{"id":589,"date":"2005-07-22T00:00:00","date_gmt":"2005-07-22T00:00:00","guid":{"rendered":"http:\/\/beta.idanca.net\/2005\/07\/22\/a-falsa-inclusao\/"},"modified":"2008-08-06T19:03:42","modified_gmt":"2008-08-06T22:03:42","slug":"a-falsa-inclusao","status":"publish","type":"post","link":"https:\/\/idanca.net\/a-falsa-inclusao\/","title":{"rendered":"A falsa inclus\u00e3o | The false inclusion"},"content":{"rendered":"

Este artigo, em sua vers\u00e3o original, foi publicado no Jornal do Comm\u00e9rcio (PE)<\/strong> do dia 6 de julho.<\/em><\/span><\/p>\n

A terceira Mostra Brasileira de Dan\u00e7a, que aconteceu h\u00e1 algumas semanas nos teatros Santa Isabel e Parque, vende sua imagem sob o signo da diversidade e da inclus\u00e3o de diferentes artistas, atendendo tamb\u00e9m aos mais variados gostos do p\u00fablico. Mas isso n\u00e3o foi suficiente para evitar as fundas alfinetadas que recebeu das jornalistas respons\u00e1veis pelo setor de dan\u00e7a deste e de outro jornal da cidade.<\/p>\n

Muita dan\u00e7a e pouca curadoria<\/em> e Mostra de qualidade irregular<\/em> foram os t\u00edtulos das duas mat\u00e9rias que apontaram baixa qualidade dos espet\u00e1culos, exaust\u00e3o da programa\u00e7\u00e3o, perfil de torcida hist\u00e9rica<\/em> do p\u00fablico-alvo, n\u00e3o preocupa\u00e7\u00e3o com forma\u00e7\u00e3o qualitativa de plat\u00e9ia, entre outros defeitos.<\/p>\n

Louv\u00e1vel e necess\u00e1ria \u00e9 a iniciativa de alertar o p\u00fablico e dar par\u00e2metros para que ele perceba as fragilidades est\u00e9ticas e estruturais dessa mostra. No entanto e infelizmente, esses ainda s\u00e3o os motivos menos s\u00e9rios por que tal evento deve, sim, ser questionado.<\/p>\n

Mais do que a concep\u00e7\u00e3o p\u00e3o e circo<\/em> de sua programa\u00e7\u00e3o, grave \u00e9, por exemplo, o fato de a mostra ter sido um projeto de R$ 68.231,00 aprovado no Funcultura (fundo de cultura do Estado), ter tido apoio direto da Prefeitura do Recife, al\u00e9m de v\u00e1rios patroc\u00ednios, e, mesmo assim, cobrar R$ 15 ou R$ 10 (pre\u00e7os de entradas inteiras) em teatros p\u00fablicos da cidade.<\/p>\n

Que crit\u00e9rios obscuros s\u00e3o usados, nos processos avaliativos do Funcultura, de forma que o dinheiro p\u00fablico deixe de ir para projetos com claras qualidade e contrapartida social e v\u00e1 para resultados como os dessa mostra, em que nem as pr\u00f3prias obras s\u00e3o contrapartida para a sociedade, uma vez que s\u00e3o exibidas em condi\u00e7\u00f5es nada adequadas de aprecia\u00e7\u00e3o?
\nAl\u00e9m da exibi\u00e7\u00e3o, h\u00e1 cursos de apenas tr\u00eas dias (o que nem sequer pode ser chamado de reciclagem<\/em>) oferecidos a R$ 30. Mais uma vez, onde est\u00e1 a contrapartida que \u00e9 o suposto crit\u00e9rio de aprova\u00e7\u00e3o do Funcultura?<\/p>\n

O evento surgiu h\u00e1 tr\u00eas anos e tinha entre seus objetivos incluir<\/em> os grupos n\u00e3o contemplados pelo pensamento do Festival de Dan\u00e7a do Recife, que se reformulou a fim de priorizar uma programa\u00e7\u00e3o de espet\u00e1culos inteiros, espalhar-se por v\u00e1rios teatros da cidade com pre\u00e7os populares e formar plat\u00e9ia em termos n\u00e3o s\u00f3 quantitativos como qualitativos.<\/p>\n

A Mostra Brasileira de Dan\u00e7a, por\u00e9m, trabalha com uma falsa id\u00e9ia de inclus\u00e3o, porque sua extensa maratona tem como pressuposto p\u00e9ssimas condi\u00e7\u00f5es de acomoda\u00e7\u00e3o aos grupos participantes (n\u00e3o h\u00e1 camarins em n\u00famero suficiente para comport\u00e1-los), cach\u00eas igualmente insatisfat\u00f3rios e desnivelados a depender dos grupos, e, creiam!, cobran\u00e7a de ingresso (mesmo que promocional) para os pr\u00f3prios bailarinos ou core\u00f3grafos participantes do evento. Como pensar em diversidade e inclus\u00e3o quando os artistas n\u00e3o s\u00e3o tratados com condi\u00e7\u00f5es igualmente dignas e ingressos a 15 reais, num pa\u00eds cujo sal\u00e1rio m\u00ednimo s\u00e3o 300 reais, est\u00e3o longe de incluir uma diversidade tamb\u00e9m de p\u00fablico?<\/p>\n

Nada contra a diversidade e contra a possibilidade de os mais diferentes trabalhos serem amontoados em noites extensas de dan\u00e7a como entretenimento, mas o dinheiro p\u00fablico \u00e9 do p\u00fablico, dos artistas, etc., e n\u00e3o pode ser usado \u00e0 nossa revelia e em troca de falsos signos de diversidade e inclus\u00e3o.<\/p>\n

* Roberta Ramos<\/strong> \u00e9 doutoranda em Letras pela UFPE, cordenadora do Projeto Recordan\u00e7a e membro do Movimento Dan\u00e7a Recife. <\/em>This article was originally published at Jornal do Comm\u00e9rcio (PE) at July 6th<\/em><\/span><\/p>\n

The Third Mostra Brasileira de Dan\u00e7a, that happened some weeks ago in Santa Isabel Theater and Park Theater, promotes the image of diversity and inclusion of different artists, also taking care of a more varied audience taste. But this was not enough to prevent the deep pinpricks it received from the journalists in dance sector and of periodicals of the city of Recife. “Much dance and little curatorship” and “Sample of irregular quality” had been the headings of the two articles that had pointed low quality performances, exhaustive programming, a hysteria profile in the audience, none concern to qualitative audience development, among others problems.<\/p>\n

Praiseworthy and necessary is the initiative to alert the public and give parameters so that it perceives the aesthetic and structural fragilities of this project. However and unhappyly, these still are the less serious reasons why such event must indeed be questioned. More serious than the bread and circus<\/em> concept of its programming, is, for example, the fact that the project has received R$ 68,231.00 from Funcultura (dep of culture of the State of Pernambuco), had direct support from the City of Recife, apart from some sponsorships, and, yet, charges R$ 15 or R$ 10 (full entrances) in public theaters of the city.<\/p>\n

What obscure criteria are used, in the evaluation processes in Funcultura, where public money is denied to projects with clear quality and social counterpart and goes for projects like this, where not even the works are counterparts for society, since they are shown in improper conditions?
\nApart from the performances, the project has only three day courses (that cannot even be called professional update) offered at R$ 30. One more time, where it is the counterpart that is supposed to be the criteria of approval in Funcultura?<\/p>\n

The event appeared three years ago and allegedly objectives to include<\/em> the groups not contemplated in the thought of the Dance Festival of Recife, that reformulated itself in order to prioritize a programming of full lengh works and to spread itself into different theaters of the city with popular prices and working for a qualitative and not only quantitative audience development.
\nThe Mostra de Dan\u00e7a, however, works with a false idea of inclusion, because its extensive maratona has as awful conditions for the participant groups (it does not have dressing-rooms in number enough to hold them), fees equally unsatisfactory and unlevelled to the groups, and, believe it or not, ticket charging (even though promotional) for the dancers or participants themselves.<\/p>\n

How to think about diversity and inclusion when the artists are not dealt with equally worthy conditions and tickets that cost R$ 15, in a country where minimum wage is R$ 300, are far from including a diverse audience? Nothing against the diversity and the possibility of different works to be accumulated in extensive nights of dance as entertainment, but the public money is for the public, the artists, etc., and it cannot in be used despite of us in exchange for false signs of diversity and inclusion.<\/p>\n

* Roberta Ramos<\/strong> is completing her doctorate in Literature at UFPE, and is coordinator of the Recordan\u00e7a Project and member of the Dan\u00e7a Recife Mouvement.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Roberta Ramos escreve sobre a 3\u00aa Mostra Brasileira de Dan\u00e7a de Recife<\/span>Roberta Ramos writes about the third Mostra Brasileira de Dan\u00e7a in Recife<\/span><\/p>\n","protected":false},"author":84,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[49,28],"tags":[],"yoast_head":"\nA falsa inclus\u00e3o | The false inclusion -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/a-falsa-inclusao\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A falsa inclus\u00e3o | The false inclusion -\" \/>\n<meta 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