{"id":5611,"date":"2008-04-11T16:23:43","date_gmt":"2008-04-11T19:23:43","guid":{"rendered":"http:\/\/beta.idanca.net\/2008\/04\/11\/o-caminho-da-informacao-ao-alcance-de-todos\/"},"modified":"2008-09-18T16:05:28","modified_gmt":"2008-09-18T19:05:28","slug":"o-caminho-da-informacao-ao-alcance-de-todos","status":"publish","type":"post","link":"https:\/\/idanca.net\/o-caminho-da-informacao-ao-alcance-de-todos\/","title":{"rendered":"O caminho da informa\u00e7\u00e3o ao alcance de todos"},"content":{"rendered":"<p><span lang=\"pt-br\">Dezesseis anos ap\u00f3s sua morte, em 1992, o pesquisador, professor, bailarino e core\u00f3grafo Klauss Vianna finalmente ganhou um acervo eletr\u00f4nico com documentos sobre sua vida pessoal e profissional. O site <strong><a href=\"http:\/\/www.klaussvianna.art.br\/\">Acervo Klauss Vianna<\/a><\/strong> foi lan\u00e7ado no final de mar\u00e7o, em S\u00e3o Paulo, e engrossa uma tend\u00eancia nova e necess\u00e1ria no estudo da dan\u00e7a. Somente de uns anos para c\u00e1 informa\u00e7\u00f5es, fotos e programas de espet\u00e1culos v\u00eam sendo reunidos em acervos que surgem como importantes fontes de pesquisa para estudiosos e pesquisadores de dan\u00e7a.<\/span><\/p>\n<p><span lang=\"pt-br\">O projeto do <strong>Acervo Klauss Vianna<\/strong> nasceu em 2005 pelas m\u00e3os da jornalista Paula Grinover. Ela foi aluna de Klauss entre 1984 e 1992 e sabia do acervo particular que a mulher do pesquisador, Angel Vianna, possu\u00eda em sua casa.  Eram cerca de mil fotos, outros mil recortes de jornal desde os anos 40, al\u00e9m de documentos pessoais, manuscritos e projetos sujeitos \u00e0 a\u00e7\u00e3o do tempo.<\/span><\/p>\n<p><span lang=\"pt-br\">&#8220;A primeira etapa do nosso trabalho incluiu o mapeamento dos locais por onde ele teria passado: S\u00e3o Paulo, Rio de Janeiro, Belo Horizonte e Salvador. Depois, fomos atr\u00e1s de documentos nessas quatro cidades. Dos 3.500 documentos digitalizados chegamos a 1.600 publicados no site&#8221;, explica Paula, que trabalhou um ano na pesquisa do projeto junto com sua equipe, com patroc\u00ednio da Petrobras.<\/span><\/p>\n<p><span lang=\"pt-br\">Para Paula, o fato de o acervo ser virtual \u00e9 uma grande vantagem para quem tem interesse no assunto. &#8220;Quer\u00edamos que ele fosse virtual porque d\u00e1 acesso amplo, universal e gratuito. \u00c9 uma forma mais simples de encontrar tudo. O acervo \u00e9 importante pois, no Brasil, n\u00e3o temos mem\u00f3ria das artes, eu e minha equipe tivemos muita dificuldade de encontrar v\u00e1rios documentos. Tomara que dessas iniciativas surjam outras&#8221;, afirma.<\/span><\/p>\n<p><span lang=\"pt-br\">Outra iniciativa bem sucedida \u00e9 o <strong><a href=\"http:\/\/200.17.132.93\/recordanca\/index.htm\">RecorDan\u00e7a<\/a><\/strong>, de Recife. Trata-se de um instrumento de pesquisa na Internet sobre a hist\u00f3ria da dan\u00e7a em Pernambuco.  O acervo re\u00fane fotos, v\u00eddeos, programas de espet\u00e1culos e dados sobre core\u00f3grafos, professores, dan\u00e7arinos, espet\u00e1culos e grupos que tiveram influ\u00eancia na dan\u00e7a da \u00e1rea metropolitana do Recife no per\u00edodo entre os anos de 1970 e 2000.<\/span><\/p>\n<p><span lang=\"pt-br\">Coordenada pelas pesquisadoras Roberta Ramos, Val\u00e9ria Vicente e Liana Gesteira, a pesquisa durou cerca de um ano e o projeto passou por in\u00fameras etapas at\u00e9 chegar ao acervo eletr\u00f4nico atualmente no ar. L\u00e1, \u00e9 poss\u00edvel acessar v\u00eddeos, fotos, programas, cartazes e biografias em verbetes, al\u00e9m de espet\u00e1culos e coreografias. Numa pr\u00f3xima etapa, o objetivo \u00e9 catalogar o per\u00edodo que falta na dan\u00e7a pernambucana e iniciar uma discuss\u00e3o sobre o nascimento da dan\u00e7a contempor\u00e2nea no Recife. Tamb\u00e9m est\u00e1 nos planos das pesquisadoras uma vers\u00e3o impressa do material.<\/span><\/p>\n<p><span lang=\"pt-br\">&#8220;Cada acervo possui um recorte diferente e cumpre fun\u00e7\u00f5es diferentes. Mas organizar o material \u00e9 importante porque isso \u00e9 dif\u00edcil na \u00e1rea de dan\u00e7a. Nosso objetivo foi mediar a organiza\u00e7\u00e3o para que as informa\u00e7\u00f5es sirvam como material de pesquisa, o acervo n\u00e3o \u00e9 um fim em si pr\u00f3prio, \u00e9 algo a ser movimentado&#8221;, define Roberta.<\/span><\/p>\n<p><span lang=\"pt-br\">O <strong><a href=\"http:\/\/www.itaucultural.com.br\/\">Ita\u00fa Cultural<\/a><\/strong> tamb\u00e9m \u00e9 uma importante ferramenta de busca para quem procura informa\u00e7\u00f5es sobre diferentes express\u00f5es art\u00edsticas, n\u00e3o apenas sobre dan\u00e7a. No site do instituto, est\u00e3o dispon\u00edveis enciclop\u00e9dias virtuais que trazem em seus bancos de dados conceitos, obras e artistas.  No que diz respeito \u00e0 dan\u00e7a, o programa <strong><a href=\"http:\/\/www.itaucultural.com.br\/index.cfm?cd_pagina=2691\">Rumos Ita\u00fa Cultural<\/a><\/strong> colabora, desde 1997, para a produ\u00e7\u00e3o nacional. Em sua base de dados, \u00e9 poss\u00edvel pesquisar informa\u00e7\u00f5es sobre companhias de dan\u00e7a, artistas, teatros, al\u00e9m de grupos de estudo, institui\u00e7\u00f5es de ensino e a produ\u00e7\u00e3o te\u00f3rica em dan\u00e7a.<\/span><\/p>\n<p><span lang=\"pt-br\">Para o pesquisador e professor Roberto Pereira, mais informa\u00e7\u00e3o dispon\u00edvel em um n\u00famero maior de acervos pode resultar em mais gente estudando dan\u00e7a. &#8220;Fiz minha tese de doutorado sobre o in\u00edcio do bal\u00e9 no Brasil e tive que pesquisar acervos pessoais de bailarinos, ir \u00e0 casa de muita gente para conclu\u00ed-la. Muito se perde j\u00e1 que muita gente guarda os documentos em casa, do jeito que d\u00e1. Os acervos virtuais s\u00e3o uma sa\u00edda excelente j\u00e1 que papel tem uma certa durabilidade. Seria \u00f3timo poder digitalizar todos os acervos&#8221;, opina.<\/span><\/p>\n<p><span lang=\"pt-br\">Por conta da falta de organiza\u00e7\u00e3o do material de dan\u00e7a dispon\u00edvel, a cole\u00e7\u00e3o de fotos e programas de espet\u00e1culos do colecionador Marcelo Del Cima virou refer\u00eancia no Rio de Janeiro. Ele possui mais de 60 mil imagens guardadas em um apartamento em Copacabana, onde recebe a visita informal de pesquisadores atr\u00e1s de suas rel\u00edquias. Todos chegam l\u00e1 atrav\u00e9s de indica\u00e7\u00f5es.<\/span><\/p>\n<p><span lang=\"pt-br\">Ele come\u00e7ou a colecionar cart\u00f5es-postais ligados a teatro, \u00f3pera, bal\u00e9 e cinema h\u00e1 27 anos e hoje aumenta seu acervo com aquisi\u00e7\u00f5es e doa\u00e7\u00f5es. &#8220;Fico surpreso com o interesse pela dan\u00e7a, \u00e9 muito maior do que o interesse que despertam as outras \u00e1reas. Recebo muitos estudantes de mestrado&#8221;, revela Marcelo, que tem interesse em digitalizar suas imagens e criar um acervo eletr\u00f4nico. &#8220;Gostaria muito, mas a quest\u00e3o financeira dificulta muito.&#8221;<\/span><\/p>\n<p><span lang=\"pt-br\">A falta de patroc\u00ednio ainda \u00e9 um grande obst\u00e1culo para a cria\u00e7\u00e3o dos acervos, sejam eles f\u00edsicos ou eletr\u00f4nicos. Al\u00e9m dos gastos para digitalizar o material, h\u00e1 o dinheiro investido na equipe que realiza a pesquisa. &#8220;Voc\u00ea fica muito envolvida com tudo aquilo, \u00e9 preciso se dedicar muito&#8221;, justifica Roberta  Ramos, que recebeu patroc\u00ednio do Governo de Pernambuco para a realiza\u00e7\u00e3o do <strong>RecorDan\u00e7a<\/strong>.<\/span><\/p>\n<p><span lang=\"pt-br\">Est\u00e1 em fase de or\u00e7amento na Secretaria Municipal de Cultura de S\u00e3o Paulo a cria\u00e7\u00e3o do acervo do <a href=\"http:\/\/www.baledacidade.com.br\/\">Bal\u00e9 da Cidade<\/a>, que completa 40 anos em 2008. O projeto inclui a cataloga\u00e7\u00e3o e a digitaliza\u00e7\u00e3o de fotos e v\u00eddeos que contam a hist\u00f3ria da companhia. De acordo com um levantamento interno, existem cerca de 300 fitas. &#8220;\u00c9 a hist\u00f3ria do bal\u00e9, as pessoas passam por ele e s\u00e3o esses documentos que ficam. Temos que manter vivo e din\u00e2mico o acervo para que hist\u00f3ria n\u00e3o se perca&#8221;, afirma a diretora art\u00edstica do Bal\u00e9, M\u00f4nica Mion. Ser\u00e1 um presente, tanto para o Bal\u00e9 da Cidade quanto para quem estuda a hist\u00f3ria da dan\u00e7a.<\/span><\/p>\n<p><span lang=\"en-us\">Sixteen years after his death in 1992, dancer, choreographer and researcher Klauss Vianna finally gets an online collection of documents about his personal and professional life. <strong><a href=\"http:\/\/www.klaussvianna.art.br\/\">The Klauss Vianna Collection<\/a><\/strong> website was launched in the end of march, in S\u00e3o Paulo and it\u00b4s part of a new and much needed trend in dance studies. Only in recent years, information, photos and show programs are being brought together in collections that are \u00a0important resources for dance researchers.<\/span><\/p>\n<p><span lang=\"en-us\"><br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\">The project for the <strong>Klauss Vianna Collection<\/strong> started in 2005, through the work of journalist Paula Grinover. She was Klauss pupil from 1984 until 1992 and she knew about the private collection his wife, Angel Vianna, kept at home. It contained about one thousand photos and one thousand newspaper clippings dating back to the 1940\u00b4s, besides personal documents, manuscripts and projects that were subject to the action of time.<\/span><\/p>\n<p><span lang=\"en-us\"><br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\">&#8220;The first step of our work was the mapping of all the places he had been to: S\u00e3o Paulo, Rio de Janeiro, Belo Horizonte and Salvador. After that, we searched for documents in those cities. Out of the 3.500 documents that were digitalized, 1.600 were published in the website&#8221;, explains Paula, who worked for a year in the project, along with her staff and with the sponsorship of Petrobras.<\/span><\/p>\n<p><span lang=\"en-us\"><br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\">Paula considers the fact that the collection is available online is a great advantage for those \u00a0interested in the subject. &#8220;We wanted to make it digital, \u00a0because \u00a0it can be widely, universally and freely accessed. It\u00b4s a simple way to find everything. The collection is important because in Brazil records of artistic work\u00a0 are \u00a0scarce, me and my crew had a lot of difficulty finding many documents. I hope other projects are inspired by this one&#8221;<\/span><\/p>\n<p><span lang=\"en-us\"><br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\"><strong><a href=\"http:\/\/200.17.132.93\/recordanca\/index.htm\">RecorDan\u00e7a<\/a><\/strong>, from Recife is another successful initiative. It\u00b4s a research tool dedicated to the history of dance in Pernambuco. The online collection contains photos, videos, show programs and information about choreographers, teachers, dancers, shows and companies that influenced the dance scene in Recife, from 1970 until 2000.<\/span><\/p>\n<p><span lang=\"en-us\"><br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\">The research coordinated by Roberta Ramos, Val\u00e9ria Vicente and Liana Gesteira lasted about a year and went through many steps until it got to its current shape. It\u00b4s possible to find videos, photos, programs, posters and biographies, besides information about shows and choreographies. The next step will be to catalogue the period from the history of dance in Pernambuco that wasn\u00b4t included yet and start a debate about the emergence of contemporary dance in Recife. They also plan to publish a printed version of the material.<\/span><\/p>\n<p><span lang=\"en-us\"><br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\">&#8220;Each collection covers a different segment and fulfills different roles. But to organize\u00a0\u00a0 the material is important, because it\u00b4s a hard thing to do in the dance area. Our goal was to mediate the organization, so the information can serve as research material, the collection is not an end in itself, it\u00b4s something that must to be useful&#8221;, defines Roberta.<\/span><\/p>\n<p><span lang=\"en-us\"><br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\"><strong><a href=\"http:\/\/www.itaucultural.com.br\/\">Ita\u00fa Cultural<\/a><\/strong> is yet another important research tool for those who are looking for information about various art forms, not only dance. Digital encyclopedias with information about concepts, works and artists are available in their website. When it comes to dance, the Rumos Ita\u00fa Cultural program collaborates with the national production since 1997. In their database, information about companies, artists, theaters and also about dance education and study groups can be found.<\/span><\/p>\n<p><span lang=\"en-us\"><br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\">Roberto Pereira, professor and researcher, believes that with more information available, more people could be interested in studying dance. &#8220;My doctorate thesis was about the beginning of ballet in Brazil and I had to research the private collections of dancers, I had to go to these peoples house to conclude it. A lot of things are lost because the material is not properly preserved at home. The digital collections are an excellent solution, since paper has limited durability. It would be great if all the collections were digitalized&#8221;<\/span><\/p>\n<p><span lang=\"en-us\"><br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\">Because of the lack of organization of the dance material available, the private collection of Marcelo Del Cima has become reference in Rio de Janeiro. He has over 60.000 printed images kept in an apartment in Copacabana, where he receives the informal visit of researchers looking for his relics. All of them find him through indication.<\/span><\/p>\n<p><span lang=\"en-us\"><br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\">Marcelo started collecting post cards with theater, opera, ballet and film themes 27 years ago, nowadays his collection has increased through donations and new acquisitions. &#8220;I\u00b4m surprised by the interest aroused by dance, it\u00b4s a lot bigger than the interest for other areas. I often receive post-graduate students.&#8221; He would like to digitalize his material and create an electronic collection. &#8220;I would really like that, but the financial problem makes it a lot harder.&#8221;<\/span><\/p>\n<p><span lang=\"en-us\"><br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\">The lack of financial support is a big obstacle for the creation of collections, be it physical or digital. Besides the cost of digitalizing the material, there\u00b4s the cost of the labor invested by the research staff. &#8220;One gets too involved with the workt, it takes a lot of dedication&#8221;, tells Roberta  Ramos, who received the support of the government of Pernambuco for RecorDan\u00e7a.<\/span><\/p>\n<p><span lang=\"en-us\"><br \/>\n<\/span><\/p>\n<p><span lang=\"en-us\">The creation of a collection of  <a href=\"http:\/\/www.baledacidade.com.br\/\">Bal\u00e9 da Cidade<\/a>, which celebrates its 40<sup>th<\/sup> anniversary in 2008, \u00a0is being budgeted by the Secretaria Municipal de Cultura de S\u00e3o Paulo (Cultural Office of the City of S\u00e3o Paulo). The project includes the classification and digitalization of photos and videos that tell the history of the company. According to an internal research, there are about 300 tapes. &#8220;It\u00b4s the history of ballet, people go by, but these documents are what is left behind. We must keep the collection alive and dynamic, so history won\u00b4t be lost&#8221;, says M\u00f4nica Mion, artistic director of Bal\u00e9 da Cidade. The collection will be a gift, for the company and for all who study the history of dance.<\/span><!--[if gte mso 10]&gt; &lt;!   \/* Style Definitions *\/  table.MsoNormalTable \t{mso-style-name:\"Tabela normal\"; \tmso-tstyle-rowband-size:0; \tmso-tstyle-colband-size:0; \tmso-style-noshow:yes; \tmso-style-parent:\"\"; \tmso-padding-alt:0cm 5.4pt 0cm 5.4pt; \tmso-para-margin:0cm; \tmso-para-margin-bottom:.0001pt; \tmso-pagination:widow-orphan; \tfont-size:10.0pt; \tfont-family:\"Times New Roman\"; \tmso-ansi-language:#0400; \tmso-fareast-language:#0400; \tmso-bidi-language:#0400;} --> <!--[endif]--><\/p>\n","protected":false},"excerpt":{"rendered":"<p><span lang=\"pt-br\">No rastro do rec\u00e9m-lan\u00e7ado site sobre a vida e a obra de Klauss Vianna, o Idan\u00e7a publica reportagem sobre os principais acervos de dan\u00e7a ativos no Brasil e ressalta a necessidade do surgimento de outros. <\/span><\/p>\n","protected":false},"author":136,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[46,28],"tags":[1082,2370,2001,2778,186,287],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>O caminho da informa\u00e7\u00e3o ao alcance de todos -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/o-caminho-da-informacao-ao-alcance-de-todos\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"O caminho da informa\u00e7\u00e3o ao alcance de 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