensificando o interc\u00e2mbio. A realiza\u00e7\u00e3o do evento em S\u00e3o Paulo e no Rio de Janeiro comprova essa disposi\u00e7\u00e3o. Uma iniciativa importante do ponto de vista de circula\u00e7\u00e3o, pois permite que os artistas trazidos de fora possam transitar por diferentes cidades, e oferece mais um circuito para os trabalhos brasileiros. Segundo Giovane Aguiar, esse novo formato deve se manter nas pr\u00f3ximas edi\u00e7\u00f5es. A empreitada, entretando, s\u00f3 foi viabilizada com a chegada de recursos da Petrobras.<\/p>\n<p>A programa\u00e7\u00e3o teve in\u00edcio no dia 5 de julho, em S\u00e3o Paulo, e terminou no dia 16 em Bras\u00edlia. Os espet\u00e1culos apresentados foram: <em><strong>Prestidigitaccions<\/strong><\/em>, cria\u00e7\u00e3o de Jordi Cortes Molina, da companhia espanhola Alta Realitat (S\u00e3o Paulo, Rio de Janeiro e Bras\u00edlia); <em><strong>Som Lido no Sono do Sol<\/strong><\/em>, do brasiliense \u00c9di Oliveira (S\u00e3o Paulo, Rio de Janeiro e Bras\u00edlia); <em><strong>K par K<\/strong><\/em>, com o franc\u00eas Karim Sebbar (Rio de Janeiro e Bras\u00edlia); <em><strong>E eu disse<\/strong><\/em>, solo de Let\u00edcia Sekito (S\u00e3o Paulo); <strong><em>Na plan\u00edcie, logo montanha, aparece o mar&#8230;<\/em><\/strong>, do grupo mineiro Benvinda, uma cria\u00e7\u00e3o de Dudude Hermann (Bras\u00edlia). As apresenta\u00e7\u00f5es aconteceram nos Centros Culturais da Caixa Econ\u00f4mica, que h\u00e1 anos tem uma parceria com o evento.<\/p>\n<p>O &#8220;contato com o outro&#8221; sempre permeou as atividades realizadas dentro do evento. Um est\u00edmulo constante na troca de experi\u00eancias e conhecimentos.Essa troca \u00e9 feita n\u00e3o apenas na aprecia\u00e7\u00e3o dos espet\u00e1culos, mas tamb\u00e9m com a cria\u00e7\u00e3o de espa\u00e7os de di\u00e1logo, sejam eles te\u00f3ricos ou pr\u00e1ticos. O Encontro de Criadores e Core\u00f3grafos re\u00fane os artistas convidados e core\u00f3grafos da cidade para discutir sobre os processos de cria\u00e7\u00e3o e o m\u00e9todo de trabalho de cada um. As conversas entre a plat\u00e9ia e o artista, feitas ap\u00f3s cada espet\u00e1culo, contribui na forma\u00e7\u00e3o do p\u00fablico em dan\u00e7a e na dissemina\u00e7\u00e3o de informa\u00e7\u00f5es. Os workshops s\u00e3o a ferramenta pr\u00e1tica da forma\u00e7\u00e3o e reciclagem de dan\u00e7arinos. Este ano foi realizada uma aula aberta com Jordi Cortes em S\u00e3o Paulo e em Bras\u00edlia, e um curso com  Laura Virg\u00ednia em Bras\u00edlia.<\/p>\n<p>A articula\u00e7\u00e3o das a\u00e7\u00f5es desenvolvidas pelo Festival aponta para a sua consist\u00eancia. A amplia\u00e7\u00e3o do di\u00e1logo para outras cidades potencializou as a\u00e7\u00f5es de interc\u00e2mbio e dissemina\u00e7\u00e3o de conhecimento no terreno da dan\u00e7a. A manuten\u00e7\u00e3o dessa rede de trocas pode resultar em bons frutos para a cena que ganhou mais um espa\u00e7o de difus\u00e3o de seus trabalhos. Este novo passo do Festival Internacional Novadan\u00e7a representa um desafio e uma conquista na produ\u00e7\u00e3o de dan\u00e7a no Brasil.<span lang=\"en-us\">The Festival Internacional da Novadan\u00e7a (New Dance International Festival) promoted in July its 11th edition expanding its actions beyond Bras\u00edlia, by showing part of its programme in Rio de Janeiro and S\u00e3o Paulo. The event, conceived by the dancer and producer Giovane Aguiar, had its beginning in 1996, with the name Zona Aberta para o Movimento (Open Zone for Movement). After 10 years of existence, the festival searches for new ways for disseminating New Dance in Brazil, by giving dynamism to and enlarging its actions.<\/span><\/p>\n<p>Along its history, the festival has become a very important exchange meeting point for Bras\u00edlia-based artists, bringing to the city choreographers and teachers that are reference in the dance world. Among the guests, we can name Lisa Nelson, Steve Paxton\u00b4s partner, who was at the festival at its early beginnings, in 1998. In 2005, the choreographer and soloist Hisako Horikawa gave a workshop during the festival. The artist had contact in the eighties with Tatsumi Hijikata (founder of Butoh) and worked with Min Tanaka and his company, Mijuku, for 20 years. Howard Sonenklar, Daniel Lepkoff, Mark Tompkins, Katie Duck, Ray Chung, Cathie Caraker, Jer\u00f4me Bel, Alito Alessi, Emery Blackweell, Bill Young, Al\u00e9xis Eupierre, Sylvain Prunenec are other examples of artists that have passed by the festival.<\/p>\n<p>The Festival Novadan\u00e7a reaches its maturity looking for new spaces, new audiences, intensifying the exchange. The organization of the event in S\u00e3o Paulo and in Rio de Janeiro proves this inclination.  An important initiative from the point of view of circulation, once its permits the foreign artists brought to the festival to transit by other cities and offers one more circuit for the Brazilian works. According to Giovane, this new format shall be kept in the future editions. The event, however, was only made possible with the funds provided by Petrobras.<\/p>\n<p>The program started on July 5th, in S\u00e3o Paulo and ended on the 16th, in Bras\u00edlia. The shows presented were: <em><strong>Prestidigitaccions<\/strong><\/em>, creation by Jordi Cortes Molina, from the Spanish company Alta Realitat (S\u00e3o Paulo, Rio de Janeiro and Bras\u00edlia); <em><strong>Som Lido no Sono do Sol <\/strong><\/em>(Sound Read under the Sun Sleep), by Bras\u00edlia-based  \u00c9di Oliveira (S\u00e3o Paulo, Rio de Janeiro and Bras\u00edlia); <em><strong>K par K<\/strong><\/em> (K by K), with the French Karim Sebbar (Rio de Janeiro and Bras\u00edlia); <em><strong>E eu disse<\/strong><\/em> (And I said&#8230;), solo of Let\u00edcia Sekito (S\u00e3o Paulo); <strong><em>Na plan\u00edcie, logo montanha, aparece o mar&#8230;<\/em> <\/strong>(In plain, soon the mountain, we see the sea&#8230;), by the Minas Gerais group Benvinda, a creation by Dudude Hermann (Bras\u00edlia). The presentations took place at the cultural centers of Caixa Econ\u00f4mica, an institution which has been holding for years a partnership with the event.<\/p>\n<p>The \u201ccontact with the other\u201d  has always been present in the activities promoted during the event. A constant encouragement in the exchange of experiences and knowledge. This exchange is done not only in the appreciation of the shows, but also with the creation of spaces for dialogue, be them theoretical or practical. The Encounter of Creators and Choreographers (Encontro de Criadores e Core\u00f3grafos) assembles the invited artists of the festival and choreographers from the city to discuss the creation processes and working methods of each one. The talks between audience and artist, conducted after each show, contribute to the formation of dance audiences and to the reclycling of dancers. This year an open class was organized with Jordi Cortes in S\u00e3o Paulo and in Bras\u00edlia, and a workshop with Laura Virg\u00ednia in Bras\u00edlia.<\/p>\n<p>The articulation of the actions developed by the festival points to its consistence. The amplification of the dialogue to other cities has made more potent the actions exchange and dissemination of knowledge in the dance field. The maintenance of this network of exchanges can produce good results for the dance scene which has gained one more space for diffusing its works. This new step of the Festival Internacional Novadan\u00e7a represents then a challenge and a conquest for the dance production in Brazil.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><span lang=\"pt-br\">O festival mais importante de Bras\u00edlia chega em sua 11\u00aa edi\u00e7\u00e3o com expans\u00e3o das atividades para S\u00e3o Paulo e Rio de Janeiro, por Liana Gesteira<\/span><span lang=\"en-us\">The most important festival of Brasilia celebrates its 11th edition with expansion of the activities to S\u00e3o Paulo and Rio de Janeiro, by Liana Gesteira<\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[46,28],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.2 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