{"id":511,"date":"2006-04-29T00:00:00","date_gmt":"2006-04-29T03:00:00","guid":{"rendered":"http:\/\/beta.idanca.net\/2005\/05\/29\/os-objetos-invisiveis-de-guedes\/"},"modified":"2008-08-05T13:20:22","modified_gmt":"2008-08-05T16:20:22","slug":"os-objetos-invisiveis-de-guedes","status":"publish","type":"post","link":"https:\/\/idanca.net\/os-objetos-invisiveis-de-guedes\/","title":{"rendered":"Os objetos invis\u00edveis de Guedes | The invisible objects of Guedes"},"content":{"rendered":"

Radicar Materiais Diversos<\/strong> (2003) na defini\u00e7\u00e3o dan\u00e7a<\/em> sugere uma recusa \u00e0 reflex\u00e3o acerca do papel do espa\u00e7o, do corpo, do criador e espectador num objecto art\u00edstico. Esta proposta de Tiago Guedes trabalha precisamente a necessidade dos elementos reagirem e trabalharem entre si.
\nNo limite, Materiais Diversos<\/strong> permanece inclassific\u00e1vel, n\u00e3o sendo teatro ou dan\u00e7a, mas antes um discurso criativo sobre a falibilidade das defini\u00e7\u00f5es, reconhecendo ent\u00e3o uma nova dimens\u00e3o de prazer, entrega e partilha.<\/p>\n

Assente numa procura sobre a funcionalidade do gesto, o espect\u00e1culo parece questionar-se sobre o modo como o espectador se prepara para a recep\u00e7\u00e3o de uma proposta art\u00edstica, no que isso possa representar uma disponibilidade ausente de expectativas, interpreta\u00e7\u00f5es e compara\u00e7\u00f5es. Este discurso centra-se a um outro n\u00edvel (talvez emocional) que for\u00e7a o espectador a ser c\u00famplice num jogo pr\u00e9-calculado, cuja margem de erro \u00e9 reduzida. Aqui promove-se um bem-humorado e l\u00fadico esquema atrav\u00e9s de uma liberta\u00e7\u00e3o dessas interpreta\u00e7\u00f5es impostas. Materiais Diversos<\/strong> quer propor leituras, em vez de for\u00e7ar uma.<\/p>\n

Podendo ser visto como um intra-d\u00edptico que se desenvolve numa estrutura de permanente ilus\u00e3o, aproxima-se de uma l\u00f3gica de teatro convencional, estabelecendo uma esp\u00e9cie de realidade paralela que se ancora na cren\u00e7a do espectador. No entanto, este jogo de espelhos em que Materiais Diversos<\/strong> se apresenta (os materiais que Tiago Guedes manipula ao longo do espect\u00e1culo, 1\u00ba de forma invis\u00edvel, depois dando a ver o que j\u00e1 l\u00e1 estava), n\u00e3o significa que dependa de forma opressiva da rela\u00e7\u00e3o espectador-criador, mas antes reclama um lugar para o corpo social e a sua inerente volatibilidade.<\/p>\n

Ser\u00e1 talvez por isso que o core\u00f3grafo se deixa cair para o meio do lixo.
\nSeremos todos uma esp\u00e9cie de utens\u00edlios e importa menos a forma, mas antes a universalidade dos gestos.
\nNesse sentido, antes que possamos afirmar que \u00e9 uma proposta de dan\u00e7a, deveremos olh\u00e1-la como um cruzamento de universos perform\u00e1ticos partilhados por um conjunto vasto de cria\u00e7\u00f5es n\u00e3o s\u00f3 de dan\u00e7a. Ultrapassando determinados pr\u00e9-conceitos, seremos capazes de receber esta proposta como uma met\u00e1fora acerca da dimens\u00e3o finita do corpo, n\u00e3o s\u00f3 pensada na influ\u00eancia que exerce na recep\u00e7\u00e3o da mesma, mas estabelecendo um outro filtro de realidade.<\/p>\n

A percep\u00e7\u00e3o desta dimens\u00e3o transporta o espectador para um outro n\u00edvel de cr\u00edtica e questionamento acerca das fronteiras de uma performance como objecto art\u00edstico. Mas tamb\u00e9m um olhar sobre o modo como se processam reflex\u00f5es acerca do quotidiano e do lugar da arte nesse quotidiano.<\/p>\n

Tiago Bartolomeu Costa*<\/strong> \u00e9 produtor de teatro e escreve o blog O Melhor Anjo.<\/em><\/p>\n

<\/span>It is easier to classify Materiais Diversos<\/strong> (Various Materials)<\/em> as a dance proposal than allow it to become a reflexion about the setting, the body, the creator and the viewer in an artistic object. Tiago Guedes\u2019s performance works upon that precise need of definition forcing the elements to react for and between themselves. In a final analysis, Materiais Diversos<\/strong> remains unclassifiable \u2013 not being dance nor theatre -, setting itself as a creative statement about the fallibility of those definitions, recognising otherwise, a new dimension of pleasure, willingness and sharing. <\/span><\/p>\n

In its search to understand the gestures\u2019 functionality, Materiais Diversos<\/strong> seems to ask himself to what extent is the viewer ready to receive a proposal that demands an absence of expectations, interpretations and comparisons. What Tiago Guedes develops is a poetic speech about the nature of the gesture and its need to belong to choreography. This speech is set on an intellectual level forcing the viewer to be an accomplice, watching a pre-calculated game leaving a tight margin for error. A well-humoured and playful scheme bet on freeing himself of imposed interpretations. It means to suggest, not to force.<\/p>\n

Materiais Diversos<\/strong> can be seen as an inner-diptic, creating an eminently illusory structure and approaching a conventional theatre as it creates a parallel reality anchored on the viewer\u2019s belief. For that matter, before we can state that Materiais Diversos<\/strong> is a dance proposition, we should look at it as a summoning of performed universes shared by the plurality of the stage works.<\/p>\n

The inner understanding of this show takes us to a whole new level of criticism and questioning about the performance\u2019s dimension as an art form, inside and outside our daily life\u2019s and, to its furthest extent, as a means to rethink the quotidian through art.<\/p>\n

Overcoming all mandatory and safe definitions, we will be able to accept Tiago Guedes\u2019 piece as a metaphor for the body\u2019s endless dimension as an influence receiver and reality filter. This game of mirrors in which Materiais Diversos<\/strong> evolves doesn\u2019t mean, nevertheless, that the show depends upon the correlation performer-viewer, as we tried to clarify before, claiming, instead, a place for the social body<\/em> and its unavoidable volatility. Hence the reason why Tiago Guedes throws himself to the garbage at the end of Materiais Diversos<\/strong>. We are all<\/em> characters, and he doesn\u2019t care so much for the story<\/em> as he cares for the way its universality is shown.<\/p>\n

Tiago Bartolomeu Costa*<\/strong> is theater producer and the owner of the weblog O Melhor Anjo.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Tiago Bartolomeu Costa analisa a pluralidade e universalidade dos materiais de Tiago Guedes<\/span><\/p>\n","protected":false},"author":98,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[49,28],"tags":[],"yoast_head":"\nOs objetos invis\u00edveis de Guedes | The invisible objects of Guedes -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/os-objetos-invisiveis-de-guedes\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Os objetos invis\u00edveis de Guedes | The invisible objects of Guedes -\" \/>\n<meta property=\"og:description\" content=\"Tiago Bartolomeu Costa analisa a pluralidade e universalidade dos materiais de Tiago Guedes\" \/>\n<meta property=\"og:url\" content=\"https:\/\/idanca.net\/os-objetos-invisiveis-de-guedes\/\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/idanca.net\" \/>\n<meta property=\"article:published_time\" content=\"2006-04-29T03:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2008-08-05T16:20:22+00:00\" \/>\n<meta name=\"author\" content=\"Tiago Bartolomeu Costa\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tiago Bartolomeu Costa\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/idanca.net\/os-objetos-invisiveis-de-guedes\/\",\"url\":\"https:\/\/idanca.net\/os-objetos-invisiveis-de-guedes\/\",\"name\":\"Os objetos invis\u00edveis de Guedes | The invisible objects of Guedes -\",\"isPartOf\":{\"@id\":\"https:\/\/idanca.net\/#website\"},\"datePublished\":\"2006-04-29T03:00:00+00:00\",\"dateModified\":\"2008-08-05T16:20:22+00:00\",\"author\":{\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/125470cf0c95d6222d4c904951e5987e\"},\"breadcrumb\":{\"@id\":\"https:\/\/idanca.net\/os-objetos-invisiveis-de-guedes\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/idanca.net\/os-objetos-invisiveis-de-guedes\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/idanca.net\/os-objetos-invisiveis-de-guedes\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/idanca.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Os objetos invis\u00edveis de Guedes | The invisible objects of Guedes\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/idanca.net\/#website\",\"url\":\"https:\/\/idanca.net\/\",\"name\":\"\",\"description\":\"portal de not\u00edcias sobre dan\u00e7a brasileira e internacional\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/idanca.net\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/125470cf0c95d6222d4c904951e5987e\",\"name\":\"Tiago Bartolomeu Costa\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/9e0644e59b1a1939c8af83c88df0192b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/9e0644e59b1a1939c8af83c88df0192b?s=96&d=mm&r=g\",\"caption\":\"Tiago Bartolomeu Costa\"},\"description\":\"foi criador do site portugu\u00eas sobre artes c\u00eanicas O melhor anjo e da revista Obscena (www.revistaobscena.com). 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