{"id":66,"date":"2003-07-01T00:00:00","date_gmt":"2003-07-01T00:00:00","guid":{"rendered":"http:\/\/beta.idanca.net\/2003\/07\/01\/dancar-nao-e-fazer-gol\/"},"modified":"2008-06-20T18:42:20","modified_gmt":"2008-06-20T21:42:20","slug":"dancar-nao-e-fazer-gol","status":"publish","type":"post","link":"https:\/\/idanca.net\/dancar-nao-e-fazer-gol\/","title":{"rendered":"Dan\u00e7ar n\u00e3o \u00e9 fazer gol | About dance, not soccer"},"content":{"rendered":"

Foi-se o tempo em que o artista da dan\u00e7a respondia que “se expressava atrav\u00e9s da sua arte”. Felizmente, as classes art\u00edsticas brasileiras encontraram novas formas de associa\u00e7\u00e3o. Alertas para a necessidade de discutir as pol\u00edticas p\u00fablicas como condi\u00e7\u00e3o da sua sobreviv\u00eancia, artistas passaram a se organizar sem priorizar sedes geogr\u00e1ficas, diretorias hierarquizadas nem registros oficiais. Dentre os bons exemplos que devem ser disseminados, vale citar o Movimento Mobiliza\u00e7\u00e3o Dan\u00e7a e o Arte contra a Barb\u00e1rie, na cidade de S\u00e3o Paulo, a Comiss\u00e3o Permanente de Dan\u00e7a, no Rio Grande do Sul, a Comiss\u00e3o de Dan\u00e7a e o F\u00f3rum das Artes Rio, no Rio de Janeiro. E eventos como o P\u00fablica Dan\u00e7a, realizado em maio em Votorantim, SP, comprovam que circula na classe uma outra consci\u00eancia a respeito do seu papel pol\u00edtico. Votorantim comprova que quando um Secret\u00e1rio de Cultura (no caso, o excelente Glauber Piva) se alia \u00e0 sua comunidade (l\u00e1 representada pelo mais que competente Marcelo Proen\u00e7a), a transforma\u00e7\u00e3o deixa de ser uma utopia.<\/p>\n

Dentre estas novas formas de representa\u00e7\u00e3o recentemente produzidas, destaca-se o F\u00f3rum Nacional de Dan\u00e7a, transformado em associa\u00e7\u00e3o em mar\u00e7o de 2003 (www.lite.fae.unicamp.br\/forumdedanca). Criado em Curitiba, no I Encontro das Novas Dramaturgias do Corpo que se realizava no Teatro Gua\u00edra, em Janeiro de 2001, o F\u00f3rum Nacional de Dan\u00e7a dedica-se a lutar pela manuten\u00e7\u00e3o da autonomia profissional da dan\u00e7a. Realizou o seu VII F\u00f3rum Nacional em mar\u00e7o, em Bras\u00edlia, e reuniu-se em junho na Oficina Cultural Oswald de Andrade, em S\u00e3o Paulo. O principal item de sua pauta continua o mesmo: desmascarar as estrat\u00e9gias do Confef (Conselho Federal da Educa\u00e7\u00e3o F\u00edsica) para a\u00e7ambarcar a dan\u00e7a para seus dom\u00ednios.<\/p>\n

A maioria deve estranhar que ainda se fa\u00e7a necess\u00e1rio assegurar a dan\u00e7a como uma arte com especificidade e autonomia. Afinal, trata-se de profiss\u00e3o reconhecida no CBO (Conselho Brasileiro das Ocupa\u00e7\u00f5es) e \u00e1rea de conhecimento estruturada por leis e diretrizes educacionais pr\u00f3prias no MEC (Minist\u00e9rio da Educa\u00e7\u00e3o). Todavia, guiados por um descontrolado apetite para engordar os seus cofrinhos, o Confef e respectivos Crefs (Conselhos Regionais de Educa\u00e7\u00e3o F\u00edsica) decidiram abocanhar o enorme mercado formado pelos professores de dan\u00e7a. Por que ser\u00e1 que n\u00e3o se dedicam, por exemplo, a fiscalizar se todos os times brasileiros de futebol mant\u00eam preparadores f\u00edsicos diplomados em Educa\u00e7\u00e3o F\u00edsica? O ensino do esporte, sim, \u00e9 da sua compet\u00eancia, n\u00e3o o da dan\u00e7a. Como algu\u00e9m pode se arvorar em professor de dan\u00e7a quando, na sua forma\u00e7\u00e3o, recebe somente uma aula por semana durante um m\u00edsero semestre (cerca de quatro meses, incluindo-se feriados)?<\/p>\n

Para iludir o p\u00fablico, o Confef passou a publicar an\u00fancios onde emprega um truque rasteiro: inventou uma classifica\u00e7\u00e3o sem sustenta\u00e7\u00e3o cient\u00edfica, que chama de “atividade f\u00edsica”, para se arvorar em fiscal de tudo o que um corpo faz, seja Yoga, arremesso de dardo, capoeira, artes marciais, nata\u00e7\u00e3o, jud\u00f4, ciclismo, etc, ou dan\u00e7a. Escondendo seu desejo de expans\u00e3o ($$$) debaixo de um pseudo zelo sobre o ensino da dan\u00e7a, sutilmente agrupou todas as farinhas no mesmo saco – um mau princ\u00edpio, que escancara uma inaceit\u00e1vel inconsist\u00eancia epistemol\u00f3gica. Al\u00e9m disso, para quem se apresenta como guardi\u00e3o da qualidade, falta esclarecer porque, de repente, se tornou poss\u00edvel oferecer um cursinho ligeiro de somente 80 horas, onde a licen\u00e7a para o exerc\u00edcio da profiss\u00e3o pode ser comprada.<\/p>\n

Dulce Aquino, membro da Comiss\u00e3o Executiva do F\u00f3rum Nacional, informa sobre a extens\u00e3o predadora da atua\u00e7\u00e3o do Confef: “At\u00e9 os tradicionais grupos folcl\u00f3ricos do Rio Grande do Sul v\u00eam sendo pressionados a incluir um profissional de educa\u00e7\u00e3o f\u00edsica entre seus membros”.<\/p>\n

Criado a partir da aprova\u00e7\u00e3o da lei 9696\/98, que regulamentou a profiss\u00e3o da Educa\u00e7\u00e3o F\u00edsica, o Confef pretende exigir a presen\u00e7a de um professor de educa\u00e7\u00e3o f\u00edsica em todas as escolas, academias, est\u00fadios de dan\u00e7a, apoiado na resolu\u00e7\u00e3o 046\/02. Intimida os que desconhecem a tramita\u00e7\u00e3o pelo Congresso Nacional do Projeto de Lei 7370\/02, do Dep. Luis Ant\u00f4nio Fleury, que impede qualquer fiscaliza\u00e7\u00e3o sobre a dan\u00e7a, yoga e artes marciais pelo sistema Confef-Crefs. E, igualmente, os que n\u00e3o sabem da exist\u00eancia do artigo 19 do Decreto-Lei 200\/67, que determina que, na aus\u00eancia de conselhos pr\u00f3prios (caso da dan\u00e7a), somente \u00f3rg\u00e3os do Minist\u00e9rio do Trabalho t\u00eam direito de fiscalizar a atua\u00e7\u00e3o profissional no ensino informal, e apenas o Minist\u00e9rio da Educa\u00e7\u00e3o, no ensino formal.<\/p>\n

Abusos do Confef e Crefs s\u00f3 podem ser detidos com a a\u00e7\u00e3o conjunta da atua\u00e7\u00e3o coletiva e da dissemina\u00e7\u00e3o da informa\u00e7\u00e3o. \u00c9 preciso esclarecer que esta luta da dan\u00e7a n\u00e3o se d\u00e1 contra a Educa\u00e7\u00e3o F\u00edsica, mas sim contra o Confef e os Crefs. Luta, ali\u00e1s, que a dan\u00e7a trava ao lado dos pr\u00f3prios professores da Educa\u00e7\u00e3o F\u00edsica que n\u00e3o se submetem \u00e0s arbitrariedades destes conselhos e que j\u00e1 se organizaram no Movimento Nacional Contra a Regulamenta\u00e7\u00e3o (MNCR).<\/p>\n

Todos os profissionais brasileiros de dan\u00e7a que n\u00e3o desejarem ser tratados como se fossem charlat\u00e3es devem cadastrar-se no asinar-forumdedanca@grupos.com.br e organizar os seus coletivos locais. Dan\u00e7a \u00e9 atividade art\u00edstica. Empilhar caixas no supermercado, trabalhar em linha de montagem ou furar buraco no asfalto, sim, se constituem como atividades f\u00edsicas. A seguir, um informe escrito por Ana Terra sobre o \u00faltimo encontro em Bras\u00edlia.<\/p>\n

Atualmente, o Confef utilizam a resolu\u00e7\u00e3o 046\/02 – que disp\u00f5e sobre a interven\u00e7\u00e3o do profissional de educa\u00e7\u00e3o f\u00edsica – para intimidar a filia\u00e7\u00e3o todo e qualquer professor, escola, est\u00fadio de dan\u00e7a ao Conselho. Na reda\u00e7\u00e3o desta resolu\u00e7\u00e3o, incorporam sem pudor a fiscaliza\u00e7\u00e3o do ensino da dan\u00e7a mesmo enquanto express\u00e3o art\u00edstica e est\u00e9tica, desconsiderando absolutamente a autonomia de nossa \u00e1rea, a DAN\u00c7A.<\/p>\n

Como exemplo deste quadro de ilegalidade, citamos trecho da justificativa do Projeto de Lei 7370\/02, em favor da dan\u00e7a, que est\u00e1 tramitando no Congresso Nacional: “Os Conselhos Regionais de Educa\u00e7\u00e3o F\u00edsica est\u00e3o sujeitos ao Controle Interno do Poder Executivo, conforme o art. 19 do Decreto-Lei n\u00ba 200\/67, que determina que todo e qualquer \u00f3rg\u00e3o da Administra\u00e7\u00e3o Federal, direta ou indireta, submete-se \u00e0 supervis\u00e3o do Minist\u00e9rio de Estado competente, no caso espec\u00edfico o Minist\u00e9rio do Trabalho e Emprego, regra que se mostra vigente em toda a sua plenitude em decorr\u00eancia do recente Julgamento do Supremo Tribunal Federal, em 12 de novembro de 2002, que declarou a inconstitucionalidade do caput do artigo 58 e dos par\u00e1grafos 1\u00ba, 2\u00ba, 4\u00ba, 5\u00ba, 6\u00ba, 7\u00ba e 8\u00ba da lei n\u00ba 9.649, de 27 de maio de 1998”.<\/p>\n

Na aus\u00eancia de um Conselho dos Artistas da Dan\u00e7a, apenas \u00f3rg\u00e3os do Minist\u00e9rio do Trabalho t\u00eam direito de fiscalizar a atua\u00e7\u00e3o dos profissionais de dan\u00e7a no ensino informal e na \u00e1rea de produ\u00e7\u00e3o art\u00edstica; no ensino formal – ensino t\u00e9cnico profissionalizante, educa\u00e7\u00e3o b\u00e1sica e universit\u00e1ria – apenas o Minist\u00e9rio da Educa\u00e7\u00e3o \u00e9 o respons\u00e1vel pela determina\u00e7\u00e3o de diretrizes e acompanhamento do cumprimento das mesmas.<\/p>\n

O F\u00f3rum Nacional de Dan\u00e7a realizou em apenas 2 anos sete encontros: no Teatro Gua\u00edra em Curitiba; na Universidade Anhembi Morumbi em S\u00e3o Paulo; no Festival de Joinville em Santa Catarina; com apoio da UniverCidade, da Faculdade Angel Vianna e da Funarte, no Rio de Janeiro; na PUC- S\u00e3o Paulo; em Salvador, na Universidade Federal da Bahia.<\/p>\n

Nos dias 21 e 22 de mar\u00e7o deste anoi foi realizado em Bras\u00edlia, o VII F\u00f3rum Nacional. A plen\u00e1ria deliberou pela organiza\u00e7\u00e3o do movimento no formato de uma associa\u00e7\u00e3o (constitu\u00edda juridicamente), aberta a todos os profissionais da dan\u00e7a e seus apoiadores. Na aprova\u00e7\u00e3o dos estatutos e das diretrizes de luta para 2003, definimos que o F\u00f3rum Nacional de Dan\u00e7a abranger\u00e1 diversas frentes de lutas pela estrutura\u00e7\u00e3o e expans\u00e3o da dan\u00e7a como \u00e1rea de atua\u00e7\u00e3o profissional e produ\u00e7\u00e3o art\u00edstica-cultural em nosso pa\u00eds.<\/p>\n

Assim, os focos de discuss\u00e3o e a luta hoje s\u00e3o:<\/p>\n

1. organiza\u00e7\u00e3o do F\u00f3rum Nacional de Dan\u00e7a, com a associa\u00e7\u00e3o de novos membros em todo o pa\u00eds;<\/p>\n

2. aprova\u00e7\u00e3o no Congresso Nacional, do Projeto de Lei 7370\/2002 que impede qualquer a\u00e7\u00e3o de fiscaliza\u00e7\u00e3o da dan\u00e7a, yoga e artes marciais pelo sistema CONFEF-CREFs;<\/p>\n

3. discuss\u00e3o, elabora\u00e7\u00e3o e revis\u00e3o das leis que regulamentam a atua\u00e7\u00e3o e a forma\u00e7\u00e3o dos artistas da dan\u00e7a, incluindo-se aqui os professores;<\/p>\n

4. dissemina\u00e7\u00e3o de campanhas de esclarecimento p\u00fablico sobre a \u00e1rea e a capacita\u00e7\u00e3o de seus profissionais;<\/p>\n

5. discuss\u00e3o de pol\u00edticas culturais para a \u00e1rea de dan\u00e7a em todo o pa\u00eds, favorecendo a defini\u00e7\u00e3o de um pauta nacional a ser apresentada para o Minist\u00e9rio da Cultura.<\/p>\n

Integram a Comiss\u00e3o Executiva do F\u00f3rum Nacional de Dan\u00e7a:<\/p>\n

Ana Terra – S\u00e3o Paulo – S\u00e3o Paulo terradanza@uol.com.br<\/p>\n

\u00c2ngela Ferreira – Rio De Janeiro – Rio de Janeiro dancario@marlin.com.br<\/p>\n

Dulce Aquino – Salvador – Bahia dulceaquino@terra.com.br<\/p>\n

Heloisa Peres – Porto Alegre – Rio Grande Do Sul heloperes@hotmail.com<\/p>\n

M\u00e1rcia Strazzacappa – Campinas – S\u00e3o Paulo m.strazzacappa@uol.com.br<\/p>\n

Rosa Coimbra – Bras\u00edlia – Distrito Federal rosacoimbra@brturbo.com<\/p>\n

Rosane Gon\u00e7alves – Curitiba – Paran\u00e1 rotorres@onda.com.br<\/span>Gone are the days when the dance artist stated that “he or she expressed himself or herself through art”. Fortunately, Brazilian artistic classes have found new forms of association. Conscious of the need to discuss public policies as a condition for survival, artists have organized without having to prioritize geographic headquarters, hierarchical boards of directors, or official registers. A few good examples of these organizations are: Arte contra a Barb\u00e1rie, located in the city of S\u00e3o Paulo; the Permanent Dance Commission, in Rio Grande do Sul; the Dance Commission and the Rio Arts Forum, both in Rio de Janeiro. In addition, events such as Public Dance, which takes place in May, in Votorantim, S\u00e3o Paulo, prove that there is another kind of awareness circulating within this sector in regards to its political role. Votorantim also proves that when the Secretary of Culture (in this case, the excellent Glauber Piva) aligns himself with the community (represented by the more than competent Marcelo Proen\u00e7a), the transformation is no longer only a utopia.<\/p>\n

Within these new forms of recently produced representation, the National Dance Forum<\/b> stands out. The Forum was transformed into an association in March 2003 (www.lite.fae.unicamp.br\/forumdedanca). Created in Curitiba, during the 1st Meeting of New Dramatic Arts for the Body that took place in January 2001 at the Gua\u00edra Theater, The National Dance Forum is dedicated to figh for the continued professional autonomy of dance. In March, the association had its VII National Forum in the capital Brasilia. In June, the Forum met at the Oswald de Andrade Cultural Workshop in S\u00e3o Paulo. The main item on its agenda remains the same: to unmask the strategies and attempts of the Confef (the National Federation of gymnastics and physical education) to force dance under its authority.<\/p>\n

The majority should think it strange that there is still the necessity to maintain dance as an art with specificity and autonomy. After all, we are talking about a profession recognized by the Brazilian Occupations Committee (CBO) and an area of knowledge structured by its own laws and educational directives from the Ministry of Education (MEC). Still, guided by an uncontrolled appetite to fatten up their earnings, Confef and respective Regional Physical Education Committees (Crefs) decided to take a bite out of the enormous market formed by dance professors. Why don’t these organizations choose to dedicate their efforts instead to verifying that all Brazilian soccer teams have physical trainers that are certified in Physical Education, for example? It is the teaching of sports that falls under Confef’s responsibility, not dance. How can someone establish themselves as a dance professor when, under their course of study, they have only one class per week during one semester (approximately four months total, including holidays)?<\/p>\n

To deceive the public, Confef published announcements that employed a low trick: inventing a classification without scientific support called “physical activity”. Confef invented this classification in order to establish itself as the supervisor of everything that the human body does physically, whether this be Yoga, dart throwing, capoeira, martial arts, swimming, judo, cycling, or dance. Covering up its desire for expansion ($$$) under a pseudo-devotion for the teaching of dance, Confef tries to mix all cats in the same baskets _ so to speak. A bad starter that opened up an unacceptable epistemological inconsistency. Furthermore, for an organization that presents itself as the guardian of quality, Confef has not yet clarified why it has suddenly become possible to offer a light course of only 80 hours, after which the license to exercise the physical education profession can be purchased. Dulce Aquino, member of the National Forum Executive Committee further explains the extent of Confef’s predatory actions: “Even the traditional folkloric groups of Rio Grande do Sul are being harassed to include a physical education professional among their members,” she says.<\/p>\n

Created after the Law 9696\/98 passed, which regulated the Physical Education profession, Confef plans to demand the presence of a physical education professor in all dance schools, academies and studios, an action that is supported by resolution 046\/02. It intimidates those that are unaware of the proceedings of the National Congress in respect to Law 7370\/02, authored by Representative Luis Ant\u00f4nio Fleury, which prohibits any fiscalization of dance, yoga, and the martial arts by the Confef-Crefs. Likewise, it intimidates those that do not know about article 19 of the Decree-Law 200\/67, which determines that, in the absence of its own committees (the case with dance), only institutions of the Ministry of Labor have the right to supervise the professional actions of informal teaching, while only the Ministry of Education can supervise formal teaching.<\/p>\n

The abuse of Confef\/Crefs can only be stopped with collective resistance and dissemination of information. It is necessary to clarify that the struggle that dance is currently experiencing is not against Physical Education, but instead against Confef and the Crefs. This is a battle, incidentally, that dance wages together with Physical Education professors themselves that refuse to submit to the arbitrariness of these committees and that have already organized themselves into the National Movement Against Regulation (MNCR).<\/p>\n

Brazilian dance professionals that do not wish to be treated as if they were charlatans should register at the following address, asinar-forumdedanca@grupos.com.br<\/a> and organize their local groups. Dance is an artistic activity. Piling boxes in the supermarket, working along an assembly line or drilling holes in asphalt, these are the ones that more appropriately constitute physical activities.<\/p>\n

The following is a briefing written by Ana Terra about the last National Forum meeting in Brasilia.<\/p>\n

Currently, Confef is using the 046\/02 resolution _ which addresses the intervention of the physical education professional _ to discourage the affiliation of any dance professor, school, or studio with the Committee. In the writing of this resolution, they indecently incorporated the fiscalization of the teaching of dance, even though it is an artistic and esthetic expression. In doing so, they have completely disregarded the autonomy of dance.<\/p>\n

As an example of this illegality, we can quote a passage from Law 7370\/02, in favor of dance, that is currently passing through the National Congress: “Regional Physical Education Committees are subject to Executive Power Internal Control, in accordance with article 19 of the Decree-Law n\u00ba 200\/67, which determines that any and all institution that, either directly or indirectly, falls under Federal Administration must submit to the supervision of the appropriate Minister of State, in the specific case the Ministry of Labor and Employment, a rule that is currently in full force as a result of the recent Judgment of the Federal Supreme Court on November 12, 2002. The judgment declared the unconstitutionality of the caption of article 58 and of paragraphs 1\u00ba, 2\u00ba, 4\u00ba, 5\u00ba, 6\u00ba, 7\u00ba and 8\u00ba of Law n\u00ba 9.649, passed on May 27, 1998”.In the absence of a Dance Artists’ Committee, only institutions of the Ministry of Labor have to right to supervise the actions of dance professionals in the areas of informal teaching and artistic production. In formal teaching _ including technical vocational teaching, basic and university education _ only the Ministry of Education can determine directives and supervise the compliance with such directives.<\/p>\n

The National Dance Forum has met only seven times in two years: at the Gua\u00edra Theater in Curitiba; at Anhembi Morumbi University in S\u00e3o Paulo; at the Joinville Festival in Santa Catarina; in Rio de Janeiro with the support of UniverCidade, Angel Vianna College and Funarte; at PUC- S\u00e3o Paulo; in Salvador, at the Federal Universidade of Bahia.<\/p>\n

Last March 21 and 22 the VII National Forum meeting was held in Brasilia. The plenary session deliberated for the organization of a movement in the form of an association (legally established) that would be open to all dance professionals and their supporters. Upon the approval of the statutes and directives for 2003, we make our position clear that the National Dance Forum will include structuring and expansion of dance as an area of professional actuation and artistic-cultural production in our country. Therefore, the points of discussion now are:<\/p>\n

1. Organization of the National Dance Forum, with the association of new members throughout the country;<\/p>\n

2. National Congress approval of Bill 7370\/2002, which impedes any fiscalization for dance, yoga and martial arts by the CONFEF-CREF system;<\/p>\n

3. Discussion, preparation and revision of laws that regulate the operation and formation of dance artists, including professors;<\/p>\n

4. Dissemination of public awareness campaigns about the area and the competence of its professionals;<\/p>\n

5. Discussion of cultural policies for the area of dance in the entire country, favoring the definition of a national agenda to be presented to the Minister of Culture.<\/p>\n

The Brazilian National Dance Forum Executive Committee consists of the following individuals:<\/p>\n

Ana Terra – S\u00e3o Paulo – S\u00e3o Paulo terradanza@uol.com.br<\/a><\/p>\n

\u00c2ngela Ferreira – Rio De Janeiro – Rio de Janeiro dancario@marlin.com.br<\/a><\/p>\n

Dulce Aquino – Salvador – Bahia dulceaquino@terra.com.br<\/a><\/p>\n

Heloisa Peres – Porto Alegre – Rio Grande Do Sul heloperes@hotmail.com<\/a>M\u00e1rcia Strazzacappa – Campinas – S\u00e3o Paulo m.strazzacappa@uol.com.br<\/a>Rosa Coimbra – Brasilia – Federal District rosacoimbra@brturbo.com<\/a>Rosane Gon\u00e7alves – Curitiba – Paran\u00e1 rotorres@onda.com.br<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Helena Katz destaca a import\u00e2ncia do F\u00f3rum Nacional na luta contra o Confef e Ana Terra passa informa\u00e7\u00f5es do \u00faltimo encontro.<\/span>Helena Katz highlights the importance of the National Dance Forum and Ana Terra reports on the last meeting.<\/span><\/p>\n","protected":false},"author":44,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[46,28],"tags":[251,252,113,125],"yoast_head":"\nDan\u00e7ar n\u00e3o \u00e9 fazer gol | About dance, not soccer -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/dancar-nao-e-fazer-gol\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta 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