{"id":521,"date":"2005-06-09T00:00:00","date_gmt":"2005-06-09T00:00:00","guid":{"rendered":"http:\/\/beta.idanca.net\/2005\/06\/09\/ceara-terra-de-movimentos\/"},"modified":"2008-08-06T19:07:06","modified_gmt":"2008-08-06T22:07:06","slug":"ceara-terra-de-movimentos","status":"publish","type":"post","link":"https:\/\/idanca.net\/ceara-terra-de-movimentos\/","title":{"rendered":"Cear\u00e1, terra de movimentos | Cear\u00e1, land of movements"},"content":{"rendered":"

Corpos e id\u00e9ias est\u00e3o em constante movimento no Cear\u00e1. Como diria o matuto: aqui tem Dan\u00e7a sim, doutor<\/em>. Tem uma Bienal Internacional de Dan\u00e7a que, de 21 a 30 de outubro de 2005, est\u00e1 indo para a sua quinta edi\u00e7\u00e3o e j\u00e1 faz parte do calend\u00e1rio de eventos do Estado, conectando o Cear\u00e1 com o que est\u00e1 sendo produzido no restante do Brasil e do mundo. Tem um edital exclusivo para a \u00e1rea de Dan\u00e7a, na sua segunda edi\u00e7\u00e3o, que contempla produ\u00e7\u00e3o, circula\u00e7\u00e3o e pesquisa. E tem mais. <\/span><\/p>\n

Tem uni\u00e3o entre os profissionais que, independente das linhas de trabalho e de atua\u00e7\u00e3o, em menos de uma semana, somaram esfor\u00e7os para o abaixo-assinado em protesto \u00e0 possibilidade do Conselho Federal de Educa\u00e7\u00e3o F\u00edsica fiscalizar os profissionais de Dan\u00e7a, que contou com 500 assinaturas do Cear\u00e1.<\/p>\n

Desde 2000, toda quinta-feira tem espet\u00e1culo de dan\u00e7a no Centro Drag\u00e3o do Mar de Arte e Cultura (CDMAC), com espa\u00e7o aberto para experimenta\u00e7\u00f5es e forma\u00e7\u00e3o de plat\u00e9ia, com a realiza\u00e7\u00e3o de debates e conversas entre bailarino, core\u00f3grafo e p\u00fablico uma vez por m\u00eas. Se n\u00e3o for o \u00fanico, talvez seja um dos poucos estados que tem representantes especificamente de Dan\u00e7a nos governos estadual, h\u00e1 dois anos e meio, e municipal, h\u00e1 apenas quatro meses.<\/p>\n

Portanto, o Cear\u00e1 pulsa e movimenta corpos e id\u00e9ias<\/em>, como diz Ernesto Gadelha, coordenador do N\u00facleo de Dan\u00e7a do CDMAC, que pertence \u00e0 Secretaria de Cultura do Estado (Secult). E todas essas conquistas foram obtidas mais especificamente como conseq\u00fc\u00eancia da primeira edi\u00e7\u00e3o da Bienal Internacional de Dan\u00e7a, em 1997, criada por David Linhares, e que surgiu da necessidade de estabelecer uma pol\u00edtica para a Dan\u00e7a, num momento em que o Governo do Estado estava encerrando uma gest\u00e3o, depois de ter apostado todas a fichas no setor de audiovisual.<\/p>\n

Mesmo n\u00e3o sendo uma refer\u00eancia, na \u00e9poca, em termos de programa\u00e7\u00e3o, a iniciativa deflagrou uma s\u00e9rie de conquistas que est\u00e3o sendo vivenciadas no Cear\u00e1. Uma das conseq\u00fc\u00eancias imediatas foi a cria\u00e7\u00e3o da Comiss\u00e3o de Dan\u00e7a que, pela primeira vez, aproximou bailarinos, core\u00f3grafos, grupos independentes e donos de academias particulares para discutir mais do que o valor da hora\/aula paga aos professores e a mensalidade dos alunos.<\/p>\n

Ali, a Dan\u00e7a no Cear\u00e1 ganhou visibilidade e fez com que, ainda hoje, as diferentes inst\u00e2ncias sejam capazes de se unir em prol de objetivos que est\u00e3o al\u00e9m de seus interesses particulares, a exemplo do abaixo-assinado realizado na semana que antecedeu o Dia D da Dan\u00e7a, comemorado em 29 de abril, como destaca Rosa Primo, coordenadora da \u00ffrea de Dan\u00e7a da Funda\u00e7\u00e3o de Cultura e Turismo (Funcet), da Prefeitura de Fortaleza.<\/p>\n

Entre os palcos e a sala de aula, os profissionais continuam se reunindo com o objetivo de formular pol\u00edticas p\u00fablicas para o setor, principalmente aquelas capazes de sobreviver aos governos. Destes encontros, foram dados os primeiros passos para ver a Dan\u00e7a assumir um posto de destaque frente \u00e0s outras artes.<\/p>\n

Uma das propostas mais ousadas foi a cria\u00e7\u00e3o do Col\u00e9gio de Dan\u00e7a, sob a dire\u00e7\u00e3o do bailarino Fl\u00e1vio Sampaio e com apoio da Funda\u00e7\u00e3o Nacional de Arte (Funarte), na gest\u00e3o de Alfredo Moreira.
\nO primeiro curso, que surgiu de uma demanda da classe beneficiada, significou uma alternativa de forma\u00e7\u00e3o profissional frente \u00e0s academias particulares. As aulas come\u00e7aram em 1999 e aconteceram durante quatro anos, quando o Col\u00e9gio foi suspenso, no final de 2003.<\/p>\n

Al\u00e9m de democratizar o acesso \u00e0 forma\u00e7\u00e3o art\u00edstica, o Col\u00e9gio teve como diretriz capacitar os profissionais para se tornarem cidad\u00e3os da Dan\u00e7a, capazes de se sentir respons\u00e1veis pela cria\u00e7\u00e3o de possibilidades, como define Ernesto Gadelha. Os efeitos continuam repercutindo, porque os bailarinos n\u00e3o param de sonhar. Da Comiss\u00e3o passaram a se reunir como F\u00f3rum de Dan\u00e7a do Cear\u00e1 que, hoje, contribui para direcionar as pol\u00edticas que est\u00e3o sendo delineadas em n\u00edvel estadual e municipal.<\/p>\n

Em n\u00edvel municipal, foram mais de 16 anos com uma gest\u00e3o cultural ausente de pol\u00edticas que n\u00e3o fossem a de balc\u00e3o e amizades pessoais. A partir deste ano, Fortaleza ter\u00e1 iniciativas como o Arrodeia<\/strong>. A assessora da Funcet, Andr\u00e9a Bardawil, adianta que \u00e9 um projeto-piloto que, a partir de julho, levar\u00e1 apresenta\u00e7\u00f5es art\u00edsticas, incluindo a Dan\u00e7a, para bairros da periferia. O objetivo \u00e9 ampliar o raio de abrang\u00eancia das artes, despertando o interesse dos artistas que est\u00e3o fora do eixo central da cidade para que tamb\u00e9m fa\u00e7am parte da elabora\u00e7\u00e3o de pol\u00edticas p\u00fablicas.<\/p>\n

Fortaleza acaba de assinar um protocolo de inten\u00e7\u00f5es junto ao Sistema Nacional de Cultura. O Cear\u00e1 tamb\u00e9m est\u00e1 marcando presen\u00e7a na C\u00e2mara Setorial de Dan\u00e7a, como um dos dez primeiros estados a garantir assento na elabora\u00e7\u00e3o de pol\u00edticas nacionais. Quem ganha com todo esse movimento? O p\u00fablico, que est\u00e1 tendo acesso a uma produ\u00e7\u00e3o art\u00edstica diversificada e consequente<\/em>, responde Ernesto Gadelha.<\/p>\n

Para o futuro, os pr\u00f3ximos passos s\u00e3o: a volta de um n\u00facleo de forma\u00e7\u00e3o profissional com acesso democr\u00e1tico, semelhante a um conservat\u00f3rio, ampliar o recurso do Edital de Dan\u00e7a para torn\u00e1-lo mais abrangente, ter um programa de apoio \u00e0s companhias, disponibilizar uma infra-estrutura com salas para ensaios dos grupos independentes, criar um acervo de pesquisa e mem\u00f3ria, descentralizar as a\u00e7\u00f5es de fomento, chegando \u00e0s cidades do interior que j\u00e1 possuem demandas identificadas.<\/p>\n

N\u00e3o h\u00e1 limites para a elasticidade de propostas e realiza\u00e7\u00f5es para este estado brasileiro que est\u00e1 distante cerca de tr\u00eas mil quil\u00f4metros do eixo Rio – S\u00e3o Paulo, mas que, pelo exposto, est\u00e1 mais do que em sintonia com o momento da Dan\u00e7a no Brasil e no mundo.<\/p>\n

Tha\u00eds Gon\u00e7alves*<\/strong> \u2013 jornalista formada pela PUCCAMP e graduada em Dan\u00e7a pela UNICAMP, morando h\u00e1 sete anos em Fortaleza (Cear\u00e1). <\/em> Translation by Sarah Hyde from CCAPS<\/em><\/span><\/p>\n

Bodies and ideas are in constant movement in the Brazilian state of Cear\u00e1. As the country hick would say: Yes, there is dance here indeed, sir.<\/em> There is an International Dance Biennial that, from October 21-30, 2005, will be entering its fifth edition and which is already a part of the state\u2019s event calendar. It connects Cear\u00e1 with everything that is being produced in the rest of Brazil and the world. There is an exclusive bill for the area of Dance, already in its second edition, that includes production, circulation and research. And there is more.<\/p>\n

There is a union between professionals that, independent of the lines of work and action, joined forces to create a petition in less than a week in protest of the proposal by the Federal Physical Education Council to begin the fiscalization of dance professionals. The petition contained 500 signatures from individuals in Cear\u00e1.<\/p>\n

Since 2000, there has been a dance performance every Thursday at Centro Drag\u00e3o do Mar de Arte e Cultura<\/strong> (CDMAC), with an open space for experimentations and stage performances as well as debates and discussions between dancers, choreographers and the public once a month. It is one of the few states, if not the only one, that has specific representatives for dance at the state government level (for the past two and a half years) and at the municipal government level (for the past four months only).<\/p>\n

Therefore, Cear\u00e1 pulsates and moves bodies and ideas,<\/em> according to Ernesto Gadelha, CDMAC Dance Center Coordinator. The center pertains to the Cear\u00e1 State Department of Culture (Secult). And all of these achievements were possible more specifically as a consequence of the first edition of the 1997 International Dance Biennial created by David Linhares, which originated from the need to establish a policy for dance at a moment in which the state government was changing hands after having made heavy investments in the audiovisual sector.<\/p>\n

Even though it is not a reference, the initiative led to a series of achievements at that time and in terms of programming that are currently being felt in Cear\u00e1. One of the immediate consequences was the creation of the Dance Commission that, for the first time in history, brought dancers, choreographers, independent groups and dance academy owners together to discuss more than the hourly wage paid to dance teachers and student fees.<\/p>\n

There, dance in Cear\u00e1 gained visibility and the different instances united in support of objectives that extended beyond particular interests. An example of this is the petition that was distributed the week before Dance D Day<\/em>, celebrated on April 29, as pointed out by Rosa Primo, coordinator of the Area of Dance for the Fortaleza City Government Culture and Tourism Foundation (Funcet).<\/p>\n

Between the stages and the classroom, the professionals continue to hold meetings with the objective of formulating public policies for the sector, primarily those capable of surviving the different governments. These meetings resulted in the first steps to see dance assume a distinguished place among other arts.<\/p>\n

One of the boldest proposals was the creation of the Dance School, under the direction of dancer Fl\u00e1vio Sampaio and with the support of the National Art Foundation (Funarte), which is managed by Alfredo Moreira. The first course, which emerged from a demand by the benefited class, meant a professional training alternative to the private dance academies. The classes began in 1999 and took place for four years until the school was closed at the end of 2003.<\/p>\n

In addition to democratizing access to artistic training, one of the school\u2019s principles was to train professionals to become dance citizens capable of feeling responsible for the creation of possibilities, as defined by Ernesto Gadelha. The effects continue reverberating because the dancers do not stop dreaming. From a commission, the group began to gather as the Cear\u00e1 Dance Forum, which today contributes to directing policies that are designed at the state and municipal level.<\/p>\n

At the municipal level, it had been more than 16 years since there was any cultural management of policies besides those passed as a favor or due to personal friendships. Beginning this year, Fortaleza will have initiatives such as Arrodeia.<\/em> Public relations officer of Funcet, Andr\u00e9a Bardawil, states that it is a pilot project that, beginning in July, will bring artistic presentations, including dance, to the neighborhoods on the outskirts of the city. The idea is to increase the scope of arts, awaking the interest of the artists that are outside the central axis of the city so that they can also participate in the elaboration of public policies.<\/p>\n

Fortaleza recently signed a protocol of intentions with the Brazilian National Culture System. Cear\u00e1 is also marking its presence at the Sectoral Dance Chamber as one of the 10 first states to guarantee a seat in the elaboration of national policies. Who wins with all of this movement? The public, which has access to the diversified and consequent artistic production,<\/em> says Ernesto Gadelha.<\/p>\n

The next steps for the future are: the return of a professional training center with democratic access, similar to the conservatory, the increase of the Dance Bill resource to make it more encompassing, a support program for dance companies, an available infrastructure with rooms for independent group rehearsals, creation of a research and memory archive and the decentralization of development actions so these can reach the cities in the inland region that already have identified demands.<\/p>\n

There are no limits for the elasticity of proposals and achievements for this Brazilian state that is located some 3,000 kilometers from the Rio-S\u00e3o Paulo axis, but which, exposed, is more than in harmony with the dance moment in Brazil and the world.<\/p>\n

Tha\u00eds Gon\u00e7alves*<\/strong> \u2013 a journalist with a degree from the Pontifical Catholic University of Campinas (PUCCAMP) and a second degree in Dance from the University of Campinas (UNICAMP). She has lived in the city of Fortaleza (Cear\u00e1) for the past seven years. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Os corpos e id\u00e9ias que movimentam a dan\u00e7a no Cear\u00e1, por Tha\u00eds Gon\u00e7alves<\/span>The bodies and ideas that move the dance in Cear\u00e1 by Tha\u00eds Gon\u00e7alves<\/span><\/p>\n","protected":false},"author":96,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[46,28],"tags":[],"yoast_head":"\nCear\u00e1, terra de movimentos | Cear\u00e1, land of movements -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/ceara-terra-de-movimentos\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cear\u00e1, terra 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