{"id":9190,"date":"2008-11-12T15:55:29","date_gmt":"2008-11-12T18:55:29","guid":{"rendered":"http:\/\/beta.idanca.net\/?p=9190&lang=pt-br"},"modified":"2023-05-02T12:28:16","modified_gmt":"2023-05-02T15:28:16","slug":"o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain","status":"publish","type":"post","link":"https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/","title":{"rendered":"O corpo situado & O c\u00e9rebro da dan\u00e7a | The situated body & The dancing brain"},"content":{"rendered":"

Dois trabalhos, um deles publicado muito recentemente (junho de 2008), merecem especial aten\u00e7\u00e3o dos leitores do idan\u00e7a<\/strong>. Eles s\u00e3o THE SITUATED BODY<\/em>, que \u00e9 uma colet\u00e2nea de artigos editados por Shaun Gallagher, para o per\u00f3dico Janus Head<\/a>, e SO YOU THINK YOU CAN DANCE?<\/em> que \u00e9 um artigo de divulga\u00e7\u00e3o publicado na Scientific American Magazine<\/a>.<\/span><\/p>\n

Vou come\u00e7ar comentando rapidamente o primeiro.<\/span><\/p>\n

Em um cen\u00e1rio muito diferente daquilo que \u00e9 conhecido como teoria computacional da mente<\/em>, ou TCM, a cogni\u00e7\u00e3o N\u00c3O \u00e9 um fen\u00f4meno desencorporado, resulta de press\u00f5es evolutivas, N\u00c3O \u00e9 predominantemente consciente, \u00e9 \u2018engajada’ emocionalmente e \u00e9 radicalmente dependente do ambiente (cultural, social e f\u00edsico) em que est\u00e1 imerso. (em termos sum\u00e1rios, a TCM afirma que a mente atua como uma m\u00e1quina que seleciona, estoca e manipula representa\u00e7\u00f5es de acordo com procedimentos sint\u00e1ticos ou algor\u00edtmicos) Fala-se cada vez mais em cogni\u00e7\u00e3o contextualizada e situada, mente embebida e corporificada <\/em>(situated, embodied and embedded mind<\/em>).<\/span><\/p>\n


\n<\/span><\/p>\n

A cogni\u00e7\u00e3o \u00e9 descrita como o espa\u00e7o onde est\u00e3o densamente acoplados o corpo, o ambiente (f\u00edsico e cultural) e o c\u00e9rebro. Cientistas e fil\u00f3sofos v\u00eaem a\u00ed um projeto de reconcep\u00e7\u00e3o radical do homem, em que s\u00e3o colocados em xeque, de uma s\u00f3 vez: a imagem de uma mente encapsulada em um c\u00e9rebro; a concep\u00e7\u00e3o de criaturas biol\u00f3gicas complexas como processadores de informa\u00e7\u00e3o; a concep\u00e7\u00e3o de informa\u00e7\u00e3o como uma entidade bem estruturada, fornecida por um \u2018mundo pronto de problemas’; o papel das representa\u00e7\u00f5es mentais, simb\u00f3licas, em processos cognitivos. A quem chame o resultado de \u2018homem p\u00f3s-cartesiano’. Alguns dos precursores hist\u00f3ricos incluem de Hyle a Ponty, de Bergson e Heiddeger a Hupert Dreyfus, de Charles Peirce, William James e Jacob von Uexkull a James Gibson.<\/span><\/p>\n


\n<\/span><\/p>\n

As id\u00e9ias que nutrem este \u2018novo paradigma’ com pressupostos e resultados t\u00eam consequ\u00eancias em muitas \u00e1reas – ci\u00eancia cognitiva, etologia, rob\u00f3tica, psicologia, neuroci\u00eancia, lingu\u00edstica, semi\u00f3tica, educa\u00e7\u00e3o, fenomenologia, artes. Mais ou menos recentemente, o jornal Janus Head<\/em> (9\/2\/2007) publicou um n\u00famero especial dedicado ao tema COGNI\u00c7\u00c3O SITUADA com diversos artigos sobre arte, dan\u00e7a, performing arts<\/em>. Nele s\u00e3o tratados muitos t\u00f3picos: como processos dependentes de contextos afetam a cogni\u00e7\u00e3o? Como o agente, localmente embebido em circunst\u00e2ncias diversas, \u00e9 capaz de atua\u00e7\u00f5es muito diferentes com respeito \u00e0 \u2018mesma’ atividade cognitiva? Como o corpo, estendido no ambiente estruturado por linguagem, e outras pr\u00f3teses tecnol\u00f3gicas, tem alterada suas compet\u00eancias?<\/span><\/p>\n


\n<\/span><\/p>\n

O leitor encontrar\u00e1 o corpo como \u2018campo’, \u2018laborat\u00f3rio’, \u2018objeto’ de diversas experi\u00eancias, triviais, situadas e est\u00e9ticas, encontrar\u00e1 uma vis\u00e3o metaf\u00edsica de subjetividade submetida a uma revis\u00e3o, um tratamento sobre o papel da propriocep\u00e7\u00e3o na constitui\u00e7\u00e3o do self fenomenol\u00f3gico, um tratamento da dimens\u00e3o afetiva do movimento, em termos filogen\u00e9ticos, \u2018para evitar a dor’ e aumentar o prazer, uma reconsidera\u00e7\u00e3o do papel do ambiente e do contexto em tarefas e atividades criativas… O leitor vai encontrar, neste n\u00famero especial, linhas gerais de uma teoria da arte empiricamente respons\u00e1vel, comprometida com uma epistemologia evolutiva, cient\u00edfica, e ao mesmo tempo, avessa a um reducionismo neurobiol\u00f3gico prestigioso em diversos campos.<\/span><\/p>\n


\n<\/span><\/p>\n

Sobre o outro artigo — \u2018In dance, spatial cognition is primarily kinesthetic’. <\/em>O leitor do artigo SO YOU THINK YOU CAN DANCE? encontrar\u00e1 esta e outras afirma\u00e7\u00f5es (por exemplo: \u2018Dance is a fundamental form of human expression that likely evolved together with music as a way of generating rhythm’) <\/em>al\u00e9m de perguntas: como dan\u00e7arinos navegam no espa\u00e7o? Como est\u00e3o relacionados dan\u00e7a e linguagem? Que mecanismos neurais atuam no controle de complexas atividades motoras? Como est\u00e3o relacionados imita\u00e7\u00e3o e aprendizagem motora?<\/span><\/p>\n


\n<\/span><\/p>\n

O artigo resume o que pode ser considerado o conjunto mais interessante de resultados produzidos sobre dan\u00e7a e t\u00e9cnicas de imageamento funcional do c\u00e9rebro. Atrav\u00e9s destas t\u00e9cnicas pode-se mapear com precis\u00e3o espa\u00e7o-temporal regi\u00f5es cuja ativa\u00e7\u00e3o indicam aumento de processamento em circuitos especializados do c\u00e9rebro. A arquitetura din\u00e2mica de ativa\u00e7\u00e3o de regi\u00f5es envolvidas em muitas tarefas cognitivas, por exemplo, produ\u00e7\u00e3o de linguagem, infer\u00eancias, emo\u00e7\u00e3o etc, s\u00e3o relativamente bem conhecidas. Este n\u00e3o \u00e9 o caso da dan\u00e7a, ou do \u2018c\u00e9rebro da dan\u00e7a’. O artigo descreve as vias de propaga\u00e7\u00e3o de informa\u00e7\u00e3o, do c\u00f3rtex parietal posterior aos m\u00fasculos requeridos \u00e0s atividades motoras, e de volta, atrav\u00e9s de feedback, ao c\u00f3rtex. Alguns dos problemas mais interessantes s\u00e3o os mecanismos neurais envolvidos na execu\u00e7\u00e3o de movimentos complexos (e \u2018graceful<\/em>‘). Outros problemas envolvem a hist\u00f3ria evolutiva deste tra\u00e7o ou comportamento. Por que teria surgido a dan\u00e7a? O artigo sugere, mas n\u00e3o explora, a id\u00e9ia de que a dan\u00e7a pode ter surgido como uma forma de proto-linguagem, j\u00e1 que complexos movimentos ativam \u00e1reas hom\u00f3logas \u00e0 \u00e1rea de Broca, associada a produ\u00e7\u00e3o da fala.<\/span><\/p>\n


\n<\/span><\/p>\n

H\u00e1, ao longo do artigo, muitas sugest\u00f5es. Por exemplo, mecanismos de imita\u00e7\u00e3o, relacionados a \u2018aprendizagem social’, s\u00e3o cruciais ao surgimento da dan\u00e7a e s\u00e3o dependentes de estruturas neurais conhecidas como \u2018neur\u00f4nios espelhos’.<\/span><\/p>\n


\n<\/span><\/p>\n

Minha sugest\u00e3o \u00e9 que se examine com cuidado os resultados deste grupo de pesquisa, e grupos associados mencionados. H\u00e1, em ambientes maduros, disputa entre \u2018predom\u00ednios’ exercidos por diferentes \u2018n\u00edveis de organiza\u00e7\u00e3o’ dos fen\u00f4menos investigados, em termos explicativos (f\u00edsico, biol\u00f3gico, psicol\u00f3gico, hist\u00f3rico, cultural etc), para n\u00e3o falar de disputas internas, i.e., no \u2018interior’ dos n\u00edveis, entre teorias, m\u00e9todos e modelos. As disputas devem ser proveitosas, se n\u00e3o tenderem \u00e0 muita polariza\u00e7\u00e3o. Os resultados divulgados no artigo introduzem o que \u00e9 ainda uma novidade, em termos de hist\u00f3ria da ci\u00eancia, ou de hist\u00f3ria das id\u00e9ias, nos estudos sobre dan\u00e7a. As considera\u00e7\u00f5es sobre as bases neurobiol\u00f3gicas de diversas atividades cognitivas-est\u00e9ticas, em m\u00fasica, artes visuais, literatura, etc, s\u00e3o uma tend\u00eancia pronunciada. Os estudos sobre dan\u00e7a devem come\u00e7ar a se beneficiar desta tend\u00eancia.<\/span><\/p>\n

Jo\u00e3o Queiroz \u00e9 diretor do Group for Research in Artificial Cognition<\/em> (UFBA\/ UEFS)<\/a> <\/strong><\/span><\/p>\n

Two papers deserve special attention from the readers of idan\u00e7a<\/strong>: THE SITUATED BODY<\/em>, a collection of articles edited by Shaun Gallagher for the Janus Head<\/a> journal; and SO YOU THINK YOU CAN DANCE<\/em>, an article published in the Scientific American Magazine<\/a>.<\/span><\/p>\n


\n<\/span><\/p>\n

I\u00b4ll begin by briefly commenting the first one.<\/span><\/p>\n


\n<\/span><\/p>\n

In a very different scenario from what is known as computational theory of the mind<\/em>, or CMT, cognition is NOT a disembodied phenomenon, results from evolutionary pressures, is NOT predominantly conscious, is emotionally \u2018engaged’ and is radically dependant on the environment (cultural, social and physical) in which one is immersed. (In brief terms, CMT asserts the mind acts as a machine that selects, stores and manipulates representations according to synthetic and algorithmic procedures). Contextualized cognition and situated, embodied and embedded mind are more and more discussed.<\/span><\/p>\n


\n<\/span><\/p>\n

Cognition is described as a space where the body, the (physical and cultural) environment and the brain are densely connected. There, scientists and philosophers see a project of radical reconception of man, in which all at once the following are put to test: the image of a mind encapsulated within a brain; the image of complex biological creatures as information processors; the concept of information as a well structured entity, offered by a \u2018fixed and structured world of problems’; the role of mental, symbolic representations in cognitive processes. There are some who name the result as \u2018post-cartesian man’. Some of the historical precursor include from Hyle to Ponty, Bergson and Heidegger to Hupert Dreyfus, from Charles Pierce, William James and Jacob von Uexkull to James Gibson.<\/span><\/p>\n


\n<\/span><\/p>\n

The ideas that nourish this \u2018new paradigm’ with presuppositions and results have consequences in many areas – cognitive science, ethology, robotics, psychology, semiotics, education, phenomenology, art. Somewhat recently, the Janus Head journal published a special number dedicated to the subject of SITUATED COGNITION with many articles about art, dance, performing arts. Many topics are dealt with: how does processes dependent on context affect cognition? How is the agent, locally embedded in diverse circumstances, capable of many different actions relating to the \u2018same’ cognitive activity? How does the body, extended in an environment structured by language and other technologic prosthesis, have its abilities altered?<\/span><\/p>\n


\n<\/span><\/p>\n

The reader will find the body as \u2018field’, \u2018laboratory’, \u2018object’ of diverse experiences, trivial, situated and aesthetic, the reader will also find a metaphysical view of subjectivity submitted to revision, a treatment about the role of proprioception in the constitution of the phenomenological self, a treatment of the emotional dimension of movement \u2018to avoid pain’ and increase pleasure, a reconsideration of the role of the environment and the context in creative tasks and activities… The reader will find in this special number general lines of a theory of art empirically responsible, committed to an evolutionary, scientific epistemology, and at the same time, contrary to a neurobiological reductionism prestigious in many fields.<\/span><\/p>\n


\n<\/span><\/p>\n

About the other article – \u2018In dance, spatial cognition is primarily kinesthetic’<\/em>. The reader of the article SO YOU THINK YOU CAN DANCE? will find those and other assertion (for instance: \u2018Dance is a fundamental form of human expression that likely evolved together with music as a way of generating rhythm’) besides the following questions: how do dancers navigate in space? How are dance and language related? Which neural mechanisms act in the control of motor activity?<\/span><\/p>\n


\n<\/span><\/p>\n

The article summarizes what can be considered the most interesting set of results produced about dance and functional brain imaging techniques. Through these techniques it is possible to precisely map with space-time precision regions, which activation indicate an increase of processing in specialized circuits of the brain. The dynamic activation architecture of regions involved in many cognitive tasks, the production of language, inferences, emotion, etc, for example, are relatively well known. It is not the case of dance, or the \u2018dance brain’. The article describes the propagation paths of information, from the posterior parietal cortex to the muscles required in motor activity and back to the cortex, through feedback. Some of the most interesting problems are the neural mechanisms involved in the execution of complex and graceful movements. Other problems involve the evolutionary history of this trace or behavior. Why was dance born? The article suggest, but does not explore, the idea that dance may have emerged as a form of proto-language, since complex movements activate areas homologous to Broca’s area, associated to speech production.<\/span><\/p>\n


\n<\/span><\/p>\n

Through the article there are many suggestions. For example, the imitation mechanisms, related to \u2018social learning’, are crucial to the appearance of dance and depend on neural structures known as \u2018mirror neurons’.<\/span><\/p>\n


\n<\/span><\/p>\n

My suggestion is that the results of this set of research and the associated groups mentioned above should be carefully examined. In mature environments there are disputes between \u2018predominances’ carried out by different \u2018levels of organization’ of the investigated phenomenon in explanatory terms (physical, biological, psychological, historical, cultural, etc), not to mention internal disputes, i.e. in the \u2018inside’ of levels, among theories, methods and patterns. The disputes should be rewarding, if they do not tend to much polarization. The results published in the article introduce what is still new, in terms of science history, or the history of ideas, in the study of dance. The considerations about the neurological basis of many cognitive-aesthetic activities, in music, visual arts, literature, etc, are an accentuated tendency. Studies about dance should start to benefit from this tendency.<\/span><\/p>\n


\n<\/span><\/p>\n


\n<\/span><\/p>\n


\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Em seu novo texto para o idan\u00e7a, o pesquisador Jo\u00e3o Queiroz analisa dois artigos publicados recentemente que discutem como o c\u00e9rebro atua no movimento. Leia e comente.<\/span>
\nResearcher Jo\u00e3o Queiroz analyses two recently published articles that discuss how the brain acts in movement. Read and comment.<\/span> <\/p>\n","protected":false},"author":515,"featured_media":9191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[49,2963,28],"tags":[2912,2862,2913],"yoast_head":"\nO corpo situado & O c\u00e9rebro da dan\u00e7a | The situated body & The dancing brain -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"O corpo situado & O c\u00e9rebro da dan\u00e7a | The situated body & The dancing brain -\" \/>\n<meta property=\"og:description\" content=\"Em seu novo texto para o idan\u00e7a, o pesquisador Jo\u00e3o Queiroz analisa dois artigos publicados recentemente que discutem como o c\u00e9rebro atua no movimento. Leia e comente. Researcher Jo\u00e3o Queiroz analyses two recently published articles that discuss how the brain acts in movement. Read and comment.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/idanca.net\" \/>\n<meta property=\"article:published_time\" content=\"2008-11-12T18:55:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-02T15:28:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/idanca.net\/wp-content\/uploads\/2008\/11\/cerebro_textojoaoqueiroz.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"331\" \/>\n\t<meta property=\"og:image:height\" content=\"421\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jo\u00e3o Queiroz\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jo\u00e3o Queiroz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/\",\"url\":\"https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/\",\"name\":\"O corpo situado & O c\u00e9rebro da dan\u00e7a | The situated body & The dancing brain -\",\"isPartOf\":{\"@id\":\"https:\/\/idanca.net\/#website\"},\"datePublished\":\"2008-11-12T18:55:29+00:00\",\"dateModified\":\"2023-05-02T15:28:16+00:00\",\"author\":{\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/ed8649e668d4ece0a25b76ec39f2978d\"},\"breadcrumb\":{\"@id\":\"https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/idanca.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"O corpo situado & O c\u00e9rebro da dan\u00e7a | The situated body & The dancing brain\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/idanca.net\/#website\",\"url\":\"https:\/\/idanca.net\/\",\"name\":\"\",\"description\":\"portal de not\u00edcias sobre dan\u00e7a brasileira e internacional\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/idanca.net\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/ed8649e668d4ece0a25b76ec39f2978d\",\"name\":\"Jo\u00e3o Queiroz\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c946184781c67866bf1cc50f1d553fbc?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c946184781c67866bf1cc50f1d553fbc?s=96&d=mm&r=g\",\"caption\":\"Jo\u00e3o Queiroz\"},\"sameAs\":[\"http:\/\/\"],\"url\":\"https:\/\/idanca.net\/author\/joaoqueiroz\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"O corpo situado & O c\u00e9rebro da dan\u00e7a | The situated body & The dancing brain -","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/","og_locale":"pt_BR","og_type":"article","og_title":"O corpo situado & O c\u00e9rebro da dan\u00e7a | The situated body & The dancing brain -","og_description":"Em seu novo texto para o idan\u00e7a, o pesquisador Jo\u00e3o Queiroz analisa dois artigos publicados recentemente que discutem como o c\u00e9rebro atua no movimento. Leia e comente. Researcher Jo\u00e3o Queiroz analyses two recently published articles that discuss how the brain acts in movement. Read and comment.","og_url":"https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/","article_publisher":"http:\/\/www.facebook.com\/idanca.net","article_published_time":"2008-11-12T18:55:29+00:00","article_modified_time":"2023-05-02T15:28:16+00:00","og_image":[{"width":331,"height":421,"url":"https:\/\/idanca.net\/wp-content\/uploads\/2008\/11\/cerebro_textojoaoqueiroz.jpg","type":"image\/jpeg"}],"author":"Jo\u00e3o Queiroz","twitter_misc":{"Escrito por":"Jo\u00e3o Queiroz","Est. tempo de leitura":"10 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/","url":"https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/","name":"O corpo situado & O c\u00e9rebro da dan\u00e7a | The situated body & The dancing brain -","isPartOf":{"@id":"https:\/\/idanca.net\/#website"},"datePublished":"2008-11-12T18:55:29+00:00","dateModified":"2023-05-02T15:28:16+00:00","author":{"@id":"https:\/\/idanca.net\/#\/schema\/person\/ed8649e668d4ece0a25b76ec39f2978d"},"breadcrumb":{"@id":"https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/idanca.net\/o-corpo-situado-o-cerebro-da-danca-the-situated-body-the-dancing-brain\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/idanca.net\/"},{"@type":"ListItem","position":2,"name":"O corpo situado & O c\u00e9rebro da dan\u00e7a | The situated body & The dancing brain"}]},{"@type":"WebSite","@id":"https:\/\/idanca.net\/#website","url":"https:\/\/idanca.net\/","name":"","description":"portal de not\u00edcias sobre dan\u00e7a brasileira e internacional","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/idanca.net\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"pt-BR"},{"@type":"Person","@id":"https:\/\/idanca.net\/#\/schema\/person\/ed8649e668d4ece0a25b76ec39f2978d","name":"Jo\u00e3o Queiroz","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/idanca.net\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c946184781c67866bf1cc50f1d553fbc?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c946184781c67866bf1cc50f1d553fbc?s=96&d=mm&r=g","caption":"Jo\u00e3o Queiroz"},"sameAs":["http:\/\/"],"url":"https:\/\/idanca.net\/author\/joaoqueiroz\/"}]}},"_links":{"self":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts\/9190"}],"collection":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/users\/515"}],"replies":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/comments?post=9190"}],"version-history":[{"count":1,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts\/9190\/revisions"}],"predecessor-version":[{"id":28084,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts\/9190\/revisions\/28084"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/media\/9191"}],"wp:attachment":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/media?parent=9190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/categories?post=9190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/tags?post=9190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}