{"id":9687,"date":"2009-01-16T12:10:57","date_gmt":"2009-01-16T15:10:57","guid":{"rendered":"http:\/\/beta.idanca.net\/?p=9687&lang=pt-br"},"modified":"2023-05-02T12:28:15","modified_gmt":"2023-05-02T15:28:15","slug":"zdenek-hampl-em-constante-movimento","status":"publish","type":"post","link":"https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/","title":{"rendered":"Zdenek Hampl em constante movimento | Zdenek Hampl in constant movement"},"content":{"rendered":"

Esta resenha foi publicada na edi\u00e7\u00e3o 93 da revista Continente, de Pernambuco. <\/em>O texto integra a s\u00e9rie de resenhas que o idan\u00e7a come\u00e7ou a publicar no final de 2008 aproveitando a boa fase editorial na \u00e1rea de dan\u00e7a. A primeira resenha foi feita pela bailarina e pesquisadora Nirvana Marinho sobre o livro <\/em>‘Dan\u00e7a C\u00eanica – pesquisas em dan\u00e7a volume 1′, organizado por Jussara Xavier, Sandra Meyer e Vera Torres. Quer ler? Clique aqui<\/a>.<\/em><\/span><\/p>\n

Quem transita no universo da dan\u00e7a, j\u00e1 deve ter ouvido falar em Zdenek Hampl, bailarino e core\u00f3grafo que na d\u00e9cada de 70 trocou a Tchecoslov\u00e1quia, seu pa\u00eds natal, pelo Brasil e, de 1982 at\u00e9 sua morte em mar\u00e7o do ano passado fixou resid\u00eancia no Recife, para o bem dos artistas locais, que muito aprenderam com ele. Dono de um humor ir\u00f4nico e mestre na arte de surpreender, Zdenek se apresenta agora em palavras, pois deixou algumas das suas reflex\u00f5es e inquieta\u00e7\u00f5es sobre a dan\u00e7a registradas em um manuscrito, que se transformou no livro Constante Movimento<\/em> lan\u00e7ado recentemente pela editora Associa\u00e7\u00e3o Reviva.<\/span><\/p>\n

Segundo informa\u00e7\u00f5es do pesquisador e cr\u00edtico Roberto Pereira, em 2007, a lista de publica\u00e7\u00f5es de dan\u00e7a de autores brasileiros j\u00e1 acumulava mais de 170 t\u00edtulos. Uma particularidade desse segmento crescente \u00e9 a diversidade de estilos: biografias e autobiografias, registros de pesquisa art\u00edstica ou acad\u00eamica, hist\u00f3ria, material did\u00e1tico sobre determinada t\u00e9cnica; entre outros, aumentam a cada ano a bibliografia brasileira de dan\u00e7a. Mas Zdenek avisa logo nas primeiras p\u00e1ginas, que o seu livro n\u00e3o se encaixa em nenhuma dessas categorias, at\u00e9 mesmo porque ele pr\u00f3prio diz que “n\u00e3o tem estilo at\u00e9 hoje e est\u00e1 bom assim”,<\/em> em uma clara tentativa de preservar a liberdade de express\u00e3o. Se por um lado as gavetas determinadas pelo mercado liter\u00e1rio n\u00e3o lhe servem, por outro temos a certeza de que se trata de um livro de dan\u00e7a. Em uma escrita informal, Zdenek constr\u00f3i v\u00e1rios caminhos e, mesmo os aparentemente alheios, falam sobre dan\u00e7a e transpiram a paix\u00e3o avassaladora que ele sentia por esta arte e seus tantos of\u00edcios. Contado em primeira pessoa, o Constante Movimento<\/em> nos apresenta v\u00e1rias faces de Zdenek e tamb\u00e9m muitos lados da dan\u00e7a no desenrolar do que poder\u00edamos chamar de uma bem-humorada e produtiva conversa com um amigo. At\u00e9 mesmo porque ficamos muito propensos a acreditar, como ele, que “<\/em>n\u00e3o h\u00e1 nenhuma outra atividade que proporcione as condi\u00e7\u00f5es e um clima t\u00e3o favor\u00e1vel para surgirem amizades, como a dan\u00e7a consegue”.<\/em><\/span><\/p>\n

Sem preocupar-se com a cronologia, o bailarino-escritor vai deixando aparecer trechos significativos da hist\u00f3ria da dan\u00e7a, como o epis\u00f3dio em que ele, liderando um grupo de amigos, monta o ousado espet\u00e1culo Festa da Pedra<\/em> (1989), encenado no ateli\u00ea do artista pl\u00e1stico Francisco Brennand, feito in\u00e9dito, que inaugurou um outro jeito de se pensar e fazer dan\u00e7a contempor\u00e2nea no Recife, abrindo novas possibilidades de cria\u00e7\u00e3o e de di\u00e1logo entre as artes tamb\u00e9m. Zdenek foi um pioneiro, que acreditava, acima de tudo, no poder transformador da dan\u00e7a, na for\u00e7a comunicativa do gesto. Para ele, o movimento sempre \u00e9 muito mais poderoso e eficaz do que a palavra, e \u00e9 essa afirma\u00e7\u00e3o que conduz todas as narrativas do seu livro. Apesar de n\u00e3o ter a pretens\u00e3o de falar sobre hist\u00f3ria, as mem\u00f3rias do autor funcionam como janelas que se abrem e, assim, podemos ver como era, por exemplo, o panorama da dan\u00e7a e da realidade do Brasil na d\u00e9cada de 70, atrav\u00e9s do olhar de um \u2018gringo’ assumido que, encantado com as belezas naturais (e especificamente as belezas humanas femininas) da praia de Copacabana, decidiu n\u00e3o voltar para o seu pa\u00eds ap\u00f3s a turn\u00ea pela Am\u00e9rica do Sul da companhia Lanterna M\u00e1gica, onde atuava como primeiro solista. Se o “historiador lida com uma temporalidade escoada, com o n\u00e3o visto, o n\u00e3o vivido, que s\u00f3 se torna poss\u00edvel acessar atrav\u00e9s de registros e sinais do passado que chegam at\u00e9 ele” como definiu Pesavento, o livro de Zdenek Hampl segue exatamente a dire\u00e7\u00e3o contr\u00e1ria, pois \u00e9 feito essencialmente de falas do que foi vivido. E, nesse caso, parece que ele n\u00e3o conseguia nem queria separar o pessoal e o profissional. As experi\u00eancias de dan\u00e7a e de vida se misturam em todas as linhas de Constante Movimento<\/em>, e desse cruzamento brotam muitas li\u00e7\u00f5es. E ainda que o autor n\u00e3o considerasse sua obra material did\u00e1tico, ela tem muito a ensinar.<\/span><\/p>\n

O tom cr\u00edtico que pontua toda a conversa n\u00e3o esconde a preocupa\u00e7\u00e3o pedag\u00f3gica de um zeloso e dedicado professor Zdenek, como revelam alguns trechos: “Para a dan\u00e7a ser t\u00e3o rica e eficiente como desejamos, n\u00e3o basta s\u00f3 aprender uma, ou mesmo as v\u00e1rias t\u00e9cnicas. Temos que aprender tudo que esteja ao nosso alcance, estudar ou ao menos observar tudo poss\u00edvel. Afirmo com toda certeza: mesmo o que n\u00e3o tem aparentemente nada em comum com a dan\u00e7a agora, algum dia vai ter”.<\/em> Dito isto, e com tal veem\u00eancia, fica dif\u00edcil n\u00e3o acreditar. Alinhado ao pensamento contempor\u00e2neo, Zdenek traz reflex\u00f5es pertinentes a quem trabalha com dan\u00e7a, e que podem tamb\u00e9m ajudar a desmistificar algumas quest\u00f5es e servir para aproximar as pessoas do universo da dan\u00e7a. “Para come\u00e7ar, \u2018bonito’ \u00e9 uma palavra de significado d\u00fabio. Quantas vezes j\u00e1 ouvi, quando algu\u00e9m faz uma asneira, destruindo algo: Bonito, n\u00e9? Agora vai ter que limpar tudo! Tempos atr\u00e1s fumar era bonito, e agora \u00e9 nojento. Os valores s\u00e3o relativos, eles mudam. Ent\u00e3o, o espet\u00e1culo foi bonito… Agradou o p\u00fablico? Legal para quem acha. Por\u00e9m eu fiz o espet\u00e1culo para comunicar algo, o que n\u00e3o necessariamente vai agradar a todos. Celular comprado h\u00e1 um ano atr\u00e1s j\u00e1 \u00e9 ultrapassado, e assim acontece com todas as \u00e1reas imagin\u00e1veis. Porque somente em se tratando de dan\u00e7a, o p\u00fablico quase que exige ver aquilo que se acostumou de ver?” – <\/em>provoca Zdenek. Essa \u00e9 s\u00f3 uma das muitas discuss\u00f5es instigantes que Constante Movimento<\/em> nos oferece. Ao mesmo tempo que n\u00e3o pode ser classificado como autobiografia, manual did\u00e1tico ou narrativa hist\u00f3rica da dan\u00e7a, o livro de Zdenek consegue ser um pouco de tudo isso. Aqui cabe, ent\u00e3o, a explica\u00e7\u00e3o de Roberto Pereira sobre a natureza desse tipo de escrita, felizmente frequente na bibliografia brasileira de dan\u00e7a: trata-se de uma “narrativa pouco instrumentalizada e banhada por uma imensid\u00e3o vivida, apaixonada, constru\u00edda no cotidiano do of\u00edcio de bailarino, core\u00f3grafo e professor de dan\u00e7a”.<\/span><\/p>\n

Por que ler Zdenek Hampl? Talvez para entender o que fez dele o core\u00f3grafo que mudou o conceito de dan\u00e7a contempor\u00e2nea em Pernambuco; ou para aprofundar os conhecimentos e reflex\u00f5es sobre tais assuntos. Para quem estuda, trabalha ou simplesmente gosta de dan\u00e7a, Constante Movimento<\/em> pode ser um bom ponto de partida. E o que \u00e9 melhor \u00e9 que o leitor j\u00e1 est\u00e1 previamente autorizado (pelo autor) a escolher qualquer dos caminhos oferecidos no variado card\u00e1pio de possibilidades dessa leitura. E para aqueles que ainda se sentem alien\u00edgenas no universo da dan\u00e7a, deixar-se levar pela emo\u00e7\u00e3o que conduziu obra e vida de Zdenek Hampl pode ser uma boa sugest\u00e3o, sen\u00e3o para tornar-se bailarino profissional, pelo menos para experimentar a dan\u00e7a, de alguma maneira. Constante Movimento<\/em> \u00e9 um desabafo, uma carta que relata os desafios, as estrat\u00e9gias, as dificuldades e benef\u00edcios dessa arte, por\u00e9m \u00e9 antes de tudo, um convite aberto \u00e0 dan\u00e7a, para todas as pessoas de todas as idades e sem contraindica\u00e7\u00f5es.<\/span><\/p>\n

<\/em><\/span><\/p>\n

“Tudo que mexe com o corpo \u00e9 positivo, sem exageros, \u00e9 claro. S\u00f3 quero apontar o fato de que a dan\u00e7a exige muito mais do que o simples suor. A compensa\u00e7\u00e3o durante e depois tamb\u00e9m \u00e9 infinitamente maior, superior. Nenhuma coreografia \u00e9 igual \u00e0 outra, nenhum espet\u00e1culo ser\u00e1 igual ao outro e assim a gente vive aprendendo, sempre se reciclando. Nem se a gente se esfor\u00e7asse para fazer os espet\u00e1culos rigorosamente iguais, a plat\u00e9ia seria sempre diferente. \u00c9 aquela m\u00e1gica rela\u00e7\u00e3o palco-plat\u00e9ia que d\u00e1 tanta emo\u00e7\u00e3o. (…)Eu pessoalmente n\u00e3o acredito que a pessoa pudesse passar pela vida sem nunca ter dan\u00e7ado. (…)Essa sensa\u00e7\u00e3o de felicidade, de plenitude, aqueles que n\u00e3o experimentaram a dan\u00e7a n\u00e3o conhecem.” (ZDENEK HAMPL)<\/span><\/p>\n

Christianne Galdino \u00e9 jornalista.<\/strong><\/span><\/p>\n

This review was published in the 93rd edition of Continente magazine, from Pernambuco. The text is part of a series of reviews Idan\u00e7a started to published in the end of 2008, on the occasion of the good editorial phase in the dance area. The first review was written by dancer and researcher Nirvana Marinho about the book Dan\u00e7a C\u00eanica – pesquisas em dan\u00e7a volume 1′, organized by Jussara Xavier, Sandra Meyer e Vera Torres. Want to read it? Click here<\/a>.<\/em><\/span><\/p>\n

Those who circulate in the dance universe, must have already heard about Zdenek Hampl, dancer and choreographer who, in the 70\u2019s, left Czechoslovakia, his homeland, for Brazil. From 1982 until his death, last March, he lived in Recife, for the benefit of local artists, who learned a great deal from him. Possessing an ironic humor and master in the art of surprising, Zdenek now presents himself in words, for he left some of his reflections and unrests about dance registered in a manuscript, which became the book Constante Movimento<\/em>, released by publisher Associa\u00e7\u00e3o Reviva.<\/span><\/p>\n

According to information provided by researcher and critic Roberto Pereira, in 2007 the list of publications about dance by Brazilian authors already counted over 170 titles. One specificity of this growing segment is the diversity of styles: biographies and autobiographies, artistic and academic research records, history, didactic material about a given technique; among others, each year add to the Brazilian dance bibliography. But Zdenek lets us know in the first pages that his book does not fit into any of these categories, because he states that he \u201cdoesn\u00b4t have a style until now and it\u00b4s good that way\u201d, in a clear attempt to preserve his freedom of expression. If, on one hand, the categories established by the literary market do not accommodate him, on the other hand, we can be sure this is a book about dance. In an informal writing, Zdenek builds many paths and even the apparently disconnected ones deal with dance and exude the overwhelming passion he felt about this art and his many occupations. Written in first person, Constante Movimento <\/em>shows us many aspects of Zdenek and also many aspects of dance in the development of something we could regard as a good-humored and productive chat with a friend. Exactly because we tend to believe, as he does, that \u201cthere is no other activity that offers such favorable conditions and atmosphere for friendships to emerge, as dance does\u201d.<\/span><\/p>\n

Without worrying about chronology, the dancer-writer reveals significant episodes of the history of dance, like the time when, leading a group of friends, he staged the daring show Festa da Pedra <\/em>(1989), enacted at plastic artist Francisco Brennand\u2019s atelier, an unprecedented feat, which inaugurated a different way to think about and make contemporary dance in Recife, opening new possibilities of creation and also dialogue among art forms. Zdenek was a pioneer who believed, above all, in the transforming power of dance, in the communicative force of gesture. For him, movement is always more powerful and effective than words and this statement conducts all the narratives of the book. Although he does not intend to talk about history, the author\u2019s memories work as windows that open and we can thus see, for example, how was the dance panorama and the reality in Brazil in the 70\u2019s, through the eyes of a \u201cgringo\u201d who, enchanted by the natural beauties (specifically the female human beauty) of the Copacabana beach, decided not to return to his homeland after the South American tour of the company in which he acted as soloist. If the \u201chistorian deals with a drained temporality, with what is not seen or lived, that is only accessible through signs of the past that reach him, as Pesavento defined, Zdenek Hampl\u2019s book follows exactly the opposite direction, since it is essentially made of words of what was experienced. And, in this case, it seems he could not and did not want to separate the professional from the personal. The dance and the life experiences mingle in every line of Constante Movimento, and from this mixture many lessons emerge. And even if the author didn\u00b4t consider his book to be didactic, he does has a lot to teach.<\/span><\/p>\n

The critical tone that punctuates the whole conversation does not hide the pedagogical worry of zealous and dedicated teacher Zdenek, as is revealed is some parts: \u201cFor dance to be as rich and efficient as we wish, it\u00b4s not enough to learn only one, or even many techniques. We must learn everything within our reach, study or at least observe everything possible. I assert with confidence: even what apparently doesn\u00b4t have anything in common with dance now, one day will\u201d. Having said that, and with such vehemence , it is hard not to believe. Aligned with contemporary thought, Zdenek brings pertinent reflections for those who work with dance and that also helps to demystify some issues and brings people closer to the universe of dance. \u201cTo begin with, \u2018beautiful\u2019 is a word with dubious meaning. How many times have I heard, when someone does something stupid, destroying something: Beautiful, eh? Now you have to clean everything! Some time ago, smoking was beautiful, now it\u00b4s disgusting. Values are relative, they change. So, the show was beautiful\u2026 It pleased the audience? Good for those who think so. However, I made the show to communicate something that will not necessarily please everyone. A cell phone bought a year ago is already outdated and that\u00b4s what happens in every imaginable area. Why is it that only in dance the audience almost demands to see what it\u00b4s used to seeing?\u201d \u2013 Zdenek provokes. This is only one of many instigating discussions Constante Movimento<\/em> offers. At the same time it cannot be considered an autobiography, didactic manual or historical dance narrative, Zdenek\u2019s book manages to be a little of each. Therefore, it is appropriate to cite here Roberto Pereira\u2019s explanation about the nature of this kind of writing, fortunately frequent in the Brazilian bibliography about dance: it is a \u201clittle instrumentalized narrative, bathed by a lived, passionate immensity, built upon the every day work of the dancer, choreographer and dance teacher\u201d.<\/span><\/p>\n

Why read Zdenek Hampl? Maybe to understand what made him the choreographer that changed the concept of contemporary dance in Pernambuco; or to deepen the knowledge and reflections about such subjects. For those who study, work or simply appreciate dance, Constante Movimento can be a good starting point. And the better part is that the reader is previously authorized (by the author) to choose any of the paths offered in the varied menu of possibilities in this reading. And for those who feel alien to the dance universe, to be carried away by the emotion that conducted that work and life of Zdenek Hampl may be a good suggestion, if not to become a professional dancer, at least to experiment dance, in some way. Constante Movimento<\/em> is an opening of the heart, a letter that describes the challenges, the strategies, the difficulties and benefits of this art, but it is, above all, an open invitation to dance, for all the people of all ages and with no side effects.<\/span><\/p>\n

“Everything that deals with the body is positive, with so excesses, of course. I just want to point out the fact that dance demands a lot more than just sweat. The compensation during and after is also infinitely larger, superior. No choreography is like the other, no show will be the same as the next one and thus we keep learning, always recycling ourselves. Not even if made an effort to make the shows exactly the same, the audience would always be different. It\u2019s the magical relationship stage-audience that brings so much emotion. (\u2026) I personally don\u00b4t believe the person could go through life without having ever danced. (\u2026) This feeling of happiness, of plenitude, those who haven\u00b4t experienced dance don\u00b4t know it.” (ZDENEK HAMPL)<\/span><\/p>\n

Christianne Galdino is a journalist<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Continuando a s\u00e9rie de resenhas que o idan\u00e7a come\u00e7ou a publicar no fim de 2008, a jornalista Christianne Galdino analisa o livro Constante Movimento, de e sobre o bailarino e core\u00f3grafo tcheco Zdenek Hampl, lan\u00e7ado em setembro. Leia e comente!<\/span>
\nContinuing the series of reviews idan\u00e7a started to publish at the end of 2008, journalist Christianne Galdinno analyses the book Constante Movimento, by and about Czech dancer and choreographer Zdenek Hampl, launched in September. Read and comment!<\/span><\/p>\n","protected":false},"author":121,"featured_media":9688,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[49,2963,28],"tags":[353,2796],"yoast_head":"\nZdenek Hampl em constante movimento | Zdenek Hampl in constant movement -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zdenek Hampl em constante movimento | Zdenek Hampl in constant movement -\" \/>\n<meta property=\"og:description\" content=\"Continuando a s\u00e9rie de resenhas que o idan\u00e7a come\u00e7ou a publicar no fim de 2008, a jornalista Christianne Galdino analisa o livro Constante Movimento, de e sobre o bailarino e core\u00f3grafo tcheco Zdenek Hampl, lan\u00e7ado em setembro. Leia e comente! Continuing the series of reviews idan\u00e7a started to publish at the end of 2008, journalist Christianne Galdinno analyses the book Constante Movimento, by and about Czech dancer and choreographer Zdenek Hampl, launched in September. Read and comment!\" \/>\n<meta property=\"og:url\" content=\"https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/idanca.net\" \/>\n<meta property=\"article:published_time\" content=\"2009-01-16T15:10:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-02T15:28:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/idanca.net\/wp-content\/uploads\/2009\/01\/zdenekhampl.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"200\" \/>\n\t<meta property=\"og:image:height\" content=\"289\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Christianne Galdino\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Christianne Galdino\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"14 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/\",\"url\":\"https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/\",\"name\":\"Zdenek Hampl em constante movimento | Zdenek Hampl in constant movement -\",\"isPartOf\":{\"@id\":\"https:\/\/idanca.net\/#website\"},\"datePublished\":\"2009-01-16T15:10:57+00:00\",\"dateModified\":\"2023-05-02T15:28:15+00:00\",\"author\":{\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/f18068470a6f89768082ad6f03de255c\"},\"breadcrumb\":{\"@id\":\"https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/idanca.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Zdenek Hampl em constante movimento | Zdenek Hampl in constant movement\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/idanca.net\/#website\",\"url\":\"https:\/\/idanca.net\/\",\"name\":\"\",\"description\":\"portal de not\u00edcias sobre dan\u00e7a brasileira e internacional\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/idanca.net\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/f18068470a6f89768082ad6f03de255c\",\"name\":\"Christianne Galdino\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/idanca.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/fe6c4ea325322f07566ed9bd6d03c1a0?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/fe6c4ea325322f07566ed9bd6d03c1a0?s=96&d=mm&r=g\",\"caption\":\"Christianne Galdino\"},\"description\":\"pesquisadora de dan\u00e7a, jornalista recifense, com p\u00f3s-gradua\u00e7\u00e3o em Jornalismo Cultural (Universidade Cat\u00f3lica de Pernambuco-UNICAP) e mestranda do Programa em Extens\u00e3o Rural e Desenvolvimento Local-POSMEX, da Universidade Federal Rural de Pernambuco (UFRPE). Colaboradora da revista Continente Multicultural e membro da coordena\u00e7\u00e3o do Movimento Dan\u00e7a Recife\",\"sameAs\":[\"http:\/\/\"],\"url\":\"https:\/\/idanca.net\/author\/chrisgaldino\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Zdenek Hampl em constante movimento | Zdenek Hampl in constant movement -","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/","og_locale":"pt_BR","og_type":"article","og_title":"Zdenek Hampl em constante movimento | Zdenek Hampl in constant movement -","og_description":"Continuando a s\u00e9rie de resenhas que o idan\u00e7a come\u00e7ou a publicar no fim de 2008, a jornalista Christianne Galdino analisa o livro Constante Movimento, de e sobre o bailarino e core\u00f3grafo tcheco Zdenek Hampl, lan\u00e7ado em setembro. Leia e comente! Continuing the series of reviews idan\u00e7a started to publish at the end of 2008, journalist Christianne Galdinno analyses the book Constante Movimento, by and about Czech dancer and choreographer Zdenek Hampl, launched in September. Read and comment!","og_url":"https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/","article_publisher":"http:\/\/www.facebook.com\/idanca.net","article_published_time":"2009-01-16T15:10:57+00:00","article_modified_time":"2023-05-02T15:28:15+00:00","og_image":[{"width":200,"height":289,"url":"https:\/\/idanca.net\/wp-content\/uploads\/2009\/01\/zdenekhampl.jpg","type":"image\/jpeg"}],"author":"Christianne Galdino","twitter_misc":{"Escrito por":"Christianne Galdino","Est. tempo de leitura":"14 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/","url":"https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/","name":"Zdenek Hampl em constante movimento | Zdenek Hampl in constant movement -","isPartOf":{"@id":"https:\/\/idanca.net\/#website"},"datePublished":"2009-01-16T15:10:57+00:00","dateModified":"2023-05-02T15:28:15+00:00","author":{"@id":"https:\/\/idanca.net\/#\/schema\/person\/f18068470a6f89768082ad6f03de255c"},"breadcrumb":{"@id":"https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/idanca.net\/zdenek-hampl-em-constante-movimento\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/idanca.net\/"},{"@type":"ListItem","position":2,"name":"Zdenek Hampl em constante movimento | Zdenek Hampl in constant movement"}]},{"@type":"WebSite","@id":"https:\/\/idanca.net\/#website","url":"https:\/\/idanca.net\/","name":"","description":"portal de not\u00edcias sobre dan\u00e7a brasileira e internacional","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/idanca.net\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"pt-BR"},{"@type":"Person","@id":"https:\/\/idanca.net\/#\/schema\/person\/f18068470a6f89768082ad6f03de255c","name":"Christianne Galdino","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/idanca.net\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/fe6c4ea325322f07566ed9bd6d03c1a0?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/fe6c4ea325322f07566ed9bd6d03c1a0?s=96&d=mm&r=g","caption":"Christianne Galdino"},"description":"pesquisadora de dan\u00e7a, jornalista recifense, com p\u00f3s-gradua\u00e7\u00e3o em Jornalismo Cultural (Universidade Cat\u00f3lica de Pernambuco-UNICAP) e mestranda do Programa em Extens\u00e3o Rural e Desenvolvimento Local-POSMEX, da Universidade Federal Rural de Pernambuco (UFRPE). Colaboradora da revista Continente Multicultural e membro da coordena\u00e7\u00e3o do Movimento Dan\u00e7a Recife","sameAs":["http:\/\/"],"url":"https:\/\/idanca.net\/author\/chrisgaldino\/"}]}},"_links":{"self":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts\/9687"}],"collection":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/users\/121"}],"replies":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/comments?post=9687"}],"version-history":[{"count":1,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts\/9687\/revisions"}],"predecessor-version":[{"id":28082,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/posts\/9687\/revisions\/28082"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/media\/9688"}],"wp:attachment":[{"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/media?parent=9687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/categories?post=9687"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idanca.net\/wp-json\/wp\/v2\/tags?post=9687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}